Saturday, 21 March 2020

Marvel Years 12.09 - September 1972


This month Marvel starts a new comic, Werewolf by Night, the ninth new comic since March. Slowly we have to ask ourselves if Marvel is overreaching, expanding too fast.

Werewolf by Night #1

Title: Eye of the Beholder

Writer: Gerry Conway
Artist: Mike Ploog

Villain: Miles Blackgar, Marlene Blackgar

Regulars: Lissa Russell, Philipp Russell, Buck Cowan


This story continues directly from Marvel Spotlight #4. The Werewolf has been turned into a stone statue by Marlene Blackgar's stare. That would be horrific in itself, but worse still, he can still think. Will he have to suffer in this frozen form forever?

Not forever. Only until sunrise. When the Werewolf turns back into Jack Russell the spell is broken. Buck Cowan finds him unconscious in the grounds of the castle.

Jack retrieves the mystic book, the Darkhold. Marlene and Miles Blackgar take Jack's sister Lissa as hostage to force him to give the book back. At night he turns into the Werewolf. Marlene tries to tun him into stone again, but he closes his eyes, and he's standing in front of a mirror. This turns Miles and Marlene herself into stone.

This is a very well written story, especially the epilogue, the last three pages after the action when the Werewolf is wandering through the woods.

The Crazy Credits say that Irving Forbush is the stone-cutter.




Avengers #103

Title: The Sentinels are alive and well!

Writer: Roy Thomas
Artist: Rich Buckler

Avengers: Thor, Iron Man, Captain America, Hawkeye, Quicksilver, Scarlet Witch (flashback), Vision

Villain: Grim Reaper (flashback), Sentinels, Blob (flashback), Unus (flashback), Vanisher (flashback), Mastermind (flashback)

Regulars: Rick Jones

Guests: Nick Fury


Why is Iron Man showing off his beautifully tanned legs today? Does he want to compete with Hawkeye? Or did the colourist just blunder? The colourists aren't usually named in the credits, because the art is drawn and the page layout is made before the decision is made who will colour the comic. However, we know from replies to reader letters that Marie Severin is the main person who coloured the super-hero comics. If that's the case, maybe she just likes men's legs.

Quicksilver is searching for his sister Wanda by himself. He goes to Larry Trask, whose father created the Sentinels. Larry says he has no knowledge of the Sentinels, but after Quicksilver removes the amulet round Larry's neck, his memory returns. The Sentinels have a secret base in the Australian outback. The amulet also suppressed Larry's mutant powers; he can see the future.

The other Avengers receive a warning that there are solar flares which threaten the Earth. They're being provoked by rays from a location in Australia. That's hardly a coincidence. The Avengers travel to Australia, refusing help from Rick Jones, who thinks he's something special after defeating the whole Skrull Empire single handedly in Avengers #97. Poor kid. In Australia they battle the Sentinels.

Larry Trask has a vision that the Avengers will be killed and the world will be destroyed.




Captain Marvel is back, after a two year hiatus. Unfortunately, Roy Thomas is no longer the writer, but be patient. After a few issues Jim Starlin will take over and produce some of the best Marvel comics ever.

Captain Marvel #22

Title: To live again!

Writer: Gerry Conway
Artist: Wayne Boring

Villain: Megaton (Jules Carter)

Regulars: Rick Jones, Lou-Ann Savannah


Rick Jones is walking away despondently after being rejected by the Avengers earlier this month. Now he sees a vision of Captain Marvel, who he thought had died after giving his life force to save him in Avengers #97. Captain Marvel tells him that he's still alive, somehow contained in Rick's body, and he needs to be let out. Rick refuses.

Rick Jones meets a young singer called Lou-Ann Savannah in a club. He takes her home, tells her all his problems, then collapses. (I'm sure there's a joke in there somewhere). Her uncle, a skilled scientist examines him. He bathes Rick's body with photon rays, which turns Rick into Captain Marvel.

A man called Jules Carter has been turned into a monster by radiation. He now calls himself Megaton, the Nuclear Man. He goes on a rampage, and Captain Marvel prepares to attack him.

You might be wondering who the artist for this comic is. Wayne Boring worked for DC from the 1940's to the 1960's, and is best remembered for his work on Superman. He left DC, together with several other writers and artists, because DC refused to give its staff medical insurance. He drew a few comics for Marvel, starting with Captain Marvel #22. After that he changed his career and became a bank security guard. That's truly boring, but at least he got medical insurance.




There's something that annoys me about this cover. Did you notice it? Ever since Fantastic Four #4 the series has been labelled "The World's Greatest Comic Magazine". This issue it's been changed to "The World's Greatest Comix Magazine". Ugh! Roy Thomas should be ashamed of himself! Luckily it will only last for five issues; in Fantastic Four #131 the old title will return.

Fantastic Four #126

Title: The way it began!

Writer: Roy Thomas
Artist: John Buscema

Fantastic Four: Reed Richards, Susan Richards, Ben Grimm, Johnny Storm

Villain: Doctor Doom (vision), Mole Man (flashback)

Regulars: Alicia Masters


This is the first issue of the Fantastic Four after Stan Lee left for good. Roy Thomas commemorates the occasion by giving a recap of the Fantastic Four's origin, for the latecomers who missed Fantastic Four #1 in 1961. Then he goes on to retell the story of the Fantastic Four's first battle with the Mole Man, also from Fantastic Four #1.

This is a very well written homage to Stan Lee and Jack Kirby's early masterpiece, the comic that kicked off Marvel as we know it.




Amazing Spider-Man #112

Title: Spidey cops out!

Writer: Gerry Conway
Artist: John Romita

Villain: Gibbon, Beetle (flashback), Doctor Octopus

Regulars: J. Jonah Jameson, Joe Robertson, Betty Brant, Aunt May (flashback). Anna Watson, Mary Jane Watson, Harry Osborn, Gwen Stacy, Flash Thompson


Spider-Man is worried about his Aunt May leaving the city. He thinks someone might have kidnapped her. He wants to concentrate on finding her, which means that he ignores petty robberies; by petty I mean robberies where super-villains aren't involved. As a result, the Daily Bugle publishes headlines calling him a coward.


Eventually Spider-Man witnesses gang fights which are too dangerous to ignore. The crooks are wearing metal harnesses that enhance their strength. He carries a harness away to examine it, and Doctor Octopus attacks. This is a wonderful final page by John Romita, and it's a well-written story by Gerry Conway. We haven't seen Doctor Octopus since Amazing Spider-Man #90, so I'm glad that Gerry Conway has brought him back instead of constantly inventing new super-villains.




Iron Man #50

Title: Deathplay!

Writer: Mike Friedrich
Artist: George Tuska

Villain: Super-Adaptoid, Princess Python, Cyborg

Regulars: Marianne Rodgers

Guests: Jarvis


Iron Man manages to plug himself into a power supply in Avengers Mansion before it's too late. He barely avoids being detected by Jarvis, when he comes to investigate the noise.

Marianne Rodgers flees, still afraid that she'll cause Tony Stark's death.

The Super-Adaptoid loses his mimicking powers. This is in connection with two men oberving him from a sub-atomic world.

Princess Python wants to kidnap Tony Stark. In the past we've only seen her as a member of the Circus of Crime, for instance in Thor #173. It's good to see her in action by herself.

Iron Man easily defeats Princess Python. In the fight her snake is killed. She swears revenge.




Sub-Mariner #53

Title: And the Rising Sun shall fall!

Writer: Bill Everett
Artist: Bill Everett

Villain: Sunfire, Dragon Lord


Sub-Mariner persuades Sunfire to help him save the ship, or at least its contents, because the defoliants will destroy all life on Earth.

After they finish their mission, they return together to Dragon Lord's island.




The Incredible Hulk #155

Title: Destination Nightmare!

Writer: Archie Goodwin
Artist: Herb Trimpe

Villain: Shaper, Captain Axis (Kronsteig), Doctor Doom (flashback)

Regulars: General Ross, Major Talbot, Betty Ross

Guests: Ant-Man


Bruce Banner shrinks ever smaller, falling through worlds, until he reaches a city that looks like New York, but he's in the middle of a Nazi invasion. Now listen carefully while I explain this. It's complicated, but it all makes sense.

A Nazi scientist called Kronsteig went to work for Doctor Doom after World War Two. He helped develop the shrinking ray that Doctor Doom used in Fantastic Four #10. Kronsteig himself was the first test subject. He fell into a microworld that was ruled by a powerful being called the Shaper. The Shaper changes worlds to take on the appearance of people's dreams. When the Shaper saw Kronsteig's dreams of the Third Reich invading America, he set it up as a war.

It may be based on a dream, but everything in it is real. The deaths are real. The Hulk joins in the war on the side of the American army. When the Nazis are almost defeated, Kronsteig tells the Shaper that it's unfair, so the Shaper allows him to dream of a way to achieve victory. Kronsteig becomes a Nazi super soldier called Captain Axis.

The Hulk still wins, killing Kronsteig. The Shaper tires of his game. He casts the Hulk into the void, and he leaves the planet.




I'm very excited about this issue. Today is the first time I read it. In fact, I didn't read any of the Steve Englehart Captain America issues, because they weren't sold in England at the time, at least not in any of the shops I visited.

Captain America and the Falcon #153

Title: Captain America, Hero or Hoax?

Writer: Steve Englehart
Artist: Sal Buscema

Villain: Captain America, Bucky – really!

Regulars: Sharon Carter, Nick Fury, Countess Valentina


Nick Fury challenges Captain America to a fight, man to man, over Countess Valentina. The fight doesn't stop until Valentina herself arrives to break it up.

Sharon Carter quits SHIELD, which is what Captain America has wanted for years. They go on a vacation to the Bahamas.

While they're gone, the Falcon hears stories about a costumed white man beating up black men in the neighbourhood. He goes to investigate, and he finds it's Captain America and Bucky. Wow! We didn't see that one coming.

I'm looking forward to reading the next 30 issues with Steve Englehart.




Thor #203

Title: They walk like Gods!

Writer: Gerry Conway
Artist: John Buscema

Villain: Karnilla, Ego Prime

Regulars: Odin, Balder, Sif, Hildegarde, Heimdall, Fandral, Hogun, Volstagg

Guests: Tana Nile


Thor is powerless, separated from his hammer. When he finally reverts to Donald Blake after 60 seconds, the explosion clears the rubble, and he can take it once more.

Karnilla bursts into Odin's throne room to plead for Balder's life. He confesses that he's been playing a game.

Thor and his comrades fight valiantly, but they can't defeat Ego Prime. Heimdall arrives with three humans, Jackson Kimball, Carter Dyam and Chi Lo. They stand passively. Confident of his victory, Ego Prime fires an energy blast to destroy Thor and everyone with him. The three humans absorb the energy, while Ego Prime withers and dies.

Odin announces that the game is complete. The intention was to create three new Gods, and only Ego Prime's power could do it. Thor is angry at having been used, even when Odin undoes all the damage on Earth




Daredevil #91

Title: Fear is the Key!

Writer: Gerry Conway
Artist: Gene Colan

Villain: Mr. Fear (Larry Cranston)

Regulars: Black Widow, Ivan, Danny French


The Black Widow saves Daredevil's life, but she thinks he's patronising her and not taking her seriously as a partner – which is probably true – so she says their partnership as crime fighters is over.

The Black Widow then follows Danny French. She finds him engaged in a petty blackmail. She asks him about the globe he stole from Project Four, and he says he was never able to use it.

Daredevil has been suspecting Mr. Fear was responsible for his recent fear attacks, but Starr Saxon died in Daredevil #55 after taking over the identity of the original Mr. Fear, Zoltan Drago. In actual fact, Matt Murdock's former friend from university, Larry Cranston, stole the fear gas from Zoltan Drago before he died.

When Daredevil returns home, Ivan tells him that Natasha has disappeared.




Marvel Feature #5

Title: Fear's the way he dies!

Writer: Mike Friedrich
Artist: Herb Trimpe

Villain: Egghead

Regulars: Wasp


Now trapped at ant size, Henry Pym has to fight for his life against birds and other predators.

In one of the Mighty Marvel Coincidences (MMC), he sees Egghead fighting with a girl. Egghead is one of Ant-Man's oldest foes, but we last saw him in Avengers #65. He helps her escape. It's Egghead's niece, Trixie Starr. He wants to use her in his experiments. That's sick! His own niece? Really sick!

Trixie sews a new costume for Ant-Man. It must be really fiddly at that size. Egghead finds them and takes them back to his laboratory. After a fight, Ant-Man blows up the lab, and Egghead dies. Seemingly.

Henry Pym returns home, and he finds his wife unconscious on the floor.




Marvel Premiere #4

Title: The Spawn of Sligguth!

Writer: Roy Thomas, Archie Goodwin
Artist: Barry Smith

Villain: Sligguth

Regulars: Ancient One, Wong


A quick question about the splash page. Why is Doctor Strange called Stephen Strange? His name was changed to Stephen Sanders in Doctor Strange #182. Or did I miss something?

Doctor Strange returns home after battling Nightmare last issue. There's a man called Ethan Stoddard waiting for him. He's asking for help, because he fears his girlfriend has suffered harm while researching mystical arts, in particular the Thanatosian Tomes, in the New England town of Starkesboro. Or Starksboro. The letterer John Constanza can't make his mind up. He spells the town's name Starkesboro six times, then Starksboro three times on one page, and finally Starkesboro another seven times.


Doctor Strange agrees to accompany Ethan on a journey to Starkesboro. And he enjoys a hot dog on the way.

The town is the centre of a demon cult. Everyone worships a creature called Sligguth, who they want to bring back into the world. Doctor Strange is part of the plan. Ethan was sent to lure him.




Amazing Adventures #14

Title: The Vampire Machine

Writer: Steve Englehart
Artist: Tom Sutton

Villain: Quasimodo (Quasi-Motivational-Destruct-Organism)

Regulars: Vera, Patsy Walker, Buzz Baxter

Guests: Iron Man


The Beast visits Iron Man to make sure he's still alive. He saw Iron Man die in an illusion created by Mastermind in Amazing Adventures #12.

The Beast has to go to Brand Corporation at night to retrieve the missing parts of his costume. He only has his rubber face mask at home. The guards tell him they've seen the Beast. He goes to investigate, and he meets Quasimodo, who we last saw in Captain Marvel #7. Quasimodo has heard about the Beast, and he thinks he can use his body for himself.

After a fight Quasimodo falls and dies – seemingly – and the Beast loses his powers, though not his hairy appearance.




Tomb of Dracula #4

Title: Through a mirror darkly!

Writer: Archie Goodwin
Artist: Gene Colan

Regulars: John Drake, Clifton Graves, Rachel Van Helsing, Taj, Ilsa Strangway

Kills: None (total 4)

Embraces: One woman (total 3)


Ilsa Strangway bargains with Dracula. If he embraces her she will give him a black mirror that acts as a portal to another time.

Ilsa goes out to feed after becoming a vampire. She's disappointed, because she doesn't look younger. She misunderstood vampire lore. She thought that drinking blood would take 20 years off her life. See the first rule for vampires below.

Dracula attempts to step through the mirror into another Century. Taj attacks him, and they tumble through the mirror together.

The rules for Marvel's Dracula:

When a vampire grows old, drinking blood makes him revert to the age he was when he became a vampire.

All vampires can turn into bats, not only Dracula.



Non-canon comics published this month:

Marvel Team-Up #4 (Gerry Conway, Gil Kane)

Conan the Barbarian #18 (Roy Thomas, Gil Kane)
Kull the Conqueror #4 (Gerry Conway, Marie Severin)
My Love #19 (Steve Englehart, Paty Cockrum)
Sgt. Fury and his Howling Commandos #102 (Gary Friedrich, Dick Ayers)
Red Wolf #3 (Roy Thomas, Syd Shores)
Rawhide Kid #103 (Larry Lieber, Larry Lieber)
Creatures on the Loose #19 (George Effinger, Gil Kane)



I mentioned the subject of Stan Lee's ascension to publisher last month, in my review of Fantastic Four #125. This month an official announcement was published.


That's it. Marvel Phase One is over. Marvel Phase Two is beginning. Some comics fans don't like to attach an exact date, but as far as I'm concerned September 1972 is the beginning of the bronze age of comics. The silver age ran from November 1961 to August 1972.

Friday, 20 March 2020

Even Angels Eat Beans (3 Stars)


The film takes place in New York in the 1930's. Those were dark days of poverty and mass unemployment. It was practically impossible to make money by honest means.

Ex-wrestler Charlie, played by Italian superstar Bud Spencer, is visiting a soup kitchen run by the Salvation Army. He meets Sonny, who's only recently joined the Salvation Army. While they're talking, the police try to break up the soup kitchen, because it's being run without a license. Charlie and Sonny beat up the police, which impresses some gangsters who see the action. The two men are hired as enforcers by the mob boss Don Angelo.

While working in a speakeasy they see a man winning a lot of money at the roulette table, so they beat him up and take all his chips. Afterwards they're told that he's a US Senator, so they're given a job as debt collectors instead. This isn't a job they're good at. They have too much sympathy with the poor immigrants who're in debt. Unable to collect the debts, they steal money from a rival gang, which starts a gang war.


Despite enjoying the typical Bud Spencer humour, something irritated me about the film. It wasn't until the last half hour that I realised what the problem was. Bud Spencer can't play a bad guy. He's a good actor, but he's so big and cuddly that he just can't be taken seriously as a gangster walking the streets of New York with a machine gun. I cringed every time he got into gun fights, even though it was Sonny who killed the most people.

The film is only available on Blu-ray in Italian with German subtitles, but it's available on Amazon Prime dubbed into English. It's not a film I can recommend to Bud Spencer fans. He's too out of character.

Wahnfried: Trance 4 Motion (2000)


Wahnfried - Trance 4 Motion

Wahnfried 8

Klaus Schulze (keyboards)
Solar Moon (various instruments)

Track Listing:

1. Local Scanning 45:59
2. Aphrodesire 17:40
3. Global Midication 15:29

Rating: 4½ Stars

This is the eighth and last album that Klaus Schulze made using the pseudonym Richard Wahnfried. At least, it's the last Wahnfried album until now. Nobody knows for certain what he will do next year, but after 20 years without a Wahnfried allbum it's safe to assume there won't be any more.

It was originally released as the third disc of the limited edition box set, "Contemporary Works 1". The only guest musicians mentioned in the liner notes are the group Solar Moon on the third track. However, the liner notes also say that the guitar and vocals have been removed from earlier versions of "Local Scanning". I've read that "Local Scanning" was included on a CD-R given away in 1998. It would be interesting to compare the tracks, if I could get my hands on a copy of the CD-R. It's possible that the contributions of the other musicians were removed at short notice in 2000.

My overall rating of 4½ stars is the average of five stars for the first track and four stars for the other two tracks.

Typeface: Cheltenham


Cheltenham is a serif typeface developed in the late 19th Century. It's a very attractive typeface with thin strokes, similar to Times New Roman, but it's distinct in that it has a small x-height. This is best seen in sample texts, like the typeface name above. It's not so obvious from the character tables below.

Looking at the word "Cheltenham" reminds me of something I should have mentioned in my previous type face posts: the small letter T usually has a smaller ascender than the other small letters. This is the case with the other typefaces, but it stands out more clearly in the case of Cheltenham, because the ascenders are so large in comparison with the x-height.


Notice the quirks of the Cheltenham font. Unlike the other typefaces I've shown so far, the capital A has a small upward stroke which is almost like an additional serif. The capital J has a descender! The capital W has lines which cross in the middle.


This three-way comparison with Times New Roman and Century Schoolbook highlights Cheltenham's distinctive capital letters.


Cheltenham's italic font is interesting. The capital letters are merely tilted, with the exception of the A and the W. The A has lost its mini-serif at the top, and the centre strokes of the W no longer cross one another.

Just look at the small letters. Most of the modifications, such as the small A and F, are typical for italic serif fonts, but the small letter K has a descender, which is highly unusual. Another drastic modification is the small letter P. In the regular font the small P and Q are symmetrical, apart from the details of the serifs. In the italic font the small P is a completely new letter, with strokes that cross at the top left, and open at the bottom. Stunning!


The bold font becomes slightly more formal. The capital A still has its mini-serif at the top, but the capital J no longer has a descender, and the centre strokes in the capital W don't cross.

The numbers are a new design. The digit 1 has a bottom serif, which is missing in the regular font. The digits 3, 5 and 9 have new bulbs.


The bold italic font is based on the bold font rather than the italic font. The capital letters are tilted versions of the bold font. The quirks of the small letters are missing, i.e. the small K doesn't have a descender and the small P is closed. Curiously, the small letter F doesn't have a descender either. That's an unusual feature for a bold italic serif font.

I keep changing my mind which special characters to include in my character tables. I started with the currency symbols, pound, dollar and euro. Then I removed the euro symbol, because it's missing from some of my fonts. Then I added the ampersand and the German double S (which looks like the Greek beta). Now I've put the euro symbol back. I think I'll stick with these five special characters, but no promises. These characters are a useful inclusion for Cheltenham. Note that the italic ampersand is playfully light, unlike in the other three versions. The bold italic SS has no descender. There's a loop at the bottom of the pound symbol in the regular and the bold font, but it's missing in both italic fonts.

P.S. I know the 4 is missing from the last table. The digit is faulty in the font included with Word Perfect Office 2000. I'll have to correct it when I have time.

Thursday, 19 March 2020

Nurse (4 Stars)


You have to admit, "Nurse" is a very generic name for a film. It's so generic that it's usually called "Nurse 3D", as if the pseudo-3D deepening of an image were part of the film's title. Today I watched the 2D version of the film, so should I change the name to "Nurse 2D"? It's ridiculous.

Abby Russell is a nurse in a New York general hospital. I wish I could find a hospital where the nurses are dressed so sexily.


If Abby bent over my bed like that, my pulse would race and my blood pressure would go through the roof. Please, let me catch the Coronavirus fast. It would be worth it.

But the film isn't about what Abby does at work, it's about her hobbies. She detests married men who cheat on their wives. She's on a one-woman mission to defend women from cheaters. She picks up married men in bars, and if they want sex with her she kills them, after holding a small speech about how badly they've treated their wives. She doesn't actually have sex with the men, she doesn't want to soil herself, but she goes far enough for the men to feel guilty in their last minutes of life. For instance, in the pre-credits scene she gives a man a handjob before slashing him with a knife.


Some men are finished off fast, while she takes her time with others. She particularly dislikes one of her colleagues, Dr. Morris, so she straps him to an operating table and cuts his arms off. That's gotta hurt!

If she had limited herself to killing bad men I would have had sympathy with her, but she also treats women badly. She's attracted to a junior nurse, Danni, and when Danni rejects her romantic advances she frames her for the murder of one of her victims. Women should stick together.

The film was the subject of a court case after it was made in 2013. For some reason, the voice of the lead actress, Paz de la Huerta, was dubbed over. This was done against her will, so she sued the studio for compensation and demanded that her real voice be put back in the film. She lost the court case, so what I watched today was the version with another unnamed actress's voice.

This is a thrilling film. I enjoyed it a lot, and I need to watch it again soon.

Success Rate:  - 124.6

Order from Amazon.com
Order from Amazon.co.uk
Order from Amazon.de

The film has been released on Blu-ray in America and Germany, but it's only available on DVD in England. (I haven't checked other countries). Why should England be so backward?



Addendum on 28th May 2023

Today I received a strange message from Google's Blogger Team, probably an automated message. It claims that this post contains sensitive material, so the post has been put behind a warning screen. I was advised to read the Google policy guidelines, which I have done, and I see this post as a borderline case. I have also received similar messages about other posts which have no inappropriate material. Based on suspicious activity on my blog over the last two hours, it seems like my blog is being targeted by a malicious person who's reporting random posts in order to disrupt my blogging.

I have already appealed against the flagging of another post, "Bikini Carwash Company", reposting it without changes, and it has been re-instated. Thank you, Google. I have made minor changes to this post, and I wish you to re-evaluate it. If you nevertheless still consider it inappropriate, please give me a detailed description of what I have done wrong, and I shall accept the Google warning screen.

I have two wishes to Google:

1. Please re-instate my post as quickly as possible.

2. Please contact me from an email that I can reply to, so that we can avoid things like this happening again in future.

Klaus Schulze: The Crime of Suspense (2000)


Klaus Schulze - The Crime of Suspense

KS Canon 85

Track Listing:

1.Good Old 4 on the Floor 24:00
2. J. E. M. 17:25
3. Overchill 29:24

Bonus Tracks:

4. Ruins 04:34
5. Castles 04:15

Notes:
(1) Julia Messenger sings on tracks 1 and 3.
(2) Thomas Kagermann plays flute and violin and sings on track 2.

Rating: 5 Stars
Bonus Tracks: 5 Stars

This is the 35th solo album recorded by Klaus Schulze. The three tracks are distinct pieces of music, but they're mixed into one another. It was originally released as part of the limited edition box set, "Contemporary Works 1". The bonus tracks are taken from the CD "Adds & Edits", the 10th CD of the "Contemporary Works 1" box set.

This is a much better album than "Vanity of Sounds". Klaus Schulze's sequencer rhythms are subdued, but nevertheless powerful. The flute on "J. E. M." sounds very un-Schulze, if you know what I mean, but it nicely complements the sound. Julia Messenger's vocals fade into the background on the first track, but in "Overchill" her singing dominates the music.

Wednesday, 18 March 2020

The Sheriff and the Satellite Kid (4 Stars)


The town of Newnan in Georgia is in UFO fever. Everyone thinks he's seen aliens, or at least alien spaceships, but no two eyewitnesses give the same description. The only person who isn't caught up in the mania is the town's sheriff, played by Bud Spencer. The credits list his character as Sheriff Scott Hall, but he isn't named in the film, at least not in the dubbed German version that I watched today.

The irony is that it's the sheriff who makes the close encounter of the third kind. He meets someone who looks like a normal young boy, but he's from outer space. He accidentally beamed down while he was playing, because he pushed the wrong button. It happens. Children can do all sorts of things when they're not paying attention.


The sheriff is a practical person who's slow to believe in aliens, until the boy, whose name is H7-25, offers proof. He carries a photon cannon with him that can do almost anything. It can make horses talk English, and it can make fish jump out of the water into the sheriff's arms. The sheriff looks after H7-25, treating him like a son, but others are less noble. When a devious army captain sees the photon cannon in operation, he wants it for himself, thinking he can use it to conquer the world.


You might recognise H7-25. He's played by Cary Guffey, who appeared in "Close Encounters of the Third Kind".

This is a hilarious comedy. What I like about Bud Spencer's films is the ridiculous fight scenes, and there are two big fight scenes in "The Sheriff and the Satellite Kid". He's joined by Joe Bugner, a Hungarian boxer, who can fight almost as amusingly as Bud himself.

The film isn't currently available in English, but you can buy it in Italian or German.