Sunday 31 March 2019

John Wick 2 (5 Stars)


In the second John Wick film the viewer is led further down the rabbit hole. In the first film we were introduced to a parallel world of honour killers, knights if you will, that exists alongside our normal everyday world in New York City. In the second film we find out that this world is much bigger. It's also present in other countries and other major cities, like Rome. A High Table with 12 members rules over this world. Yet another reference to knighthood? Apart from the hotels there's a retro style business company that operates with a 1950's style telephone exchange and 1970's style computers. Style is the key word for this parallel world. It's all about style. Most of it, anyway. On a rooftop in New York we find Laurence Fishburne ruling over a mini-empire of highly trained assassins disguised as homeless people; or maybe they're homeless people trained to be assassins. Whichever way round it is, they don't share the good style of the rest.

I can give away the end of this film, because it will be impossible to understand the third film without knowing what's already happened. The main rule of the Continental Hotel is that no business should be conducted on its grounds. Business means killing. John Wick breaks this rule by shooting the High Table member Santino in the head while he's eating. As a punishment he's excommunicated and is no longer allowed to use the hotel or any of its services. A bounty of $14 million is put on his head, and now he's alone with nobody to help him. The only friend he can rely on is his beautiful dog that he's never even given a name.

Success Rate:  + 2.3

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Marvel Years 07.08 - August 1967


Fantastic Four #65

Title: From beyond this Planet Earth!

Writer: Stan Lee
Artist: Jack Kirby

Villain: Supreme Intelligence, Ronan

Regulars: Alicia Masters, Crystal


The Supreme Intelligence of the Kree race speaks to the Fantastic Four in their sleep, telling them they will be judged for destroying a Kree outpost (which they did last issue). Ronan the Accuser arrives on Earth to punish the Fantastic Four. They defeat him by managing to turn his weapon of destruction on himself.

Note that Roman's skin colour is pink, making him look like a human. In future stories his skin colour is blue.

An unknown person takes Alicia Masters away from her apartment.




Amazing Spider-Man #51

Title: In the Clutches of the Kingpin!

Writer: Stan Lee
Artist: John Romita

Villain: Kingpin

Regulars: Aunt May, Mary Jane Watson, Gwen Stacy, Harry Osborn, J. Jonah Jameson, Betty Brant, Ned Leeds, Joe Robertson (unnamed), Frederick Foswell


Thinking that Spider-Man has quit, the Kingpin has taken over all of New York's gangs. He starts a new crime wave, but Spider-Man stops initial thefts. He puts a tracer on a fleeing criminal so he can follow him back to the Kingpin's lair.

Frederick Foswell retired from crime after being released from prison. Now he's following the Kingpin as one of his lieutenants.

The Kingpin captures J. Jonah Jameson to tell him not to write any more articles about the crime wave. Whatever bad characteristics he might have, JJJ is serious about the news. He refuses to comply.

Spider-Man arrives at the Kingpin's lair. He underestimates the Kingpin's physical strength and is defeated in battle. The comic ends with Spider-Man on his knees at the Kingpin's feet.




Strange Tales #159


Title: Spy School

Writer: Jim Steranko
Artist: Jim Steranko

Regulars: Dum Dum Dugan, Gabe Jones, Jasper Sitwell, Laura Brown, Contessa Valentina Allegro de Fontaine

Guests: Captain America

I've been reading Marvel comics for six years, from November 1961 to this month, but this story is incredible. It's the best artwork I've seen in any comic for the last six years. The splash page above should give you a brief impression, but you need to see it all, the whole 12 pages. I'll just show you a few more pictures to whet your appetites. This comic alone is worth signing up for Marvel Unlimited. It'll be one of the best investments you ever made.


Nick Fury tells Laura Brown about his childhood in Brooklyn. Look where he used to hang out. Yancy Street! He fought against the Yancy Street Gang, so the Thing would be proud of him.

Captain America is invited as a sparring partner to give Nick Fury a workout. As is to be expected, Nick lost the fight, but he did well.


A new SHIELD agent helps Nick Fury to his feet. Nick shows off his chauvinist straits: "The spy game ain't no place for women". He's immediately put in his place. She flings him through the air, leaving him too dazed to apologise. All he can do is stare at her perfectly formed butt as she walks away.

The agent's name is Contessa Valentina Allegro de Fontaine. I don't mean to disrespect her, but that's too much for me to type every issue. I'll have to shorten her name to Contessa Valentina, or just Valentina. Respectfully. Any woman who can knock over Nick Fury is too much for me.




Title: The evil that men do

Writer: Roy Thomas
Artist: Marie Severin

Villain: Baron Mordo, Umar (flashback), Zom (flashback), Living Tribunal (flashback)

Regulars: Wong, Ancient One (flashback)

Doctor Strange returns to his Greenwich Village home, and he finds that it's been destroyed. He finds his servant Wong cowering in the shadows, who tells him that it was destroyed by Umar (in Strange Tales #156).

An occult cult has formed which wants to summon a great leader who has been banished from Earth. When they bring him back it's revealed that he is none other than Baron Mordo.

Roy Thomas is an incredible writer, but it's my opinion that he never had a feeling for Doctor Strange. The following stories are some of the weakest stories ever written. I'm sorry that I have to say that.

The Crazy Credits tell us that Irving Forbush is a popcorn-popper. It's obvious that he should like the cinema as much as anyone else, but when does he have the time?




Tales of Suspense #92


Title: Within the Vastness of Vietnam!

Writer: Stan Lee
Artist: Gene Colan

Villain: Half-Face

Iron Man goes to Vietnam to demonstrate Tony Stark's latest weapons. It's interesting to note the difference in attitude between Tony Stark in the comics and in the recent MCU films. In the films Tony Stark is a pacifist, but in the comics he fully supported the American war in Vietnam. That was Stan Lee's personal opinion as a patriotic American. Did he still think the same way at the end of his life? I don't know, but one thing is for certain: in today's political climate it would be unacceptable to portray a hero like Iron Man as pro-war.

After finishing his demonstration, Iron Man is told about an evil genius called Half-Face who has been strengthening the Vietnamese resistance. Iron Man flies to his castle to challenge him.




Title: Before my eyes, Nick Fury died!

Writer: Stan Lee
Artist: Jack Kirby

Villain: AIM

Regulars: Agent 13

Guests: Avengers (Hawkeye, Quicksilver, Scarlet Witch, Goliath, Wasp), Hercules, Nick Fury

This story takes place shortly after the events of Strange Tales #159, possibly on the same day. When radioing in to the Avengers, Captain America says that he's been working with SHIELD for a few days.

Agent 13 is on a mission for SHIELD. She has gone to Advanced Idea Mechanics (AIM), pretending to be betraying SHIELD. She tells them when Nick Fury will be in the barber's shop that conceals the entrance to SHIELD headquarters in New York. Captain America is in a taxi when the attack takes place. Not knowing that SHIELD is prepared, he runs into the barber shop to protect Nick Fury.

After Captain America defeats the robot sent as an assassin, Nick Fury tells him that he should help Agent 13 to leave AIM before they suspect her of deceit.



Here's a blunder in the text. Captain America's trash talking goes in the wrong direction.

"Only one of us is gonna walk out of here under his own steam. And it won't be me".

Oops! Whose fault is that? Stan Lee's or Artie Simek's? I can imagine them pointing their fingers at one another.




Tales to Astonish #94


Title: Helpless, at the hands of Dragorr!

Writer: Roy Thomas
Artist: Bill Everett

Villain: Dragorr

Regulars: Dorma, Vashti

Prince Namor confers with his warlords, who support his plan to attack the human race. Lady Dorma advises him against it, because she fears Atlantis will be destroyed, but he refuses to listen to her.

Dragorr, the dictator of a small surface nation, sends a message to Namor. He knows of Namor's plans, and he suggests that they become allies to wage war on all other countries in the world. Namor is reluctant to ally himself with any surface nation, but he decides to speak with Dragorr. It's a trap. Dragorr's real intention is to use Sub-Mariner to suppress a rebellion by freedom fighters in his own country.

Sub-Mariner is captured by Dragorr, but he's freed by Lady Dorma. Sub-Mariner defeats Dragorr, and the rebels seize power. They promise that they will always be indebted to Sub-Mariner, but he arrogantly refuses their offer of friendship.

The location of Dragorr's kingdom isn't specified, but we find out that its people speak Spanish, suggesting that it's somewhere in South or Central America.




Title: To the beckoning stars!

Writer: Stan Lee
Artist: Marie Severin

Villain: New Men

Guests: High Evolutionary, Thor (flashback)

After leaving the Earth in Thor #135 the High Evolutionary has settled on a new planet which he calls Wundagore, the same name that he gave his small European kingdom. There's a revolution on his planet by his newly evolved creatures, the New Men. He has hunters on Earth who capture animals to send to him as new servants. They discover the Hulk and send him in a spaceship to Wundagore. The Hulk is glad to be away from the Earth, because he hopes to find peace on another planet.




Thor #143


Title: And soon shall come the Enchanters!

Writer: Stan Lee
Artist: Jack Kirby

Villain: Enchanters (Brona, Forsung, Magnir)

Regulars: Odin, Heimdall, Sif, Balder

The story starts with Thor slurping a drink in a soda parlour. The girls are all gazing at him with love in their eyes. It must be his long blond hair. I'm jealous.

Meanwhile, Balder and Sif enter Ringsfjord to challenge the Enchanters, who are now named as Forsung, Brona and Magnir. If any pregnant women are reading this post, those are three new names for you to choose from. Or you could just play it safe and call your newborn son Thor.

The Enchanters leave Balder and Sif trapped in quicksand, sinking to their deaths. Sif uses her Asgardian powers to transport the two of them to Earth. Brona and Magnir follow them. Forsung heads towards Asgard, confident that he can defeat Odin by himself.


All comic fans know that when Thor strikes his hammer on the ground he turns into Don Blake. But how many of you know what else it does? Striking the hammer transforms his speech from old British English to modern American English. It's a miracle!




Title: To the death!

Writer: Stan Lee
Artist: Jack Kirby

Gods: Thor, Fandrel, Hogun, Volstagg

In the last issue we read that Volstagg was absent from the fight so that he could enjoy a meal in Mogul's kingdom. Here we see that he has other interests. After eating he's flirting with Mogul's beautiful sister. More to the point, she's flirting with him. He thinks she's leading him to her bedroom, but she's actually positioning him on a trapdoor which will drop him into a cavern with a fierce monster called the Mutaurus. Volstagg was no longer thinking clearly, but he's lucky. He puts his arm round her just as the trapdoor opens, and they fall together. In the cavern she leads Volstagg to a mystic rod which can subdue the Mutaurus.

On the surface Thor, Fandral and Hogun are still fighting their way towards Mogul.




The Avengers #43

Title: Colour him the Red Guardian!

Writer: Roy Thomas
Artist: John Buscema

Avengers: Captain America, Hawkeye, Goliath, Wasp, Quicksilver, Scarlet Witch

Villain: Red Guardian

Regulars: Black Widow, Hercules


Quicksilver has learnt how to fly. That's a quote from this comic's splash page. Almost a quote, at least. In America they say "Quicksilver has learned how to fly", but I've altered it to correct British English. I've also corrected the spelling mistake in the title.


Here's something ironic. Hawkeye gets involved in a fist fight without his bow and arrow.


At first he enjoys it, but then he retrieves his bow and arrow and says he must have been nutty to think of fighting any other way. This is ironic, because a few issues from now Hawkeye will give up his bow and arrow and become a fist fighter. Oops, was that a spoiler?

Hawkeye wants to go to Asia to rescue the Black Widow without the other Avengers, but he spontaneously decides to take Hercules with him. Hercules agrees, because he's bored sitting around without fighting.

The Communist country's secret weapon, the Psychotron, is being guarded by a person modelled on Captain America. He's called the Red Guardian.

Hercules is trapped inside the Psychotron, where he wastes his energy fighting a non-existent Hydra. Hawkeye is defeated by the Red Guardian. He takes off his mask and reveals that he's the Black Widow's husband, who she thought was dead.

The other Avengers find out where Hawkeye has gone and prepare to rescue him.




X-Men #35

Title: Along came a spider

Writer: Roy Thomas
Artist: Werner Roth

X-Men: Cyclops, Angel, Beast, Iceman, Marvel Girl

Villain: Factor Three, Mekano (preview)

Guests: Banshree, Spider-Man


Banshee, who we last saw in X-Men #28, is somewhere in Europe looking for the headquarters of the group called Factor Three. The scenery looks very similar to Switzerland, so it must be a country in Central Europe. The entrance to their lair is defended by a mechanical spider. Banshee is wounded and flees. He sends a message to Professor X, not knowing that he's been kidnapped, ending with the words "Beware the spider". He passes out before he can say more.

Shortly after this the spider is sent to America to attack the X-Men. It lands in Westchester, a short distance from the school. By chance, Peter Parker is having a motorbike trip through Westchester. He sees the spider land, so he changes into his Spider-Man costume to investigate. The spider attacks him, so there's a short battle, ending with Spider-Man destroying the spider.

The X-Men go to investigate, leaving Marvel Girl in the school to further analyse Banshee's message. When they see Spider-Man they jump to conclusions, assuming he's the threat that Banshee warned about. There's a long battle, before the hot-headed X-Men finally realise they've made a mistake. I'm sure that if Marvel Girl had been with them she would have calmed her team mates and prevented the fight.

Back at the school, Marvel Girl says that she's located Banshee's position in Europe.


I don't mind Stan Lee leaving comments in Roy Thomas' comics, but he should at least get his facts straight. Professor X wasn't kidnapped in X-Men #32, it was X-Men #33.




Daredevil #31

Title: Blind Man's Bluff!

Writer: Stan Lee
Artist: Gene Colan

Villain: Cobra, Mr. Hyde

Regulars: Foggy Nelson, Karen Page

Is the man looking out of his window supposed to be Stan Lee? The picture is too small for me to be certain, but it could be.


At the end of the last issue a liquid thrown at Daredevil caused him to lose his radar sense. Now he's as helpless as any other blind man. Pretending to be Mike Murdock, he goes back to the law office and tells Foggy Nelson that he's gone blind. He stands on a roof ledge to fool the Cobra and Mr. Hyde into believing that he can still see. On the last page he's walking in the street with Foggy, not knowing that the Cobra is following them. Now the Cobra knows that Daredevil really is blind.

Gene Colan's artwork is always good, but in this comic it's outstanding, even by his own high standards.



Other comics published this month:

Sgt. Fury and his Howling Commandos Annual #3 (Gary Friedrich, Dick Ayers)

Millie the Model #152 (Stan Lee, Stan Goldberg)
Rawhide Kid #59 (Denny O'Neil, Dick Ayers)
Ghost Rider #4 (Gary Friedrich, Dick Ayers)
Sgt. Fury and his Howling Commandos #45 (Gary Friedrich, John Severin)
Not Brand Echh #1 (Stan Lee, Jack Kirby)


Not Brand Echh is a satire comic that was published by Marvel for 13 issues from 1967 to 1968. In it they make fun of both Marvel and DC characters. I've read the first two issues and stopped there, because I honestly don't find it that good. To me it's not even funny. I've only posted the cover because it's the first drawing of Irving Forbush.

Nuff said!

Saturday 30 March 2019

Dumbo (2019) (4 Stars)


This film is described as a remake of the 1941 animated Disney film with the same name, but it's so far removed from the original that I don't like to use the word remake. The only thing that is has in common with the 1941 film is that it features a baby elephant called Dumbo who uses his long ears to fly.

The film takes place in 1919. The horse performer Holt Farrier (Colin Farrell) returns from the war to face several tragedies. He's lost his arm, but he considers himself still able to do stunts on his horses. However, the circus boss, Max Medici (Danny DeVito), has sold the horses because the circus was in financial problems. Added to this, Holt's wife died of pneumonia in the last winter. The only good thing in his life is that he still has the loving affection of his two young children, Milly and Joe. Since he has no horses to ride, Medici gives him the job of looking after the pregnant elephant Jumbo. That's not a job he wants to do, but it's either that or be unemployed.

When the baby elephant is born it's considered a freak because it has very large ears that drag on the ground. Medici insists on the ears being covered up when it first appears in the circus, but the covering comes off and the audience mocks it. Why? If I saw a baby elephant with big ears I would smile happily. It looks so cute.

The children share my feelings and sit fascinated with the baby, who's soon given the name Dumbo. Then they discover something amazing. If Dumbo sucks a feather into his nose he can fly for a few minutes. This makes Dumbo the biggest attraction of the circus.

That's not the end of the story, it's just the beginning. Entrepreneur V. A. Vandevere wants Dumbo in his new amusement Dreamland amusement park, which presents circus acts at a fixed location instead of travelling from town to town. He tricks the naive Medici into signing a contract that is against his best interests.


This is a beautiful film that made me feel like a child again. Circus is one of the finest old forms of entertainment that still exists in the world today. Unfortunately, circus is changing. We see this in the film. The old family circuses are dying out and being replaced by the more efficient large circuses. I personally prefer the small circuses. They don't have the same big acts, but there's a familiarity and closeness to the artists that the large circuses don't offer. In Germany there are still small circus families that travel from town to town scraping a living. They have six or less artists who do everything. The smallest circus I've seen had only three artists who appeared in different costumes in every act. That's real circus entertainment. If you have the chance to visit a small circus, please take it. You won't regret it.

At this point in time it's still unclear whether "Dumbo" will be released on disc. Amazon lists DVDs and Blu-rays that can be pre-ordered, but they may never be released. Disney is starting its own streaming service later this year, and it's expected that they'll take steps to encourage new subscribers, such as making films available exclusively on their web site. That's sad. Every new streaming company means a deterioration of the supply of available films, because they'll be spread thinly over more companies. What we need is a consolidation of streaming companies into one big company that offers everything. But as we know, governments don't like monopolies. The future is looking bleak for online film streaming, and when Disney withdraws its films from Netflix it'll be one more big step downhill.

John Wick (4½ Stars)


It's compulsory re-watch time. "John Wick 3" will be in the cinemas soon, so I want to watch the first two parts again to prepare myself. In the case of some sequels it's essential for me to re-watch the first parts, because I might have forgotten important details that explain the new film. That's not the case with the John Wick films. I've watched them often enough to have them imprinted on my mind.

John Wick, the character, is presented as living in a world that exists in parallel to our own. It's a world populated by highly skilled assassins who live by a noble code of honour. Sometimes they're hired to kill one another, but they respect one another, and they can share a drink before facing one another like medieval knights. The Continental Hotel in New York is a safe house. Nobody is allowed to kill other guests on the premises. In fact, it's customary to check into the hotel before starting a job. If you're seen in the hotel the others know that you're "working", which is the euphemism for killing.

Even if payment is made for a job in US dollars, the parallel world has its own currency. Anyone who successfully carries out a contract is given gold coins, usually one coin for each kill. These coins can be used for paying others for lesser jobs, for instance disposing of corpses. The coins are also used to pay for hotel rooms in the Continental.

At the beginning of the film we see that John Wick has a huge stash of gold coins. This doesn't just mean that he's rich, it means that he's killed a lot of people in his career.

That doesn't mean that the assassins of the parallel world can't kill for free. That's the plot of the first film. The son of a Russian mafia boss – a man for whom John previously carried out many contracts – steals John's car and kills his dog. This sets John off on a path of revenge. The collateral damage is high.

This is a film tailor made for Keanu Reeves. He doesn't have to show emotion, he just has to kill, kill, kill. If Arnold Schwarzenegger can do it, so can Keanu.

Success Rate:  + 2.3

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Friday 29 March 2019

Klaus Schulze: Blackdance (1974)


Klaus Schulze - Blackdance

KS Canon 4

Track Listing:

1. Ways of Changes 17:14
2. Some Velvet Phasing 08:24
3. Voices of Syn 22:40

Bonus Tracks:

4. Foreplay 10:33
5. Synthies have no balls? 14:42

Notes: The opera singer Ernst Walter Siemon sings on the track "Voices of Syn".

Rating: 4½ Stars
Bonus Tracks: 5 Stars

If you've been paying attention you'll notice that I've skipped a number in the canon. That's not a mistake, or at least it's not my mistake. The canon numbers have been assigned by KDM (Klaus Schulze's publisher, Klaus Dieter Müller), but I'm reviewing the albums in the order that they were released. "Blackdance" was the third album that Klaus Schulze released, but KDM gave it the number 4 because he believed that his fourth album, "Picture Music", was recorded earlier. When I was a subscriber to KDM's monthly newsletter, "The KS Circle", KDM was still puzzling over which of the two albums was recorded first. That was in the early 2000's. Klaus himself doesn't know, because it was 30 years ago. KDM was trying to decide based on the sound of the synthesizers used. The last I heard was that KDM changed his mind and decided that "Blackdance" was earlier. For me, as a music fan, it doesn't really matter. If KDM says something I'll believe him.

This was a significant album in Klaus Schulze's career. His first two albums were released on the German record label Ohr, meaning that they were only available in England and other countries as German imports. They could only be bought from specialist shops. "Blackdance" was released on Virgin Records, which made it available throughout the UK. This led to an increase in Klaus Schulze's popularity.

For me personally, this album meant a change in my listening habits. I used to listen to "Irrlicht" and "Cyborg" from beginning to end, because I liked all the tracks equally. "Blackdance" was different. I loved "Voices of Syn" most, and "Ways of Changes" almost as much. I liked "Some Velvet Phasing", the second track on the first side of the LP, but I found it boring if I listened to it too often. For this reason I mostly listened to the second side of the LP, and if I listened to the first side I often left out the second track. Listening to the album today, for the first time since I returned to Germany in 2016, I loved all the tracks, but I can see that if I listened to it every day I would make preferences again.

The bonus tracks were found on a tape that was labelled "38 cm/sec Stereo, Chor/Mellotron (Manor March 1976)". This tape sounds like it was an unmixed studio recording made in one session. Klaus put it in a box, where it lay until KDM discovered it in 2006.

I'm sure he's too modest to admit it, but in my opinion there would be no Klaus Schulze without KDM. Klaus is an artist, brilliant but chaotic. After recording a piece of music, that's that, it's done with, and he moves on to the next piece. KDM is the one who picks up what Klaus has recorded and saves it for posterity. KDM's official job description is publisher, but he does more than that. He's an archivist. He sorts out the random tapes that have piled up over the years, and he decides which ones are of sufficient quality that they should be made public.

I used to be in frequent contact with KDM, by telephone in the 1990's and by email in the 2000's. I probably annoyed him by ringing too often. We argued a few times, but even if he made me angry by contradicting me when I was sure I was right, I always had the greatest respect for him. I still do.

Just one small example of an argument: When I first re-bought "Cyborg" on CD in the early 1990's it sounded wrong. I compared it with my LP, and it seemed that one of the stereo channels was too quiet throughout the album. I rang KDM to ask him about it, and he immediately flew into a rage. He denied anything was wrong with it and refused to discuss it with me. Case closed. A couple of years later there was a post on the official Klaus Schulze website in which someone named the same problem that I'd noticed first. Don't worry, the new version of the CD that was released in 2006 is perfect.




Klaus Schulze also appeared on five other albums in 1974, all of them as a member of the group called the Cosmic Jokers. This was one of the most embarrassing parts of Klaus Schulze's career.

Rolf-Ulrich Kaiser and his girlfriend Gille Lettman had formed a record label that they called Kosmische Kuriere, engl. Cosmic Couriers, to cash in on the new popularity of electronic music in Germany. In 1973 he held parties in a recording studio that belonged to Dieter Dierks. He gave the musicians LSD, some of them allegedly without their knowledge, and invited them to play together. A year later five albums were released with music mixed from these sessions without the prior knowledge of the musicians. Manuel Göttsching, for instance, only found out about the albums when he heard one of them playing in a record store. Klaus was so angry that he sued Rolf-Ulrich Kaiser, who reacted by leaving Germany and letting his record label collapse.

If you listen to the albums in order – I used to own them all on LP – it's obvious what happened. The best music from the sessions was released on the first album. It was a commercial success, so a couple of months later another album was released with the second best music. Then a third album was released with the leftovers. By the time it got to the fifth album the music was dreadful.

I owned all five albums on LP. Somehow the court cases against Rolf-Ulrich Kaiser didn't prevent them being re-released on CD in the 1990's. I re-bought the first three albums but hardly listened to them. They were stolen by Thomas Kuzilla of Dearborn Heights, Michigan, but I didn't think they were good enough for me to buy them a third time. They're no longer available. Good riddance!


Cosmic Jokers - Cosmic Jokers (1974)

Jürgen Dollase (guitar)
Harald Grosskopf (drums)
Manuel Göttsching (guitar)
Klaus Schulze (keyboards)
Dieter Dierks (mixing)

Rating: 3 Stars




Cosmic Jokers - Galactic Supermarket (1974)

Jürgen Dollase (guitar)
Harald Grosskopf (drums)
Manuel Göttsching (guitar)
Klaus Schulze (keyboards)
Gille Lettmann (vocals)
Dieter Dierks (mixing)

Rating: 3 Stars




Cosmic Jokers - Planeten Sit-In (1974)

Jürgen Dollase (guitar)
Harald Grosskopf (drums)
Manuel Göttsching (guitar)
Klaus Schulze (keyboards)
Gille Lettmann (vocals)
Dieter Dierks (mixing)

Rating: 2 Stars




Cosmic Jokers - Sci Fi Party (1974)

Jürgen Dollase (guitar)
Harald Grosskopf (drums)
Manuel Göttsching (guitar)
Klaus Schulze (keyboards)
Gille Lettmann (vocals)
Dieter Dierks (mixing)

Rating: 2 Stars




Cosmic Jokers - Gilles Zeitschiff (1974)

Jürgen Dollase (guitar)
Harald Grosskopf (drums)
Manuel Göttsching (guitar)
Klaus Schulze (keyboards)
Gille Lettmann (vocals)
Dieter Dierks (mixing)
and various other artists.

Rating: 1 Star

This is really scraping the bottom of the barrel. It's a sampler that contains various tracks from the previous Cosmic Jokers albums, Ash Ra Tempel's third album "Seven Up" and Walter Wegmüller's "Tarot". I have nothing against samplers in principle, but the songs are mixed together into two long tracks and have Gille Lettmann talking over them, making banal comments about how everything is so beautiful, so cosmic, etc. Music like this makes me wish I had a zero star rating.

Thursday 28 March 2019

Iron Sky (4 Stars)


I should have watched this film before I went to see "The Coming Race" yesterday, but as they say, "It's better late than never". It's a true statement, but I would have enjoyed "The Coming Race" more after refreshing my memory. I'd forgotten who Renate Richter is.

"Iron Sky" was made in 2012 and takes place in the near future, the year 2018. It's interesting to see how the screenwriter and director envisioned the future. They expected Sarah Palin to be the American president. Was that ever a real possibility? I can't remember now. I know that she was mocked for her right wing views and embarrassing forgetfulness, but I'd rather have her as president than the one America has now. I'm sure a lot of Americans would agree with me.


President Palin's ratings are dropping, so she's worried she won't be elected for a second term. The best way to become popular would be for her to start a war, because wartime presidents always get a second term. She considers bombing Australia, but that would only be a last resort. First she tries a softer approach: she encourages NASA to make America's first manned moon landing in 45 years, and one of the astronauts is black. She has campaign posters of herself with the astronaut, James Washington, and the slogan is "Black to the Moon". Even his name sounds patriotic. This misfires when the space shuttle explodes and both astronauts die. So she needs a war after all?

Unknown to anyone on Earth, James Washington has survived. The space shuttle landed near a moonbase that's shaped like a swastika. At the end of World War Two Nazis fled to the Moon and formed a colony, preparing for the day when they could return and conquer the Earth. Their giant warship, the Götterdämmerung, is ready, but one thing is missing: they don't have enough computing power. The mobile phone that they steal from James is the missing link, and the attack can begin.

This is Sarah's War. She's happy when the Nazis attack, because "they're the only ones we've ever defeated in a fair fight".

So who's Renate Richter? She's the daughter of the Moon's greatest scientist. She's engaged to marry Klaus Adler, the second in command of the Moon Nazis and the designated successor of the ageing Führer, Wolfgang Kortzfleisch. He's impatient to take over, so he follows in the footsteps of Claus von Stauffenberg and stages a putsch, killing the Führer. Seemingly. We don't find out until the sequel that he survived.

There are numerous other subplots that turn this film into a biting satire. Despite its sometimes shaky special effects it's a highly enjoyable film.

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Marvel Years 07.07 - July 1967


Fantastic Four #64

Title: The Sentry Sinister!

Writer: Stan Lee
Artist: Jack Kirby

Villain: Sentry 459

Regulars: Crystal, Triton, Lockjaw


The story begins with Reed Richards blocking the door to the Negative Zone to prevent anyone crossing to Earth from the other side. After completing this task he promises his teammates a vacation. Ben Grimm picks the spot by blindfolding himself and throwing a dart at a map. He hits a small island in the Pacific Ocean. As we already know, chance is weighted in Marvel comics. This island is the place where an alien race called the Kree left a sentry thousands of years ago. The cosy vacation turns into a vicious fight to the death.


The battle with the Sentry gives the Thing the chance to shout his battle cry: It's clobbering time!

The Crazy Credits say that Artie Simek's lettering is lethargic. Please, Stan, stop picking on adorable Artie. He's a valuable asset to the bullpen. If you really must pick on someone, insult Irving Forbush instead.




Amazing Spider-Man #50

Title: Spider-Man No More!

Writer: Stan Lee
Artist: John Romita

Villain: Kingpin

Regulars: Aunt May, Mary Jane Watson, Gwen Stacy, Harry Osborn, J. Jonah Jameson, Betty Brant, Frederick Foswell


Spider-Man stops a robbery, but the couple that he protects is afraid of him. They've been influenced by J. Jonah Jameson's editorials in the Daily Bugle. When he returns home he finds his Aunt May has been taken ill, and she's worried because she couldn't reach him. Peter Parker makes the decision to give up being Spider-Man.


His costume is found in a trash can, which is hardly surprising, considering how badly he hid it. A boy takes the costume to the Daily Bugle, and J. Jonah Jameson lets everyone know Spider-Man has quit. A new crime lord called the Kingpin rises up and takes control of New York's scattered gangs. The increase in the crime rate causes Peter Parker to rethink, and he becomes Spider-Man again.




Strange Tales #158


Title: Final Encounter!

Writer: Jim Steranko
Artist: Jim Steranko

Villain: Baron Von Strucker, Hydra

Regulars: Laura Brown

Nick Fury defeats Hydra by placing the Death Spore inside the protective shield before it explodes, destroying Hydra Island and everyone on it.

The Crazy Credits say that Sam Rosen lost the comic's script after finishing the lettering. That's not too bad. It would have been worse if he'd lost the script before doing the lettering.




Title: The Sands of Death

Writer: Roy Thomas
Artist: Marie Severin

Villain: Living Tribunal, Dormammu (flashback), Umar (flashback), Zom (flashback)

The Living Tribunal has judged that the Earth must be destroyed as a punishment for Doctor Strange awakening Zom in Strange Tales #156. Doctor Strange challenges the Living Tribunal to a battle, but he has no chance of success. The Living Tribunal sets Doctor Strange a challenge: if he can restore his badly burnt cloak of levitation the Earth will be spared.


Marie Severin is finally drawing good artwork. She needed a few issues to warm up, and it was worth the wait. Various parts of her full page artwork on page 8 were used on the cover of Pink Floyd's album "A Saucerful of Secrets" in 1968.





Tales of Suspense #91


Title: The Uncanny Challenge of the Crusher!

Writer: Stan Lee
Artist: Gene Colan

Villain: Crusher

Regulars: Happy Hogan, Pepper Potts

A scientist in a small country located on an island in South America invents a potion to make his president powerful enough to conquer the world. The president doesn't trust him, so he makes the scientist drink it himself. He grows to more than seven foot tall and becomes heavy and bulletproof. Supposedly he doesn't have exceptional strength, but his weight makes him powerful.

The scientist, who now calls himself the Crusher, goes to America to challenge Iron Man. He can only be defeated by a ray that increases his weight even more, making him sink into the ground.

At the end of the story Happy Hogan and Pepper Potts announce that they've just got married. Should I call her Pepper Hogan now? Somehow it doesn't sound right. Maybe they're a modern couple, and Happy has taken her last name. That would make him Happy Potts.




Title: The Last Defeat!

Writer: Stan Lee
Artist: Gil Kane

Villain: Red Skull

The Red Skull steals the XPT-1, an experimental American submarine, by hypnotising the crew to obey him. What he doesn't know is that the experiment is complete and the submarine is on a timer to auto-destruct as soon as it's far from land.




Tales to Astonish #93


Title: The Monarch and the Monster!

Writer: Roy Thomas
Artist: Dan Adkins

Villain: It

Regulars: Dorma

Sub-Mariner continues his battle with It, spelt with a capital I because it's his name. Comics are lettered in capitals only, so whenever the creature's name is used it's in bold italic lettering, i.e. IT. Wouldn't it have been easier to think up a better name for this undersea monster? Never mind, this issue is the last time we'll ever see it.

Sub-Mariner is of the opinion that it's a robot created by the surface world. He eventually defeats it, despite being weakened by its radioactive body. When he swims back to Atlantis to be healed he swears revenge on the human race.




Title: He who strikes the Silver Surfer

Writer: Stan Lee
Artist: Marie Severin

Villain: Silver Surfer

The Hulk attacks the Silver Surfer, and they battle briefly, but the Silver Surfer flies away, finding the battle boring and unnecessary. While the Hulk is recovering he's attacked by policemen armed with flame-throwers. The Silver Surfer sees this and returns to rescue him. The Hulk misinterprets this, and the fight begins again.

The Hulk is knocked unconscious, so the Silver Surfer reads his mind and finds out how he became a monster. He prepares to heal the Hulk by taking the gamma rays out of his body, but the Hulk wakes up and strikes out. The Silver Surfer flies away, leaving the Hulk as he was.

This story has my vote for best comic of the month. It's a brilliantly told story by Stan Lee, and Marie Severin's artwork is excellent.




Thor #142


Title: The Scourge of the Super-Skrull!

Writer: Stan Lee
Artist: Jack Kirby

Villain: Loki, Super-Skrull

Regulars: Odin, Sif, Balder

After last month's dull story, Stan Lee has written another masterpiece. Loki, who we last saw in Thor Annual #2, is unable to challenge Thor directly because he's been banished by Odin to the far reaches of space. He influences the Super-Skrull, also banished by his people, to travel to Earth and attack Thor. We last saw the Super-Skrull in the utterly chaotic Fantastic Four Annual #3, and before that in Fantastic Four #32. Thor defeats the Super-Skrull and sends him back into space.

Meanwhile, Odin sends Balder and Sif to investigate the plans of a warlike people called the Enchanters.




Title: We who are about to die!

Writer: Stan Lee
Artist: Jack Kirby

Gods: Thor, Fandrel, Hogun

Thor and the Warriors Three continue their battle against Mogul. Actually, it's only the Warriors Two. We don't see Volstagg, because he has left to have a meal. Everyone knows that you can't fight on an empty stomach,  and the bigger the stomach the longer the meal lasts.




The Avengers #42

Title: The Plan and the Power!

Writer: Roy Thomas
Artist: John Buscema

Avengers: Captain America, Hawkeye, Goliath, Wasp, Quicksilver, Scarlet Witch

Villain: Diablo, Dragon Man

Regulars: Black Widow, Hercules

Guests: Reed Richards, Ben Grimm


Hawkeye, Quicksilver, the Scarlet Witch and Hercules travel to Transylvania to rescue Goliath and the Wasp, who have been captured by Diablo. When they arrive Hercules fights with Dragon Man while the three Avengers attempt to attack Diablo. They first have to deal with Goliath, who has been forced to serve Diablo because the Wasp is being held as a hostage.

Captain America returns after his battle with the Red Skull in Tales Of Suspense #88 to #90.

Meanwhile, the Black Widow has been fighting with her captors in the Far East Communist country, but she eventually succumbs to them.


Roy Thomas has taken over as the regular writer for the Avengers, but Stan Lee refuses to let go. He insists on making comments in his capacity as editor.


This is the second comment. We need Stan's humour.


This is the third comment.


This is the fourth comment.


This is the fifth comment. Phew! Stan has been busy this month.




X-Men #34

Title: War in a World of Darkness!

Writer: Roy Thomas
Artist: Dan Adkins

X-Men: Cyclops, Angel, Beast, Iceman, Marvel Girl

Villain: Tyrannus, Mole Man


Ted Roberts tells his fellow student Jean Grey, who he suspects of being Marvel Girl, that his brother Ralph has been captured and taken below the Earth by Tyrannus. Tyrannus wants to use the cobalt alloy that Ralph has developed to make more powerful robots. The X-Men go down the pit left by Tyrannus, but instead of Tyrannus they encounter the Mole Man.

Tyrannus was last seen in Tales To Astonish #81.

Mole Man was last seen in Tales Of Suspense #88.


Marvel Girl threatens to put Iceman and Angel over her knee if they don't get some sleep. I would have preferred to be put over her knee, but that's just me.

This is the first comic lettered by Jerry Feldmann, and the Crazy Credits immediately poke fun of him. Roy Thomas and Dan Adkins are praised for reaching new artistic heights, while Jerry Feldman is said to have produced the same old lettering. What sort of new lettering does Stan Lee want? Chinese?


We've known for a long time that Jean Grey secretly loves Scott Summers. Is that the reason why she accidentally calls Warren Scott?


Maybe not. A moment later Bobby Drake calls Warren Scotty. This looks more like a blunder, either by Roy Thomas or the new letterer on the block.




Daredevil #30

Title: If there should be a Thunder God!

Writer: Stan Lee
Artist: Gene Colan

Villain: Cobra, Mr. Hyde

Regulars: Foggy Nelson, Karen Page

Guests: Thor


Matt Murdock hatches up a plan that fits his multiple personality disorder. He hears that Cobra and Mr. Hyde have been carrying out a series of robberies. He doesn't know how to find them, but he knows that they're Thor's enemies, so he decides to lure them out by pretending to be Thor. He buys a Thor outfit from a costume shop that he can wear over his Daredevil costume.

The plan backfires. Thor sees him and thinks that it's a villain who's impersonating him. They have a short fight, but Daredevil is no match for Thor. When Daredevil reveals who he is, Thor lets him go on condition that he doesn't impersonate him again. Cobra and Mr. Hyde were watching the fight between Thor and Daredevil, so as soon as Thor flies away they attack Daredevil. Mr. Hyde throws a liquid at Daredevil's eyes which is intended to make him blind. Daredevil is already blind, so it has another effect. It takes away his radar senses.

To be continued.....

P.S. Cobra and Mr. Hyde were last seen in the chaotic gathering of super-villains in Fantastic Four Annual #3. Before that they were seen in Journey Into Mystery #111.



Other comics published this month:

Millie the Model #151 (Dennis O'Neil, Stan Goldberg)
Kid Colt Outlaw #135  (Sol Brodsky, Herb Trimpe)
Two Gun Kid #88 (Roy Thomas, Ogden Whitney)
Sgt. Fury and his Howling Commandos #44 (Gary Friedrich, John Severin)