"Police Story 4: First Strike" (1996) is a strange entry in Jackie Chan's most
famous series because it barely resembles a Police Story film at all. The
gritty Hong Kong police work of the previous films has disappeared, replaced
by an international spy adventure involving the CIA, Russian agents, nuclear
warheads and globe-trotting locations from Ukraine to Australia. It's closer
to a light-hearted James Bond film than anything suggested by the title.
The biggest problem is the screenplay. Jackie spends the film chasing one
person after another, yet it's surprisingly difficult to understand who's
working for whom. Double-crosses, secret agents and smugglers are introduced
so quickly that the story becomes little more than an excuse to move Jackie
from one spectacular stunt to the next. Even by the end, many viewers may
struggle to explain exactly why half the fights happened.
Fortunately, Jackie Chan's action choreography is as inventive as ever. The
ladder fight in the warehouse is one of his greatest comic action sequences,
the underwater shark encounter is unforgettable and the film rarely goes more
than a few minutes without another dazzling stunt. Stanley Tong directs the
action with tremendous energy, even if the plot never catches up.
"First Strike" is entertaining if you stop worrying about the story and simply
enjoy Jackie Chan risking his life for your amusement. As a spy thriller it
barely makes sense. As a Police Story film it feels completely out of place.
It's an action spectacle held together almost entirely by the charisma and
athletic brilliance of its star.

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