Monday, 18 May 2026

City of Angels (5 Stars)


"City of Angels" is a remake of a German film that's so well made that most people don't even realise it's a remake. It's a rare Hollywood remake that completely understands what it needs to change. Rather than trying to imitate "Wings of Desire" scene for scene, it transforms the original's philosophical melancholy into something more openly emotional and romantic. If Wim Wenders' film is about observation, loneliness and the burden of eternity, "City of Angels" is about feeling; immediate, painful, human feeling.

It can be summed up in one sentence: "Wings of Desire" is a film for the head, while "City of Angels" is a film for the heart.

Wenders fills Berlin with angels who listen silently to the thoughts of strangers. His film drifts through divided Germany like a poem about history, memory and alienation. The angels are fascinated by humanity but remain detached from it, and the black-and-white photography creates the sense that they're trapped outside life itself. It's a deeply intellectual film, one that asks what it means to exist rather than merely observe.


"City of Angels" strips away much of that philosophical weight and replaces it with romantic tragedy. Nicolas Cage plays Seth not as an abstract observer, but as someone already emotionally vulnerable before he falls in love. His relationship with Meg Ryan becomes the centre of the film in a way that the romance never entirely does in Wenders' version. The remake isn't concerned with the political or spiritual condition of a city; it's concerned with the intensity of human connection, and the pain that inevitably comes with it.

That's why Los Angeles matters so much as a replacement for Berlin. Wenders' Berlin is haunted by history and division. The Los Angeles of "City of Angels" feels weightless by comparison; full of sunlight, hospitals, beaches and empty freeways. The angels no longer wander through a wounded nation wrestling with memory. Instead, they float through a city obsessed with youth, beauty and mortality. The shift changes the entire emotional temperature of the story.

The remake also embraces sentimentality in a way Wenders carefully avoids. The soaring score, the soft golden light and the naked emotional sincerity all push the film towards melodrama. Yet that's exactly why it works for so many viewers. It isn't trying to provoke philosophical reflection as much as emotional catharsis. The famous tragedy near the end would feel manipulative in "Wings of Desire", but in "City of Angels" it feels completely consistent with the film's belief that love and loss are inseparable.


What makes the remake interesting is that it doesn't diminish the original by being simpler. It merely aims at something different. Wenders asks whether eternal beings would envy humanity. "City of Angels" answers immediately: of course they would. Human life hurts, but the pain is preferable to endless detachment.

Viewed that way, the two films complement each other surprisingly well. One contemplates existence; the other embraces it.

Success Rate:  + 1.6

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