This is the fifth film in the historical comedy series about Susanne Delburg.
It takes place in 1818. Susanne now lives in Vienna, where she's a popular
figure on the stage. She receives regular offers of marriage, but she turns
them all down. It's not that no man is good enough for her. The most important
thing in her life is her career, and she fears that she'll have to give up
acting if she takes a husband.
This film plays a trick to tell a completely different story. We find out that
Susanne has a twin sister called Ilona. They're identical except for their
hair colour. Susanne has red hair, while Ilona is a brunette. Ilona lives on a
farm in Hungary with her Uncle Török. We only see Susanne briefly at the
beginning and end of the film. The whole story is about Ilona.
A Swabian regiment is stationed in Schwarzenau, an Austrian town to the
north-west of Vienna. The soldiers want permission to marry Austrian girls,
but it's not allowed, because they're Germans. That's strange, but I'm sure
there's a historical reason for it. In the early 19th Century, after the fall
of Napoleon, Europe was splintered into small countries that were in uneasy
alliances with one another. Duke Seibersdorf says he'll give them permission
to marry if they bring him five barrels of the Hungarian Tokayer wine. This
wine is made exclusively by Susanne's Uncle Török.
The Swabian soldiers visit the farm to buy wine. Török refuses. After all,
they're only Germans! At this time Török is trying to arrange a marriage for
Ilona with a rich nobleman. She wants to avoid marriage, so she disguises
herself as a man and goes to the Swabians. She steals five barrels of wine
from her father, and she gives the wine to the soldiers in exchange for them
accompanying her to Vienna, where she wants to meet her sister.
This is supposed to be a man? She wouldn't fool me. She calls herself Peter,
and she becomes one of the boys. She doesn't even raise suspicion when she
refuses to bathe with them.
It's a feast of cross-dressing. On the road to Vienna they confront bandits,
so the soldiers disguise themselves as women. I'm not sure why. They
compliment Peter on how convincing he looks as a woman.
There's one thing I should have mentioned in my past reviews. The French
comedian Jacques Herlin appears in every film playing a different role. He's
always a dim-witted opponent of Susanne, except in this film, in which he's a
dim-witted opponent of Ilona.
In
the first film
he plays the Governor of Giessen.
In
the second film
he plays the same character, but now in the court of Napoleon's sister Elisa.
In
the third film
he plays the Russian ambassador.
In
the fourth film
he plays Baron Bierhäusel.
In the fifth film he plays the Viscount of Chempenoise, one of the officials
in the palace in Vienna.
This is the most amusing of the films so far. There are many hilarious scenes
of mistaken identity, not to mention mistaken gender. It's also the film in
which the historical setting is emphasised the least.
Once more, the film's erotic content is exaggerated in the film's title and
the film posters. Literally, the title means "The innkeeper does it even
harder". Does what? That's false advertising, because we hardly see her in the
film, only her twin sister. In America it was called "Sexy Susan and her
Sister".
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