Showing posts with label Dakota Johnson. Show all posts
Showing posts with label Dakota Johnson. Show all posts

Sunday, 8 February 2026

Madame Web (4 Stars)


"Madame Web" (2024) is an origin story set within Sony's Spider-Man Universe. Rather than centring on an established superhero, the film follows Cassandra "Cassie" Webb, a paramedic in New York City who gradually discovers that her life has been shaped by forces connected to clairvoyance, fate and a web of interlocking destinies.

The film opens in the Peruvian Amazon in 1973. A pregnant researcher, Constance Webb, is searching the jungle for a rare spider species rumoured to possess extraordinary properties. She is betrayed by her colleague Ezekiel Sims, who murders members of the expedition and steals the spider. Constance is fatally wounded but is saved temporarily by members of an indigenous tribe who use the spider's abilities to try to preserve her life. She gives birth to Cassie before dying, and the baby is taken back to the United States.

Decades later, Cassie Webb is a hardened, emotionally distant paramedic in Manhattan. She has grown up in foster care and believes her mother died in a plane crash while researching spiders, unaware of the true circumstances. Cassie avoids personal attachments and lives a solitary life. During a rescue operation on a bridge, she nearly drowns while saving a driver from a submerged car. After being resuscitated, she begins experiencing vivid flashes of the future. At first, these episodes are disorienting and brief; she sees moments seconds before they occur and realises she can alter events by acting on her visions.

Cassie's powers intensify when she encounters three teenage girls on a train: Julia Cornwall, Anya Corazon and Mattie Franklin. In a sudden vision, Cassie sees them murdered by a masked, superpowered man wearing a spider-themed suit. The attacker is revealed to be Ezekiel Sims, now a wealthy and influential businessman who gained enhanced strength and agility from the spider in Peru. He has been haunted by recurring dreams in which three spider-powered women kill him. Through his own research and access to advanced surveillance technology, he identifies the girls as the future threat and sets out to eliminate them before they can develop their abilities.

Realising the girls are in imminent danger, Cassie kidnaps them from the train to save their lives, though they initially see her as a threat. As Ezekiel hunts them across New York, Cassie gradually accepts her role as their protector. She uses her precognitive visions to anticipate his moves, repeatedly altering events to keep one step ahead. The group hides in various locations, including a diner and a fireworks warehouse, while Cassie tries to piece together her mother's past and the origin of her own powers.

Through research and conversations with her colleague Ben Parker, Cassie learns more about Ezekiel's background and about her mother's expedition. She comes to understand that her near-death experience activated latent abilities connected to the same spider species. Unlike Ezekiel, whose powers are physical and driven by fear of his prophesied death, Cassie's gift is psychic; she can perceive branching timelines and subtly shift outcomes.

As Ezekiel closes in, Cassie's visions become more expansive, showing possible futures in which the three girls grow into powerful spider-heroes. Julia is shown with psychic spider abilities, Anya with acrobatic combat skills and Mattie with enhanced strength. These glimpses of their future selves reinforce Cassie's determination to ensure their survival.

The climax takes place at an abandoned Pepsi-Cola sign factory during a Fourth of July celebration. Cassie foresees multiple deadly scenarios and repeatedly tests different actions in rapid succession, effectively rehearsing the fight in her mind. When Ezekiel attacks, she coordinates the girls' escape with precision timing based on her visions. In the chaos of collapsing fireworks scaffolding, Ezekiel is crushed and killed, seemingly fulfilling his own prophecy in an ironic reversal; his attempt to prevent the future directly causes it.

Cassie is gravely injured during the confrontation and loses her eyesight, but her psychic abilities expand further, allowing her to perceive the world through visions of the web of life and time. In the aftermath, she adopts a mentorship role toward Julia, Anya and Mattie, hinting at their eventual transformation into spider-powered heroes. The film ends with Cassie in a wheelchair, now fully embracing the mantle of Madame Web, calmly guiding the girls as she looks ahead into the vast network of possible futures, aware that this is only the beginning of a larger destiny.

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Saturday, 3 August 2024

Madame Web (4 Stars)



After watching "Madame Web" in the cinema I read many reviews that said it's a bad film. The reviewers said that the film is illogical. I can see their point, but I disagree. Or rather, I agree that the film is illogical, but I disagree that this makes the film bad. Comics are illogical. They present many fantastic things that can only be accepted by children or naive adults. A man is exposed to gamma rays, and from then on he keeps growing into a green monster and reverting to a man at random intervals. Where does the additional body mass come from? Where does it disappear to? This contradicts the laws of physics, but who cares? I'm a naive adult who can accept whatever he reads in comics.

In the same way, I accept what happens in "Madame Web". There's a man who can climb walls and a woman who has visions. There are three teenage girls destined to acquire spider powers. It all makes sense to me. I'm too naive to question it.

I hope there will be a sequel. Or better still, three sequels. I want to see what happens to the three girls. They all deserve their own film, but alas, the box office failure of "Madame Web" makes it unlikely.

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Wednesday, 14 February 2024

Madame Web (4 Stars)


I'm a Marvel fan. Everyone knows that. For this reason it breaks my heart that recent Marvel films haven't been as good as they used to be. Since 2021 I've only given one Marvel film, "Spider-Man: No Way Home", a five star rating. I rated all the other films two or three stars when I saw them in the cinema, but in retrospect I think I should have rated them lower. Marvel isn't what it used to be.

When I walked into the cinema to see "Madame Web" I was hoping it would be a masterpiece. I always do. I had no knowledge of the character. She wasn't introduced into the comics until the 1980's, at which time I hardly read any comics, so I didn't know her. I'll leave it to others to tell me whether or not she's accurately portrayed.

The film takes place in 1973 and 2003, at a time when neither Spider-Man nor any of the other super-heroes existed. Cassandra Web has random visions of things that will happen in the immediate future. A man called Ezekiel Sims has recurring dreams about three women who will kill him. He steals NSA software to search for these women, and he finds they're all still teenagers. He sets out to kill them, but Cassandra has visions of his threats and does all she can to protect them.

"Madame Web" isn't a bad film. It's better than "The Marvels", "The Eternals" and all the other films that have been made in the last three years. It's not a great film, but it's the first step towards recovery. I found Dakota Johnson convincing as the overworked paramedic Cassandra Web, and the three teenagers hanging out with her were refreshingly immature. It offers promise for a sequel.