Who killed Adolf?
Or didn't he commit suicide in his bunker?
In "Up!" we find out that he faked his death, so that he could flee from the
Russians. He's living in a castle in northern California. He's changed his
name to Adolf Schwartz, so that nobody will suspect who he is. So what's he up
to now, thirty years later (in 1976)? Is he planning to return to power and
conquer the world. No, he's gone into retirement. He indulges in his
masochistic fantasies by paying local townspeople to torture him. I shan't go
into details, except that we see the typical twisted BDSM practise of the
submissive being the person in control. Adolf is tied up, but he continues to
bark commands about how he wants to be treated next. It's obvious that the
people dominating him, a man and three women, despise him and are only
with him for the money.
But Adolf's retirement doesn't last. After the BDSM session, when he thinks
he's alone, someone murders him by throwing a piranha into his bathtub.
As far as the production went, this was probably Russ Meyer's most chaotic
film. When the filming was completed, he realised it was too short, so he
added interludes with Kitten Natividad, in which she balances naked on a tree
and encourages the audience to work out who the killer is. Normally I would
have laughed, but Kitten is so beautiful that I'll forgive Russ just this
once. Russ had written the film itself, but he asked his friend Roger Ebert to
write Kitten's dialogue. Kitten was picked at the last minute, and her Mexican
accent was so strong that her dialogue was barely intelligible. Attempts were
made to give her voice coaching, but it was too late to do a good job, so her
voice was dubbed by an unknown actress.
I should mention that Adolf's dialogue, spoken completely in German,
was written by the Swiss actress Uschi Digard. Despite being played
by an American actor, the German accent is flawless, which makes me
suspect his voice was also dubbed.
Is this Nietzsche's Superwoman? Kitten is unnecessarily modest, calling
herself the Greek Chorus.
Maybe this is Nietzsche's Superwoman. Margo Winchester is an undercover
policewoman who arrives in town to solve the murder. When she performs a dance
act on stage her voice sounds like Mae West. The identical initials aren't a
coincidence.
"Up!" wasn't as successful as Russ Meyer's other films in the 1970's. It was
criticised for its excessive violence. His films always contained violence,
but this time he pushed it to the limit. It was banned in several American
states, which contributed to its lesser success. In a new commentary track for
the 4K release, the film historian Elizabeth Purchell says that "Up!" is an
underrated film, but doesn't go as far as to say it's up to the standard of
"Supervixens"
or
"Beneath the Valley of the Ultravixens". I also like "Up!" a lot, but not as much as these two films.






































