Showing posts with label Daniel Day-Lewis. Show all posts
Showing posts with label Daniel Day-Lewis. Show all posts

Saturday, 18 November 2023

Phantom Thread (2 Stars)


Reynolds Woodcock is a dressmaker who lives and works in London. His company, which he calls the House of Woodcock, makes dresses for upper class women, including countesses and princesses throughout Europe.

While visiting a restaurant he's fascinated by Alma, a foreign waitress. Her nationality isn't stated, but it's a name popular in Spain and Hungary. Her accent sounds eastern European. She moves in with him, expecting a romance, but they sleep in separate rooms, and she has to share Reynolds with his sister Cyril, the woman he loves most. She fights in vain for his attention and a closer relationship.

The film was nominated for six Academy Awards, which I find remarkable. The pace is painfully slow, resulting in a dull movie. I can't relate to any of the characters. Reynolds is pedantic, Cyril is harsh and unfriendly, Alma is a girl who's too stupid to leave while she has a chance.

The film flopped at the box office. Obviously most film fans agree with me.

Success Rate:  - 0.6

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Tuesday, 4 January 2022

In the Name of the Father (5 Stars)



Name: Gerry Conlon
Lived: 1 March 1954 – 21 June 2014
Film shows: June 1974 – 19 October 1989
Film made in 1993

This is the second in my series of true stories that I'll be reviewing over the next two months. I gave a lot of thought to the ordering of the films. Should they be chronological, based on the birth date of the people? Should they be alphabetical, based on their names? Should I alternate between men and women? In the end I decided that the order should just be random. The trouble with any order I choose is that if I add a film at the end of the series it will be out of order. At present I have a list of 40 films, but it's possible that I'll add a film or remove one during the month. Actually, it's not a list; I have a box containing all the films I intend to watch in my room. In the cellar I have a small pile of the films that didn't make the list, and every time I look at it I wonder if it was right to omit them.


My regular readers know that I'm English. Some of you might know that I'm a patriotic Englishman, and my patriotism has been strengthened by living most of my adult life abroad. (I currently live in Germany). However, "In the Name of the Father" shows events that make me feel ashamed to be English. I don't deny what happened. I'm not naive enough to say it could never happen again. They were events which I speak about with deep shame.

Gerry Conlon was a young man who lived in Belfast, Northern Ireland. The 1970's were a time euphemistically called the Troubles. The Roman Catholic minority of Northern Ireland was seeking to become independent of the United Kingdom and become a part of the Irish Republic. The Protestant majority of Northern Ireland wanted to remain in the United Kingdom. A year earlier, in 1973, there was a referendum about whether Northern Ireland should remain part of the United Kingdom. An overwhelming majority of 98.9% voted to remain in the UK, but the people of Belfast, mostly Catholic, rejected the result.

Why would Belfast's citizens reject democracy? I have Irish Catholic friends who all say the same thing. They claim that in the 17th Century Scottish settlers arrived in Ireland. They were Protestants. The Irish Catholics claim that the Protestants in Northern Ireland aren't Irish, so they shouldn't be allowed to vote. Today, 300 years later, they don't consider themselves to be Scottish. They call themselves Irish. All I can say about this is that the Scottish were never sent to Ireland by the government, and Ireland wasn't forced to accept them. They were people who moved voluntarily. Immigration has always happened, often in large numbers. For instance, last century large numbers of Pakistanis settled in English cities like Birmingham and Bradford. Their children and grandchildren were born in England and have British citizenship, even if they still feel culturally connected to Pakistan. Is that a reason to exclude them from voting? Only the most extreme racists would answer Yes.

While I lived in America I discovered that the Americans don't understand the Irish conflict. They see the Catholic protesters on television and assume that all of Ireland is being oppressed by the British conquerors. Curiously, Protestant Irish who live in America also support the unification of Northern Ireland with the Irish Republic. I don't understand this. Maybe as second and third generation immigrants in America they feel more linked to their fellow countrymen than to their religion.


Now let's get back to the film again. Gerry Conlon was a young man who lived in Belfast. He was a petty thief, stealing lead from rooftops to sell it as scrap metal. While he was on a roof the British army mistook him for a sniper and fired at him. This started a riot. The IRA threatened to shoot him, so his father sent him to London for his own safety. He should have gone to live with his aunt, but on the ferry he bumped into a friend, Paul Hill, and went with him to stay with a hippy commune.

Things didn't go well in the commune. Some of them were prejudiced against the Irish. As a result, he and Paul were soon back on the streets. Gerry broke into a prostitute's apartment and stole her money. This enabled them to stay in a hotel. After this he returned to Belfast, while Paul remained in London. The night when Gerry stole the prostitute's money was 5th October 1974, the night of a pub bombing in Guildford. Gerry's arrival in England before the bombing and his departure soon afterwards was considered suspicious enough for him to be arrested. Gerry was taken to London in a military plane to be interrogated. His father travelled to London to support him, where he was also arrested, along with Gerry's aunt and her whole family. Paul Hill and two other members of the commune were also arrested.

Gerry and Paul were tortured by the police. Paul signed a blank piece of paper after a gun was put in his mouth. Gerry also signed a blank piece of paper after a policeman threatened to shoot his father. These statements were valid evidence in court, so they were both sentenced to life imprisonment. Gerry was eligible for parole after 30 years, Paul wasn't. The film doesn't explain why Paul Hill was considered the more serious criminal.

The rest of the film deals with Gerry's years in prison. We see him sharing a cell with his father. We don't see Paul Hill or his family members again until the end of the film.

The torture is bad enough, but there were other injustices. A homeless man in the park was interviewed and informed the police that Gerry was with him at the time of the bombing. This evidence was hidden in the police records with a note saying "Do not show to the defence". I could almost have forgiven the police for making a mistake and arresting the wrong man. That happens often enough. What I can't forgive is that the police knew he was innocent, but they put him on trial anyway. It wasn't until 15 years later that he was finally released after the critical interview was found.

I understand what happened. A bomb in a pub a few miles from London enraged the public. They demanded justice. The police needed to punish someone to calm the public anger. They arrested the first suspects they could find. The police inspector Richard Dixon was under pressure to put someone on trial. In the final scenes we see him conferring with an unnamed elderly man. A politician? A senior civil servant? It's not explained, but it suggests that he was acting on the orders of someone important.


I'd like to say something about historical inaccuracies in this film and in true stories in general. There are three different reasons for inaccuracies:

1. Mistakes

I'm not aware of any mistakes in this film. It was made in 1993, only four years after the events in the final scenes took place, so I assume that the director knew what he was doing.

2. Dramatization

There's one big inaccuracy in this film. Gerry didn't share a prison cell with his father. They weren't even in the same prison. The director says that the change was deliberate. He wanted to show the relationship between Gerry and his father. He also wanted to show that his father was a good non-violent man. The IRA were planting bombs, and the British army was driving tanks through the streets of Belfast, but Giuseppe Conlon was a quiet, hard working man who wanted his children to lead a good life. It's remarkable that he was angry with his son for stealing from a prostitute, despite the much bigger charges facing him.

Apart from this, the second half of the film would have been boring if we'd only seen Gerry sitting alone in his cell. That's what dramatization is about. It makes a film more interesting.

3. Protection of individuals

Police Inspector Richard Dixon doesn't exist. I'm sure that he's based on a real police officer who interviewed Gerry Conlon, but his name has been changed. This police officer performed terrible crimes, but he was never put on trial for his offences. We all know the saying "Innocent until proven guilty". If the film had named the police officer, he could have sued the director and possibly the film studios for slander. Personally, I wish he'd been named and shamed, but I understand why he wasn't.

"In the Name of the Father" is a stunning film. It's chilling to see how disgraceful the British legal system acted in the 1970's. Let it be a lesson to us all. May it never happen again. I hope not, but there's one thing that worries me. The film is available on disc in America, Germany and many other countries, but not in the UK, the country where it's most relevant. It's been brushed under the carpet. Does someone somewhere want the events in this film to be forgotten? It's unclear who first said "Those who forget history are doomed to repeat it", but it's a true statement. I strongly recommend this film to everyone, especially to patriotic Englishmen like me.

Saturday, 25 February 2017

There will be blood (4½ Stars)


I think that in all my years of writing this blog there has never been a film that I've felt less able to review. The story is awe-inspiring, and the acting by the two lead characters, Daniel Day-Lewis and Paul Dano, is overwhelming. The trouble is that it has depths that I'm unable to describe.

The film is about Daniel Plainview, an oilman (the word he uses to describe himself) at the beginning of the 20th Century. After drilling for oil in a few small oil fields, he finally discovers a large oilfield in the land surrounding the small town Little Boston in California. It's poor farming land, so the settlers are prepared to sell cheap, but the local pastor, Eli Sunday, insists on receiving more money for his church, the Church of the Third Revelation. Over the next 25 years a rivalry develops between the two men. The presence of oil in the community leads to greater prosperity in the town, very little money out of Daniel's pocket, but enough to make the townspeople feel grateful. Eli Sunday continues to give the community spiritual blessings.

The film's strength is in the portrayal of the two men. Daniel is a greedy man seeking wealth. As the Bible says, "The love of money is the root of all evil" (1. Timothy 6:10), but he's not purely evil. There are some shimmers of goodness in him, although the good in him fades away as he becomes richer. Eli is doubtlessly a good man who wants to serve God, but he isn't perfect, and it's mostly his relationship with Daniel that brings out the bad in him. Eli is jealous of Daniel's position in the community, and he's also jealous of Daniel's wealth, as much as he tries to suppress it. This comes to a peak in the Great Depression when Daniel is living off his wealth and Eli has lost all his money.

Money and religion. Religion and money. The two are awkward bedfellows. When the two combine there are always problems. Money is necessary to live, as any Christian preacher will admit, but money appeals to the human heart, begging to be loved. The Christian soon loves money more than his God without even realising it. It's not even necessary to be rich to love money. Poor people can love money just as much.

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Tuesday, 24 June 2014

In the Name of the Father (5 Stars)


Gerry Conlon died on June 21st 2014 at the age of 60. He spent 15 years of his life in prison for a crime he didn't commit. That's 25% of his life, a big chunk for anyone to lose. The film tells the story of his time in prison and the events that led up to it. In my opinion, this was Daniel Day-Lewis' greatest role. He brings Gerry Conlon to life and makes him deeply sympathetic to the viewers.

I don't want to make a political statement about the imprisonment of Gerry Conlon and the rest of the Guildford Four. If a crime is committed the guilty ones should be punished. In my naive way of looking at things it's as simple as that. The police failed in their responsibility by arresting the wrong people, and the courts failed by finding them guilty. The police who arrested the Guildford Four were certainly heavy-handed. They used beatings and threats to force the suspects to confess. Gerry claims that he signed a blank piece of paper and told the police to write whatever they wanted. If his claims are true, the police officers should have been sent to prison, but they were found innocent of perverting the course of justice. Something seems wrong somewhere.

It's a very good film. Pete Postlethwaite also excels as Gerry's father Giuseppe.