Sunday 23 June 2024

Once (3 Stars)


An unnamed busker plays songs on the street of Dublin. He doesn't earn enough to live on, so he also works in his father's vacuum cleaner repair shop. I doubt he earns much, but he's allowed to live and eat at his father's house.

One day he meets a Czech girl, also unnamed, and he begins to have feelings for her, especially when he finds out she's a talented piano player. So it's a typical romantic comedy? Not quite. She's married, though her husband still lives in the Czech Republic. The man is trying to raise money to record a demo disc so he can go to London and become a big star. If only it were that easy.

I'll stop my description of the plot there. The problem is that the film doesn't go anywhere. There are a lot of songs, so many that it's obvious they're padding out the film. Can't the critics see this? "Once" has a 97% rating on Rotten Tomatoes that it doesn't deserve. The film won an Oscar for the best original song.

Nowadays people say films shouldn't be predictable. "Once" is an example of a film that would have been more enjoyable if it had been predictable. Throughout the film the man and woman are growing closer together, but in the end nothing happens. He goes to London by himself, and her husband arrives from the Czech Republic. The romance that we expect to happen doesn't happen, and it's disappointing. A predictable romantic comedy would have been better.

Success Rate:  + 153.3

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8 Mile (4 Stars)


It's amazing how my tastes can change over the years. I remember watching "8 Mile" on television about 20 years ago. I hated it. I had (and still have) an aversion to rap music, and I disliked Eminem. In 1997 I was unemployed for a few months, and I sat at home watching MTV. Eminem, who wasn't popular at the time, appeared on Spring Break shows. He really wasn't talented. He just jumped around shouting "Yo! Yo! Yo!" into the microphone. I admit that he improved in the following years, but I still don't like rap.

Seeing the film again today, I was drawn in from the first few minutes. It shows the utter poverty in Detroit in the late 20th Century. B-Rabbit, played by Eminem, lives in a trailer with his mother and younger sister. Later in the film they're threatened with eviction for non payment of rent. You can be evicted from a dump like that?

B-Rabbit is an underdog. He's one of very few white men in a black neighbourhood. He has friends, but he's still an outsider. He wants to succeed as a rapper, which is typically black man's music. He takes part in battle rap events. Battle rap supposedly began in the 1980's, but it was the film "8 Mile" that introduced it to the masses. Two rappers have a short time to improvise rap in which they insult each other. The audience votes for the person whose rap was best, i.e. the most insulting. After showing himself up by freezing in a battle, B-Rabbit builds up his courage to take part in a big rap battle, despite intimidation from his opponents.

I had difficulty reconciling the shy young man with the fierce rapper on the microphone, but I can understand it. The rapper puts on an act.

I like "8 Mile" a lot and I intend to rewatch it on Netflix. But I still don't like rap.

Success Rate:  + 3.9

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Thursday 20 June 2024

Die Kinder aus Korntal (4 Stars)


It's not often that a documentary film is almost sold out. The reason is that the film is of local interest. The title means "The Children from Korntal", and Korntal is a small town, approximately 10,000 inhabitants, that lies on the northern border of Stuttgart. It was an independent town until 1975, when it became part of the larger town Korntal-Münchingen. The joining of these two towns was unpopular with the residents of Münchingen, who considered themselves a village with an independent character, but today, 50 years later, Münchingen has changed. More than half of the village is made up of new housing estates, and only a handful of the old residents are still bitter about the linking to Korntal.

Korntal is often called "Holy Korntal". The reason is that its character is shaped by a free church in the town's centre, the Brüdergemeinde. The literal translation is "Brethren Church", but it has nothing to do with the international Brethren movement. It's an independent church founded on Puritan principles. In the early 19th Century only members of the Brüdergemeinde were allowed to live in Korntal, but the restriction has long been lifted.

The subject of the film is the children's homes run by the Brüdergemeinde, in particular from the 1960's to the 1980's. They were the biggest scandal in recent German history. It was bad enough that children were mistreated in children's homes, but it was worse that they were run by a Christian church.

The film started with the cruel treatment of the children. After lights out the children weren't allowed to go to the toilet. If a child wet his bed, he was beaten in the morning. The usual solution was that any child who needed to go peed in a cup and drank it. A former member of the children's home who was sitting next to me verified this.

The film went on to the sexual abuse of the children. It seems that this didn't happen in all 14 of the homes. The man sitting next to me told me that he never experienced sexual abuse in his home. Detlev Zander, one of the men in the documentary, said he was raped by the caretaker from the ages of 4 to 14. When he was young he didn't know what was happening. He was bleeding from behind, so he asked the woman in charge of his home for help. She hit him and sent him to bed. He never complained again.

It was also women who abused the children. A sister left Korntal when she became pregnant from a 12-year-old boy.

People in the documentary accuse Fritz Grünzweig, who was the church's priest at the time. He was well known for violently hitting any children who answered Biblical questions incorrectly. He didn't participate in the sexual abuse, but they say he must have known about it. They call him an evil man.

Detlev Zander was the first person to speak about the abuse in 2014. This encouraged 140 other victims to speak about their abuse. Court cases against the abusers haven't been possible, because most of them are dead. He's asked for compensation of 1.7 million Euros to be distributed among the victims. That's not much. One woman complained that her cut of 10,000 Euros is pitiful for years of being raped.

The reaction of the church was unbelief. Even today many church members deny that it ever happened. They're angry about the compensation claims, because the church is founded solely by their donations. The film has interviews with church members who refuse to pay for things that happened 50 years ago. They say it's time to forgive and forget.

A frequent participant in the documentary is Jochen Hägele, the church's priest until 2022. Evidently most of the cinema audience knew him. Whenever he spoke the audience either laughed or reacted angrily. He's obviously a person trying to take a middle ground, but his remarks border on ridicule. For instance, when asked about the large number of suicides by the children he replied that it's impossible to generalise. Each suicide should be treated individually. If 16 children in the homes killed themselves, it shouldn't be assumed that it was always because of abuse; each child had a different reason. Nobody in the audience took him seriously.

A lot more is said in the film, but I don't want to repeat everything. Watch it yourself. The film probably won't be shown on general release. It was only shown once in Stuttgart. It will probably be available for streaming.

Before anyone comments on this post, let me emphasise that I'm only repeating what was said in the documentary. Before watching the film I had every little knowledge of the events. If anyone wants to say "It's all lies", please take it up with the director Julia Charakter, not with me.


After the film there was a podium discussion with Julia Charakter, Detlev Zander and another lady whose name I've forgotten. The audience members were invited to ask questions or make general remarks. All the people who came forward were former residents of the children's homes. Most of their remarks revolved around the fact that the Brüdergemeinde as an institution has never accepted responsibility. Because of this today's members are sharing in the guilt.



When I returned home I found out that my mother-in-law had died. She was 91 and has been suffering for years. She's been lying in a bed in an old people's home in Korntal for the last two years. The home is also run by the Brüdergemeinde. Before then she was in a wheelchair for almost 10 years. She lived in the same street as me, and I remember seeing her looking out of the window every day. What else did she have to do?

I never got on with my mother-in-law. Actually, it was the other way round. She never accepted me into the family. She was disappointed that her daughter didn't marry a farmer. My father-in-law was different. He was a wonderful man, and after the death of my father in 1983 I thought of him as a replacement father. Nevertheless, I would have visited her and sat talking with her, but my brother-in-law, an evil man called Wolfgang, didn't allow it. The last time I visited her, way back in 2017, he hit me in the face, and I had to call the police. A short time later I was sent a legal document forbidding me to enter the house. By doing this he harmed his mother, but he never had any affection for her. A few years later she went into the old people's home, and I visited her frequently.

Sunday 16 June 2024

Inside Out 2 (4 Stars)


When writing about "Inside Out" yesterday I failed to mention that I was watching the Blu-ray in preparation for watching the sequel in the cinema today. There was a nine year gap between the two films. Normally that would be enough for me to have doubts about the quality. Delayed Sequels are a curse. In this case I was more hopeful, because I read that the sequel was planned earlier but delayed by the Corona pandemic.

"Inside Out 2" begins two years after the events of the first film. Riley is now 13. In her head quarters (sic) there's an alarm about something called Puberty. The five emotions at the console (Joy, Sadness, Anger, Fear and Disgust) have no idea what it is. After all, they were born at the same time as Riley herself. If they'd been paying more attention to the outside world they might have found out about it.

As a result, the console has to be resigned by workers. An additional result – which doesn't really make sense in my opinion – is that four new emotions move into the head quarters: Anxiety, Envy, Embarrassment and Ennui. These new emotions evict the old emotions and take over the control of Riley's life.

One criticism is that the subject of Puberty isn't expounded on later in the film.

Judging by initial box office reports, this film will probably be even more successful than the first. My initial impression is that it isn't as good as the first, but it's still very good. Oliver enjoyed it. The cinema was more than half full. Mostly it was parents with children, but it was noticeable that there were a lot of adults without children. This is a film for young and old.

Saturday 15 June 2024

Inside Out (5 Stars)


After careful consideration. I've finally upgraded this brilliant film to a five star rating. I admit that I'm biased against animated films, so it was a difficult choice. I was influenced by the Blu-ray's extra  features which spoke about the psychological studies that went into making the film. I shan't go into it today. I'll just discuss one of my pet hates highlighted by this Blu-ray (and DVD) release.


This is the German Blu-ray cover. As you can see, the title is "Alles steht Kopf", which literally means "Everything is upside down". Hmmm. I don't like that title, but it'll do.

My regular readers know that I've been living in Germany for the last eight years. As a result, I usually buy the German editions of films on Blu-ray. They have dubbed German dialog, but they usually include the original English dialog as an alternative. Almost always. "Seneca" is a notable exception.

If this were the usual state of affairs I'd be happy. But the trouble is that English language films are sometimes manipulated. I bought the German edition of "Inside Out" five years ago, but I hate it so much that I've rebought the English edition. Look at the following two screen shots. I've added the subtitles.


This is the scene from the English Blu-ray in which Bing Bong explains the sign above a door to Joy and Sadness.


This is the same sign from the German Blu-ray. Note that it's been changed into German. That's not too bad if the Blu-ray is watched in German.


But look what happens if you watch the German Blu-ray edition with English dialog. Terrible! It no longer makes sense, unless watched by someone who understands both English and German. In that case it's understandable but annoying. The German Blu-ray isn't suitable for viewing in English.

This corruption of film material is usually only carried out in big budget blockbusters. Another example is "Into the Spider-Verse". For smaller films an extra subtitle is added below important signs. That's more sensible. I should be given my money back for corrupted German Blu-rays.

Success Rate:  + 2.9

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Monday 3 June 2024

Fear The Night (3 Stars)


Maggie Q plays Tess, a former soldier who's served in Iraq. Her younger sister Rose is having a bachelorette party in the farm house where they grew up, a remote building that now stands empty. Apart from Tess and Rose, there are their older sister Beth and five other friends.

In the evening the house is attacked by men who are looking for money hidden in the house. Tess is the only one with the skills to fight against the attackers. She takes the lead against them, but one by one the women are killed.

The film is a mess. There's no character development. With the exception of Tess and Beth, we hardly know the women. We have no empathy with them when they're killed. The story doesn't make sense. Why do the men have to attack the house when the women are celebrating at the weekend? They could have entered the house a few days earlier or later when it was empty. I would have rated the film even lower if not for the excellent acting by Maggie Q.