Showing posts with label Tom Wilkinson. Show all posts
Showing posts with label Tom Wilkinson. Show all posts

Thursday, 18 January 2024

The Full Monty (5 Stars)


Didn't I watch "The Full Monty" two days ago? Yes, but I returned to it today on an impulse. When I watch a film that I don't like, I feel unclean. Maybe that's not the right word, but it's the way I felt after watching "Poor Things" today. If I'd come home late I would just have gone to bed with a glass of wine. Since it was early, i deemed it better to watch a good film to clean my mind. Something to cheer me up. And what better film than "The Full Monty", which was still lying on the desk next to my Blu-ray player?


It's too late for me to write much, so I'll just say a few words about the final scene. 200 women were gathered as extras. Money was saved by using women already involved in the film as crew members, plus the wives and friends of male crew members.


Not everyone in the audience is an unpaid extra. There are a few women that we've seen earlier in the film. One of them is Beryl, played by the beautiful Fiona Watts. She's shown in several camera shots.


When the strippers throw their belts into the audience, Fiona catches one of them. That's a souvenir she'll keep for the rest of her life. It'll remind her of her only film role.

I only found out yesterday that a Full Monty television series was made last year, featuring the same cast. It's only received lukewarm reviews. The general consensus is that it doesn't live up to the film. Nevertheless, I'm curious to see what the men look like 25 years later. It's on Disney Plus, so I'll probably check it out next week. One episode at least.

Success Rate:  + 71.7

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Tuesday, 16 January 2024

The Full Monty (5 Stars)


I admit that my sole reason for watching "The Full Monty" this evening was to commemorate Tom Wilkinson's death on 30th December, but wow! I'd forgotten what a great film it is! I have it on DVD, but the last time I watched it was before I started my blog in September 2010. What's wrong with me?

The first time I saw it was when it was on television. Probably 1998. I bought it soon after buying my first DVD player in 2003. How often did I watch it? I don't remember, but I know I watched films repeatedly when I didn't have many. And then I forgot all about it.

It's not just the humour that I like. I can relate to the poverty after the decline of the steel industry. I've never visited Sheffield, it's 75 miles north of Birmingham where I lived, but the town scenes look familiar. It's not so different to towns like Stoke-on-Trent and Nottingham; rolling hills with houses overlooking a valley.

Tom is best known for his role in "The Full Monty". The film was nominated for four Academy Awards in 1997, but only won the award for Best Original Score. On the other hand, it was voted the best film at the Baftas, despite fierce competition from "Titanic". I personally think that the Baftas are the most impartial awards ceremony. The Academy Awards have a pro-American bias, in general, even though there can be exceptions like "Parasite" and "Slumdog Millionaire".


"The Full Monty" is a biddy movie. Six outcasts band up to become strippers.


I can understand why Tom Wilkinson is best known for "The Full Monty". He's not the main character – in the group picture above he's hiding at the back – but he's the most tragic character in the gang. He was the factory foreman, a step above the others, but he's been made unemployed just like the men working for him. He lives in a pleasant middle class home, but he's more vulnerable to poverty than the others. He's afraid to tell his wife that he lost his job, so he puts on a suit and walks to the Job Centre every day, knowing that his wife goes out shopping with her credit cards every day.


Robert Carlyle and Tom Wilkinson are the best known actors in the film, but the other four actors (Mark Addy, Steve Huison, Paul Barber and Hugo Speer) are all well known actors in British film and television. Allow me to point out one actress, Fiona Watts, who's never achieved success. She has a non-speaking role as Beryl, a woman attending the gang's (un-)dress rehearsal. This was her only ever film role, which is a shame for a woman of her beauty.

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Sunday, 31 December 2023

Eternal Sunshine of the Spotless Mind (5 Stars)


This is my last film of the year. It's one of the best films I know, in third place in my top 100 films list. I had another film in my list planned, but I changed my mind after hearing about the death of Tom Wilkinson yesterday. The cause of his death hasn't yet been named, but his family says that it was unexpected. A heart attack? Maybe.

The eulogies are already pouring in. They name his memorable films, usually starting with "The Full Monty". Most of them don't even mention "Eternal Sunshine of the Spotless Mind". That's unfortunate, since it's his best film, but it's understandable, because he didn't play the main role. Or is it understandable? He only had a supporting role in "The Full Monty" as well.

I've written about "Eternal Sunshine of the Spotless Mind" seven times, but I haven't included photos of him in any of the reviews. I'll make up for it now. It's a twisted love film between Joel Barish (Jim Carrie) and Clementine Kruczynski (Kate Winslet), but there's also a love story between Howard Mierzwiak (Tom Wilkinson) and Mary Svevo (Kirsten Dunst), most of it off screen.


Dr. Howard Mierzwiak has invented a machine that can selectively erase memories. He uses it to help people forget loved ones. He's had an affair with Mary that almost wrecked his marriage, so he used the machine to make her forget their affair. The procedure works, even though Mary still works in his practice as his assistant. What he didn't consider is that if she forgets that she was attracted to him she might fall in love with him a second time.


Is a one-way memory erasure enough? When she adoringly looks at him, how can he not be reminded of the hours of passion he shared in her arms?

It's a wonderful film, one of the best films I've ever watched. The trouble is that it's a complicated film. I remember seeing it the first time in the cinema in 2004. It took me about half an hour to understand what was happening, and it wasn't until I watched it again on DVD that I began to understand the subtleties. It's two stories being told at the same time, one in the correct order, the other in reverse chronology. These two stories interact with one another, making the film even more complicated. I could tell by my son Benjamin's reactions that he didn't understand the film. I'll have to watch it with him again.

Tom Wilkinson
5 February 1948 – 30 December 2023

Farewell to a grand actor. He's sadly missed. I'll have to watch some more of his films next week. Maybe even "The Full Monty".

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Thursday, 17 November 2022

Eternal Sunshine of the Spotless Mind (5 Stars)



It's Thursday again? I asked that question when I watched my last film, but the answer is different this time. It really is Thursday. What a coincidence!

This is one of my favourite films, third in my top 100 list. I've watched and reviewed it a few times. In the past I've concentrated on the film's philosophical aspects. Today I'll apply it to myself.

In 2002 I married someone, a beautiful young woman called Nicola. It was my second marriage, and I expected things to be better the second time round. I was wrong. It was Hell. We had one year of happiness and three years of suffering. It was all about drugs. A year after the marriage one of Nicola's friends stayed with us for a few days. Her boyfriend, Alexis Thomas, was a drug dealer. He said that Nicola should try crack, just once, to see what it's like. When it comes to drugs there's no such thing as "just once". She was hooked immediately.

At first she enjoyed smoking crack. After a while she realised it was harmful to her, and she wanted to stop, but she couldn't. I felt it was my duty to help her, but I couldn't. Her setbacks became my setbacks. In late 2006 there was a turning point. One evening she rang Alexis to tell him she wanted to buy crack from him. I locked the doors, took away her key, and I said I wouldn't let him in. She threatened to call the police and tell them I'd hit her. I thought she was bluffing, but she really did it. When the police came she was lying on the floor in the living room, saying she was too injured to get up after I'd been beating her.

The police arrested me. I was put in a cell briefly, but then they let me out and said that it was obvious from the start that I hadn't hit her. There were no bruises, and the telephone cable (landline) was too short for her to reach from her position lying on the floor. They'd only arrested me to keep the peace. The police station was too far away from my home, so I had to stay until morning. I sat playing chess with a police officer all night. When I got home Alexis had already left, but she was high on crack.

That incident scared me. If it happened again, the police might believe her next time. I didn't want a criminal record, so I gave up trying to help her and planned to leave her as soon as possible.


That brings me to the film. Would I want to forget Nicola? Would I want to erase her from my memory? (I'm assuming that my readers have seen the film and know what I'm talking about). My answer is a clear No. We had some beautiful times together, times which I never want to forget. Admittedly, the good times were few, but I'd like to hold on to them.

What about the bad times? There were many, many bad incidents in our marriage. The one I named above wasn't even the worst, even though it was the one that persuaded me to leave her. Some of my friends know more details, and they're shocked. Nicola made me suffer terribly, and I consider marrying her to be the worst mistake of my life. But do I want to forget what happened? In a way I do. They were things that no man should have to experience. On the other hand, remembering these experiences protects me from similar mistakes in the future. If I'd erased Nicola from my memory, I might have met her again a year later and got into a relationship with her again. Or maybe not. As far as I know, she's never overcome her addiction to crack. I would never have fallen in love with a drug addict. But I still like to remember the bad times as a warning. I try not to think about them. I push the memories into the back of my mind, but they're still there if I need to remember.

In 2012 my friend Brian Farmer was murdered. Four suspects were arrested, three men and a woman, but they weren't named until the trial began. One of my friends said to me, "I think the woman is Nicola". As it turned out, it wasn't her, but it shows how bad her reputation was.

In the film Mary Svevo (Kirsten Dunst) begins as a strong supporter of the memory erasure technique, and she ends up rejecting it. She was right to change her mind.

Monday, 20 June 2022

Rush Hour (5 Stars)


"Rush Hour" is the ultimate buddy cop movie. Two policemen come together from different sides of the world, with different styles and different attitudes, but both dedicated to fight crime. The film moves seamlessly from action to comedy and back again. When I first presented my top 100 films list it barely made the cut, down in 99th place, but I've decided to move it up a few places. It's a film I can watch again and again.

Earlier this month I said that I'd watch one of my top 100 films every week. I've adjusted that slightly. I'll watch five of my top 100 films every month. That should get me through them all once every two years.


Chris Tucker was raised as a Pentecostal, and a few years ago he founded his own church where he acts as pastor. One of the gimmicks of his church is that the church choir is made up of pregnant women. That's weird. It means that singers are sacked after giving birth, and if they want to get back in the choir they have to get pregnant again fast. But what do you expect from a man with a face as crazy as Chris Tucker?

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Tuesday, 4 January 2022

In the Name of the Father (5 Stars)



Name: Gerry Conlon
Lived: 1 March 1954 – 21 June 2014
Film shows: June 1974 – 19 October 1989
Film made in 1993

This is the second in my series of true stories that I'll be reviewing over the next two months. I gave a lot of thought to the ordering of the films. Should they be chronological, based on the birth date of the people? Should they be alphabetical, based on their names? Should I alternate between men and women? In the end I decided that the order should just be random. The trouble with any order I choose is that if I add a film at the end of the series it will be out of order. At present I have a list of 40 films, but it's possible that I'll add a film or remove one during the month. Actually, it's not a list; I have a box containing all the films I intend to watch in my room. In the cellar I have a small pile of the films that didn't make the list, and every time I look at it I wonder if it was right to omit them.


My regular readers know that I'm English. Some of you might know that I'm a patriotic Englishman, and my patriotism has been strengthened by living most of my adult life abroad. (I currently live in Germany). However, "In the Name of the Father" shows events that make me feel ashamed to be English. I don't deny what happened. I'm not naive enough to say it could never happen again. They were events which I speak about with deep shame.

Gerry Conlon was a young man who lived in Belfast, Northern Ireland. The 1970's were a time euphemistically called the Troubles. The Roman Catholic minority of Northern Ireland was seeking to become independent of the United Kingdom and become a part of the Irish Republic. The Protestant majority of Northern Ireland wanted to remain in the United Kingdom. A year earlier, in 1973, there was a referendum about whether Northern Ireland should remain part of the United Kingdom. An overwhelming majority of 98.9% voted to remain in the UK, but the people of Belfast, mostly Catholic, rejected the result.

Why would Belfast's citizens reject democracy? I have Irish Catholic friends who all say the same thing. They claim that in the 17th Century Scottish settlers arrived in Ireland. They were Protestants. The Irish Catholics claim that the Protestants in Northern Ireland aren't Irish, so they shouldn't be allowed to vote. Today, 300 years later, they don't consider themselves to be Scottish. They call themselves Irish. All I can say about this is that the Scottish were never sent to Ireland by the government, and Ireland wasn't forced to accept them. They were people who moved voluntarily. Immigration has always happened, often in large numbers. For instance, last century large numbers of Pakistanis settled in English cities like Birmingham and Bradford. Their children and grandchildren were born in England and have British citizenship, even if they still feel culturally connected to Pakistan. Is that a reason to exclude them from voting? Only the most extreme racists would answer Yes.

While I lived in America I discovered that the Americans don't understand the Irish conflict. They see the Catholic protesters on television and assume that all of Ireland is being oppressed by the British conquerors. Curiously, Protestant Irish who live in America also support the unification of Northern Ireland with the Irish Republic. I don't understand this. Maybe as second and third generation immigrants in America they feel more linked to their fellow countrymen than to their religion.


Now let's get back to the film again. Gerry Conlon was a young man who lived in Belfast. He was a petty thief, stealing lead from rooftops to sell it as scrap metal. While he was on a roof the British army mistook him for a sniper and fired at him. This started a riot. The IRA threatened to shoot him, so his father sent him to London for his own safety. He should have gone to live with his aunt, but on the ferry he bumped into a friend, Paul Hill, and went with him to stay with a hippy commune.

Things didn't go well in the commune. Some of them were prejudiced against the Irish. As a result, he and Paul were soon back on the streets. Gerry broke into a prostitute's apartment and stole her money. This enabled them to stay in a hotel. After this he returned to Belfast, while Paul remained in London. The night when Gerry stole the prostitute's money was 5th October 1974, the night of a pub bombing in Guildford. Gerry's arrival in England before the bombing and his departure soon afterwards was considered suspicious enough for him to be arrested. Gerry was taken to London in a military plane to be interrogated. His father travelled to London to support him, where he was also arrested, along with Gerry's aunt and her whole family. Paul Hill and two other members of the commune were also arrested.

Gerry and Paul were tortured by the police. Paul signed a blank piece of paper after a gun was put in his mouth. Gerry also signed a blank piece of paper after a policeman threatened to shoot his father. These statements were valid evidence in court, so they were both sentenced to life imprisonment. Gerry was eligible for parole after 30 years, Paul wasn't. The film doesn't explain why Paul Hill was considered the more serious criminal.

The rest of the film deals with Gerry's years in prison. We see him sharing a cell with his father. We don't see Paul Hill or his family members again until the end of the film.

The torture is bad enough, but there were other injustices. A homeless man in the park was interviewed and informed the police that Gerry was with him at the time of the bombing. This evidence was hidden in the police records with a note saying "Do not show to the defence". I could almost have forgiven the police for making a mistake and arresting the wrong man. That happens often enough. What I can't forgive is that the police knew he was innocent, but they put him on trial anyway. It wasn't until 15 years later that he was finally released after the critical interview was found.

I understand what happened. A bomb in a pub a few miles from London enraged the public. They demanded justice. The police needed to punish someone to calm the public anger. They arrested the first suspects they could find. The police inspector Richard Dixon was under pressure to put someone on trial. In the final scenes we see him conferring with an unnamed elderly man. A politician? A senior civil servant? It's not explained, but it suggests that he was acting on the orders of someone important.


I'd like to say something about historical inaccuracies in this film and in true stories in general. There are three different reasons for inaccuracies:

1. Mistakes

I'm not aware of any mistakes in this film. It was made in 1993, only four years after the events in the final scenes took place, so I assume that the director knew what he was doing.

2. Dramatization

There's one big inaccuracy in this film. Gerry didn't share a prison cell with his father. They weren't even in the same prison. The director says that the change was deliberate. He wanted to show the relationship between Gerry and his father. He also wanted to show that his father was a good non-violent man. The IRA were planting bombs, and the British army was driving tanks through the streets of Belfast, but Giuseppe Conlon was a quiet, hard working man who wanted his children to lead a good life. It's remarkable that he was angry with his son for stealing from a prostitute, despite the much bigger charges facing him.

Apart from this, the second half of the film would have been boring if we'd only seen Gerry sitting alone in his cell. That's what dramatization is about. It makes a film more interesting.

3. Protection of individuals

Police Inspector Richard Dixon doesn't exist. I'm sure that he's based on a real police officer who interviewed Gerry Conlon, but his name has been changed. This police officer performed terrible crimes, but he was never put on trial for his offences. We all know the saying "Innocent until proven guilty". If the film had named the police officer, he could have sued the director and possibly the film studios for slander. Personally, I wish he'd been named and shamed, but I understand why he wasn't.

"In the Name of the Father" is a stunning film. It's chilling to see how disgraceful the British legal system acted in the 1970's. Let it be a lesson to us all. May it never happen again. I hope not, but there's one thing that worries me. The film is available on disc in America, Germany and many other countries, but not in the UK, the country where it's most relevant. It's been brushed under the carpet. Does someone somewhere want the events in this film to be forgotten? It's unclear who first said "Those who forget history are doomed to repeat it", but it's a true statement. I strongly recommend this film to everyone, especially to patriotic Englishmen like me.

Saturday, 11 September 2021

Eternal Sunshine of the Spotless Mind (5 Stars)



Today is the 11th of September. The day is most commonly known as 9/11, based on the (illogical) American order of Month-Day-Year. Most people are talking about the event that took place 20 years ago today. I acknowledge it, but I prefer not to dwell on bad things in the past. I want to concentrate on positive things, such as films. I posted something about the 9/11 attack on the 10th anniversary, but I deleted the post a few months later because I was getting abusive anonymous comments. It's one of the few blog posts that I've ever deleted.


I don't know how well known this film is among my younger readers. It was a box office success when it was released in 2004, but nowadays it's rarely shown on television. That's a question I'd like to ask any of my readers under 30: have you seen this film? Leave your answer in the comments box.

The name is quite a mouthful, unusually long for a film title. The longest title in my personal collection is "The Incredibly Strange Creatures who stopped living and became Mixed-Up Zombies". In Germany the title has been shortened to "Don't forget me". I admit that the German title is more relevant to the film's content, but the screenwriter Charlie Kaufman wanted a long title. It's claimed that his first title suggestion was 18 words long, but I haven't been able to verify this. The final title is a quote from Alexander Pope's poem "Eloisa to Abelard", spoken by Kirsten Dunst as Mary Svevo in the film:

How happy is the blameless vestal's lot!
The world forgetting, by the world forgot.
Eternal sunshine of the spotless mind!
Each prayer accepted, and each wish resigned.

I prefer her other quote, by Friedrich Nietzsche, even though it contradicts the film's message:

Blessed are the forgetful, for they get the better even of their blunders.

At its core, "Eternal Sunshine of the Spotless Mind" is a love story, despite its underplayed science fiction background. If you've never seen the film before, you're in for a treat. The opening credits are delayed for almost 18 minutes. In the pre-credits sequence Joel Barish (Jim Carrey) spontaneously takes a day off work to spend a day on the beach in Montauk. It's Valentine's Day 2004. He's approached by Clementine Kruczynski (Kate Winslet), who blatantly forces herself on him. She talks to him in the train and doesn't even stop when he tells her he would rather be left alone. That evening she invites him home for a drink and leans against him romantically. She says that they should get married.

Stop!

If that happened to me I'd think that I'm dealing with a mentally deranged person. I'd run as fast as I can.

It's true that Clementine is eccentric, but she's far from deranged. The story unfolds after the credits.


The film is an emotional roller coaster. It's best known for its surreal special effects, but concentrate on the tragic young couple. All relationships have problems, some more than others. Walking away and forgetting your partner is the coward's way out. Love will find a way.


Clementine believes in love. It's written on her shirt. I've been unable to identify the shirt, because the text is hidden beneath her breasts. Some people claim it's "Love is a magic carpet ride", but the picture doesn't match that shirt.


Obviously. Does anyone have the right answer? Once more: use the comments box!

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Monday, 18 January 2021

Rush Hour (5 Stars)



I'm moving on to the next film in my top 100 films list. Comparing the first two films alone should be enough to show that my taste in films can't be pigeon holed. "Bella Martha" is a slow-moving family drama, whereas "Rush Hour" is a fast-paced action thriller.

"Rush Hour" is a perfect buddy cop movie. Two policemen from different cultures with different styles unite to solve a big crime. That's a formula that's been repeated many times over, but I don't think it's ever been done as successfully as in "Rush Hour". Yan Lee (Jackie Chan) is a serious detective from Hong Kong. James Carter (Chris Tucker) is a reckless, fast-talking detective in the Los Angeles Police Department. They team up to search for the daughter of the Chinese consul in Los Angeles. She's been kidnapped on the way to school and is being held to ransom for $50 million. Chinese diplomats must have a lot of money!

The consul insists that Lee should join the investigation, but the FBI wants to handle the case by themselves. Carter is assigned to babysit Lee and keep him away from the action. Lee refuses this, and Carter has to follow Lee around as he solves the case more quickly than the incompetent FBI. The comedy is non-stop, and the kung fu action is just as humorous. It's an incredible film.

"Rush Hour" was made in 1998 and is the first film of a trilogy. The other two films are almost as good, but they haven't made their way into my top 100 list. Maybe I should have made it a top 200 list. I'll watch the other two films soon to see if I made a mistake.

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Friday, 4 September 2020

Grand Budapest Hotel (5 Stars)


This is a remarkable film. It received nine nominations for the Academy Awards, of which it won four. It failed to win the Best Film award because of "Birdman", a film I greatly liked at the time, but when I look back, "Grand Budapest Hotel" was by far the better film.

The film is about a hotel concierge and his lobby boy. The concierge is wrongly accused of murdering Madame D, an old rich woman. In her Will she's left him a valuable painting, "Boy With Apple". Madame D's son hires an assassin to kill the concierge, who's assisted in his flight by the faithful lobby boy.

The story in itself is good, but it's all about the cinematography. The colours are bright and dazzling, giving the impression that it's a fairy tale. In addition, every scene is perfectly framed like a piece of art, giving the impression of hyper-reality.


The concierge and the lobby boy. Do you see what I mean about the colours?


So this is the painting that people were willing to kill for? I don't understand art.


I've never seen Edward Norton looking so amart. It doesn't suit him. He's a jeans and t-shirt man, like me. But just look at the perfectly framed scene.


There are close-ups of newspapers several times during the film. The articles are all well written, albeit with American spelling. Very few films make the effort to use good texts in newspapers. However, there's one small error. Look at the date of the newspaper: Friday, October 19th, 1932. Wrong! It was a Wednesday.


Here's another edition of the Trans-Alpine Yodel, dated Tuesday, October 28th, 1932. That's wrong again. It was a Friday. But there's another error. The dates aren't even consistent with themselves. If the 19th had been a Friday, the second newspaper, printed nine days later, would have been printed on a Sunday. That's sloppy.

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Wednesday, 19 December 2018

Eternal Sunshine of the Spotless Mind (5 Stars)


First of all, I have to make an apology to my regular readers. I'm being visited by two of my children for the next three weeks, so I expect I shall have less time to write my blog. I'll be watching as many films as usual, because they'll be watching films with me, but I shan't have as much time for myself as I usually have. I'll still be writing about every film I watch, but my reviews will be shorter.

I don't have a full viewing schedule for the next three weeks, but I already know what I'll be watching for the next three days. While chatting with my son I found out that he hasn't yet seen my three favourite films, so I'll be watching them with him in reverse order. "Eternal Sunshine of the Spotless Mind" is my third favourite film.

It's a mind-bending science fiction story, but more than anything else it's a moving love story. It's a very untypical role for Jim Carrey. It's not his only serious film, but it's the film in which we see the least of his comic personality. The only comic relief in the film is supplied by Kate Winslet.


Does the film have a message? The message that I take from it is that it's better to remember than forget, but there any many other angles from which it can be watched. Maybe another message is that it's only possible to discover the value of what you have by starting again from the beginning.

The film only one one Academy Award, for the Best Original Screenplay. It should have won more.

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Tuesday, 17 October 2017

Snowden (4 Stars)


I missed this film when it was in the cinema. My thanks to Netflix UK for offering it online, so that I could watch it while on holiday in England. Netflix Germany doesn't include it in their catalogue.

Edward Snowden is a controversial figure, in America at least. In America he's divided the country down the middle. Judging by the fervent online debates a few years ago his supporters and opponents are numerically evenly matched. In the rest of the world he's almost universally considered to be a hero. The American divide isn't necessarily along party political lines. At the end of the film there are quotes from two leading Democratic politicians, Hillary Clinton and Bernie Sanders. Clinton considers Snowden a criminal who should be put on trial, whereas Sanders praises what Snowden did.

Technically, yes, Edward Snowden broke the law. He worked for the CIA, an American government agency, and he swore oaths of secrecy. He broke these oaths when he smuggled out thousands, maybe even millions of documents and gave them to representatives of the Guardian, a British newspaper. His justification is that he considered the CIA and the NSA to be acting illegally, so it was his moral duty to resist. The film draws a connection between Nazi Germany and modern America; at the Nuremberg Trials the officers were convicted as criminals because they had obeyed orders, whereas the Germans who defied the Nazi regime are now regarded as heroes. This highlights Edward Snowden's moral dilemma, but it's a poor comparison, because the Nuremberg Trials were a result of Germany losing the war. If Germany had won the Nazi officers would have been heroes, whereas the rebels would have been executed as traitors. In the case of Snowden's revelations there has been no war to prompt a black-and-white judgement of what he did. The aftermath of wars is the only time when moral ambiguities are (seemingly) eradicated, because the winners are right and the losers are wrong. Winning a war is proof that God was on our side.

Edward Snowden was and is an American patriot. He believes in the American constitution and the American way of life. What he didn't accept was the way the NSA and CIA were spying on normal citizens, uninvolved with criminal activities. The contents of Facebook, emails and everything else online was being monitored and stored. It was possible to observe people through the camera of laptops even when the laptop was turned off. I wonder if this is still possible now. Laptop manufacturers may have closed the security breach since it was revealed by Snowden. Maybe, maybe not.

As a protest I'm writing this post while sitting at my laptop completely naked. I hope Donald Trump will look at me after reading this post. I want to make him jealous. On the other hand, if there are any sexy super-spies checking my credentials, please come and visit me. You already have my address.

Since Snowden's revelations new laws have been passed in America forbidding the mass accumulation of private data. I don't take this seriously. This was already illegal, but government agencies did it anyway, and I'm certain they still do it now.

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Sunday, 12 February 2017

Rush Hour (5 Stars)


Sometimes I think I waste too much of my life watching bad films. Maybe I should just make a list of my favourite 1000 films and watch them in a cycle for the rest of my life. If I did that "Rush Hour" would definitely make it into the list. Okay, I admit that I might miss out on fantastic new films by sticking to what I know, but for every great film I miss there will be a dozen not-so-great films that I don't need to watch. I'm not even talking about bad films. There are films I watch which I consider to be good, but I still have no wish to watch them again. Once is enough.

Maybe I could make a compromise. If I ever make a top 1000 list I could watch films from the list alternately with new films. That could ease the disappointment that I feel when I go through a whole week watching three-star films.

Thoughts, anyone?

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Sunday, 4 December 2016

Rush Hour (5 Stars)


I first saw "Rush Hour" when I lived in America, and I immediately loved it. It was probably in 2000, about 18 months after its initial cinema release. What I didn't realise at the time was that it was Jackie Chan's international breakthrough. This wasn't obvious to me because I had known him for years. After Bruce Lee's death in 1973 Jackie Chan was touted as the new Bruce Lee. I watched a few of his films and quickly dismissed the comparison with Bruce Lee as a hollow marketing slogan. Jackie Chan was no Bruce Lee. I'm sure that Jackie would be the first to agree with me. On the other hand, Bruce Lee was no Jackie Chan. Jackie has a unique style that sets him apart from other actors. In an interview that I heard a few years ago he said that his favourite actor is Buster Keaton. As soon as he said that it hit me. "So that's who he reminds me of". It's so obvious when you know it.

In the late 1970's I watched a lot of Chinese martial arts films, mostly in a cinema next to the Christian Science reading room in Sutton Coldfield. I don't remember their names, there were so many of them. What I do remember is that Jackie Chan was in a lot of them, so when I saw him in "Rush Hour" he was already a familiar face.

By 1998 Jackie Chan had made more than 60 films. The difference with "Rush Hour" was that it was made in the USA. Chris Tucker was well known at the time, but Jackie was a new face in Hollywood. The two were given equal billing and equal screen time in the film, which was a big risk for normally cautious Hollywood, but it paid off. "Rush Hour" was the ultimate buddy movie. The chemistry between the two lead actors was amazing. Chis Tucker's eccentric but efficient style as a policeman, seemingly taking nothing seriously, contrasted with Jackie Chan's no nonsense approach to police work.


Two men come together from two different cultures. James Carter (Chris Tucker) is a detective and undercover cop for the LAPD. ("We're the most hated cops in the free world. My Mama is so ashamed of me, she tells everybody I'm a drug dealer"). Detective Inspector Lee (Jackie Chan) works for the Hong Kong police force. Lee's friend Han is sent to Los Angeles to become the Chinese consul. Han's daughter is kidnapped, and he demands that Lee assist the FBI in finding her. At first the FBI is annoyed by the outside interference and asks Carter to keep Lee away from the investigation, but Lee insists on doing his job and Carter gladly helps him.

I expect most people have seen this film and its sequels already. If not, what are you waiting for? Here are the links to buy the film.

Order from Amazon.com
Order from Amazon.co.uk
Order from Amazon.de