Saturday, 14 March 2020

Marvel Years 12.07 - July 1972


The first three issues of Marvel Feature contained stories about the Defenders, Marvel's newest non-group. Due to their popularity they'll be given their own comic series, starting next month. Starting this month, Marvel Feature will contain stories about Ant-Man. To recap his appearances briefly:

Hank Pym first appeared as a scientist in Tales To Astonish #27. It's obvious that this was a one-off story, and he was never intended to return at the time when Stan Lee wrote the story.

In Tales To Astonish #35 Hank Pym returned as the super-hero Ant-Man. This made him the fourth Marvel silver age super-hero after the Hulk, Spider-Man and Thor. His stories continued until Tales To Astonish #48. After this he gained the ability to increase his size, so the series continued as Giant Man from Tales To Astonish #49 to Tales To Astonish #69.

It's worth noting that he appeared in Avengers #1 as Ant-Man, and as the one who suggested the formation of the team he's the only super-hero who has the right to call himself the first Avenger. By the time Avengers #2 was released, he had already become Giant-Man. He remained in the Avengers until Avengers #16, when he said he was leaving the Avengers temporarily to take a vacation. It must have been a long vacation, because he didn't return until Avengers #28, changing his name to Goliath, because he thought Giant-Man sounded too corny.

In Avengers #59 Hank Pym was suffering from schizophrenia, and while he forgot who he was he adopted the identity Yellowjacket. In Avengers #63 Clint Barton, formerly Hawkeye, stole his super-hero name and became Goliath, so he had to remain Yellowjacket. In Avengers #75 he decided to give up being a super-hero and concentrate on working as a scientist.

After sporadic appearances as Yellowjacket in the following issues, he announced in Avengers #93 that he wanted to be known as Ant-Man again. He had a solo story as Ant-Man in Iron Man #44. The success of that story has led to him returning to his own series.

Marvel Feature #4

Title: The Incredible Shrinking Doom!

Writer: Mike Friedrich
Artist: Herb Trimpe

Villain: kidnappers

Regulars: Wasp (flashback)

Guests: Spider-Man


Hank Pym is carrying out an experiment for Dr. Curt Connors, assisted by a young student called Peter Parker. There's an explosion, and they have to abandon their work.


This is news to me. I didn't think that excitement changed Dr. Connors into the Lizard. I thought the change just came sporadically, over time.


There's been some confusion in past issues as to whether Hank Pym's super-hero identities are secret or not. I'm glad it's finally been cleared up.

A gang announces that they've kidnapped Dr. Connors' son Billy. They want his drug samples. Dr. Connors himself is away on a trip, so Hank Pym goes into action as Ant-Man. He's told he can't attack the gang, because Billy has been injected with rabies, and if the gang doesn't give him an antidote he'll die. The gang also injects Ant-Man and Peter Parker.

Peter Parker becomes Spider-Man and finds the antidote. The gang is easily defeated. Everyone receives the antidote, but Ant-Man finds that a side-effect of the rabies injection is that he can no longer change size, so he's stuck at ant size.




The first two issues of Marvel Premiere contained stories about Warlock, whose full name is Adam Warlock. He'll be given his own comic series, starting next month. Starting this month, Marvel Feature will contain stories about Doctor Strange. To recap his appearances briefly:

Doctor Strange first appeared in Strange Tales #110, and he shared half of the comic with various other super-heroes until Strange Tales #168. The stories written by Stan Lee and Steve Ditko are some of the best stories ever written by Marvel.

The following month Doctor Strange was given his own comic, retaining the numbering of Strange Tales, i.e. Doctor Strange #169. The series continued until Doctor Strange #183, when it was cancelled in the middle of a storyline. This story was continued in Sub-Mariner #22 and concluded in Incredible Hulk #126. At the end of that comic he said he was quitting his role as Doctor Strange and would live as a normal man.

His retirement lasted only 18 months. He became Doctor Strange again in Marvel Feature #1.

Marvel Premiere #3

Title: While the world spins mad!

Writer: Barry Smith, Stan Lee
Artist: Barry Smith

Villain: Nightmare

Regulars: Ancient One


Doctor Strange is hit by a truck when he crosses the road without looking. While lying in hospital he's trapped in the dream world of Nightmare. He wins the battle against Nightmare, eventually, but Nightmare warns him that he's working with someone else who's even more powerful.




Fantastic Four #124

Title: The Return of the Monster!

Writer: Stan Lee
Artist: John Buscema

Fantastic Four: Reed Richards, Susan Richards, Ben Grimm, Johnny Storm

Villain: Monster from the Lost Lagoon


Reed Richards collapses from exhaustion and has to be taken to hospital.

The Monster from the Lost Lagoon, last seen in Fantastic Four #97, kidnaps Susan Richards.




Amazing Spider-Man #110

Title: The Birth of the Gibbon!

Writer: Stan Lee
Artist: John Romita

Villain: Gibbon (Martin Blank)

Regulars: Aunt May, Gwen Stacy, Harry Osborn, Flash Thompson


Spider-Man has a temper tantrum when he realises he forgot to take photos of his meeting with Doctor Strange last issue. He throws his camera off the roof, immediately regretting it. It's caught and returned by an incredibly agile man called Martin Blank. He has an inferiority complex because he's always been ugly.

The next day Martin puts on a gibbon costume and asks Spider-Man if he can be his partner. Spider-Man laughs about it, which makes Martin bitter.

Someone is watching.




Avengers #101

Title: Whatever Gods there be!

Writer: Harlan Ellison, Roy Thomas
Artist: Barry Smith

Avengers: Thor, Iron Man, Captain America, Hawkeye, Quicksilver, Scarlet Witch, Vision

Villain: Leonard Tippet

Guests: Watcher


This is a strange story that's made me see the Watcher in a different light. I've always thought of him as a naive good guy, but this story shows him as someone who's ruthless and willing to do bad to achieve the greater good.

The Watcher approaches an old man called Leonard Tippit and tells him that he's destined to save the world from a nuclear holocaust. There are five people in different parts of the world who will one day have children who will do something momentous to bring about global destruction. All five must die before they have children, and only Leonard can kill them. The Watcher unleashes Leonard's buried potential and sends him on his task.

The Avengers try to stop Leonard, but all five people are killed.

Then the Watcher appears and takes Leonard away. He says that he lied to Leonard. The five people and their children were harmless, the real danger was Leonard himself. Leonard unknowingly had enough power to kill the Watcher, so he had to exhaust himself by killing five people.

Wow! So the Watcher organised five murders to save the world? What do you think?




Iron Man #48

Title: The Fury and the Inferno!

Writer: Mike Friedrich
Artist: George Tuska

Villain: Firebrand

Regulars: Marianne Rodgers


Tony Stark challenges the board members of Stark Industries who have been plotting against him for the last three issues. Using his controlling interest he votes himself the new Chairman of the Board, and he asks for them all to resign.


The former Chairman of the Board, Simon Gilbert, attempts to pay the villain Firebrand to destroy the main Stark Industries factory. Stan Lee wants to tell us when we last saw Firebrand, but he's not a very good librarian, because he gets the issue wrong. It was Iron Man #27.

Firebrand rejects the money and says he'll do it for free. He's an idealist who wants to stop wars by destroying warmongers and their property. Iron Man defeats Firebrand, so Simon Gilbert starts an explosion himself and kills himself in the process. Firebrand reveals that Simon Gilbert was his father.




Sub-Mariner #51

Title: Armageddon at Fifty Fathoms Full!

Writer: Bill Everett, Mike Friedrich
Artist: Bill Everett

Villain: Byrrah, Llyra (flashback), Brother Royale

Regulars: Namorita


Namor battles Lord Byrrah, aided by his second cousin Namorita. Is that what the daughter of your first cousin is called? Or is it a cousin once removed? I get confused. Let's just call her cousin, for the sake of simplicity.

Byrrah has allied himself with the Badoon, led by Brother Royale, who we last saw in Silver Surfer #2. The Badoon aren't interested in conquering the Earth, they just want to plunder its natural resources, starting with oil.

Namorita relates how she was adopted by Llyra in Lemuria after the death of her mother. Lord Byrrah came to Lemuria after he was exiled from Atlantis, and Namorita thought of him as a father.

Namor causes an underwater explosion with stolen TNT. The Badoon leave the Earth. Namorita begs her cousin to spare Byrrah.




The Incredible Hulk #153

Title: The World, my Jury!

Writer: Gary Friedrich
Artist: Dick Ayers

Regulars: General Ross

Guests: J. Jonah Jameson, Spider-Man, Daredevil, Captain America, Thor, Iron Man, Quicksilver, Scarlet Witch, Vision, Reed Richards, Susan Richards, Ben Grimm, Johnny Storm, Foggy Nelson


At New York Airport (probably the JFK International Airport) the Hulk fights with the Thing, who's aided by Daredevil, Spider-Man and the Human Torch. Reed Richards has invented a device he calls a Nega-Gamma (TM), which is supposed to turn the Hulk back into Bruce Banner permanently. It doesn't work. It merely knocks the Hulk unconscious. This allows him to be restrained in triple-layered titanium bands built by Tony Stark.

At the trial a few days later, the Hulk is threatened with death if found guilty. (The exact charges against the Hulk aren't named, but you can think them up for yourselves).

Iron Man is the first defence witness. His testimony is rejected as irrelevant. Thor is called as witness, but he isn't allowed to speak. Finally the Hulk is allowed to speak in his own defence, but his words show that he has no idea what's happening. Matt Murdock asks for the Hulk to be declared mentally incompetent to stand trial, which the judge understands, but he says that the protection of the public takes priority over the Hulk's rights.

Reed Richards enters the courtroom and says that Bruce Banner should be allowed to testify. He says he's improved the Nega-Gamma. He fires it at the Hulk, but this time it increases his strength. The Hulk breaks free of the titanium bands and jumps through the roof of the courthouse.


The Hulk's increase in strength is only temporary. He collapses after leaping to South Bronx.




Captain America and the Falcon #151

Title: Panic on Park Avenue

Writer: Gerry Conway
Artist: Sal Buscema

Villain: Scorpion, Mr. Hyde

Regulars: Sharon Carter, Nick Fury


The Scorpion and Mister Hyde are waiting to attack Sharon Carter, because they know she's an agent of SHIELD. How do they know? Ask Gerry Conway.

They ambush Steve Rogers as he walks past them, not knowing he's Captain America. Surprised by his fighting skills, they flee. He then goes to talk with the Falcon, because he's puzzled. He thought they were both dead. The Scorpion's death in Daredevil #82 was highly publicised, because the Black Widow was charged with murder. Mister Hyde supposedly died in an explosion in Daredevil #83. Unknown to Captain America they were both androids built by Mister Kline. The real Scorpion and Mister Hyde had been captured by Mister Kline to be duplicated. When they escaped they assumed that the laboratory they found themselves in belonged to SHIELD.

Captain America and the Falcon battle with the Scorpion and Mister Hyde outside Sharon Carter's lodgings. When she comes out, Mister Hyde grabs her and they flee.

Nick Fury arrives and tells Captain America off for approaching a SHIELD building. Captain America hits him. He deserved it.




Thor #201

Title: Resurrection!

Writer: Gerry Conway
Artist: John Buscema

Villain: Pluto, Hela, Karnilla, Ego (flashback), Ego Prime

Regulars: Odin, Balder, Sif, Hildegarde, Heimdall, Fandral, Hogun, Volstagg

Guests: Tana Nile


Gerry Conway confuses me. Most of his stories are awful, but on occasions he can rise to works of brilliance. Like this comic. It seems like he's developing a feeling for epic adventures.

Heimdall and a dwarf named Kamorr have been sent to New York on a mission.

Thor fights valiantly against Pluto, even though he's badly outmatched. Meanwhile, Hela returns Odin to life, because she doesn't want to risk Pluto claiming him.

Pluto attempts to send the Warriors Three to Hades, but Odin diverts the spell and sends them to Earth. To New York, of course. Where else?

When Odin arrives, Pluto returns to Hades. Thor requests permission to go to Earth to aid the Warriors Three. Balder asks Karnilla for permission to accompany Thor, so she releases him from his pledge and tells him he can do whatever he wants.

Tana Nile explains to Sif and Hildegarde that the Colonizers created Ego Prime by removing a sliver from Ego, the living planet. Tana Nile took Ego Prime to a primitive planet called Blackworld. They used Ego Prime to trigger the planet's evolution, but as he evolved he became powerful enough to break free of Tana Nile's control and steer the evolutionary process himself. Blackworld is heading quickly towards a nuclear war. (Isn't this a repeat of the story of the High Evolutionary and the Man-Beast in Marvel Premiere #1?)

An atomic explosion occurs, and Ego-Prime appears in New York with Tana Nile, Sif and Hildegarde.




Daredevil #89

Title: Crisis!

Writer: Gerry Conway
Artist: Gene Colan

Villain: Killgrave, Electro

Regulars: Black Widow, Ivan, Danny French


Daredevil spends his time mopping up Killgrave's gang. Killgrave hears that Electro is in San Francisco, so he recruits him as an ally. Daredevil defeated Electro in Daredevil #87.

Natasha has some sort of a history with Danny French. It's hinted that they weren't only partners, they were also lovers. Natasha leaves at night to go to Danny. Daredevil follows her. Together they're challenged by Electro and Killgrave. Natasha battles Electro while Daredevil faces Killgrave himself.

Killgrave's aircraft crashes and he dies. Seemingly. Natasha lures Electro to a store where lightning rods are sold and stored outdoors. They drain Electro's power, and he's helpless.




Amazing Adventures #13

Title: Iron Man: D.O.A.

Writer: Steve Englehart
Artist: Tom Sutton

Villain: Blob, Unus, Mastermind

Regulars: Vera, Patsy Walker, Buzz Baxter


Mastermind makes the Beast lose his memory of all that he did before fighting Iron Man last issue. He persuades him to join their team, the Brotherhood of Mutants – discreetly omitting the word "Evil" – and they use his skills to steal the world's biggest diamond.


In Hank McCoy's absence two characters visit Brand Corporation: Buzz and Patsy Baxter. They're the characters of Patsy Walker and various spin off comics that ran from 1944 to 1967. These comics were a mixture of humour and romance. The last time Buzz Baxter was mentioned, he was fighting in Vietnam. They've married between 1967 and now. Patsy had a cameo appearance in Fantastic Four Annual #3, but it's a whole new level for her to have an important role in a super-hero comic.

I don't consider Patsy Walker's own comics to be canon, otherwise we'd get into problems with her age, since she was an older teenager in 1944.

When the Beast's memories return, he defeats the three evil mutants. They underestimate him, because they don't know that he's the same Beast who used to be a member of the X-Men.




Tomb of Dracula #3

Title: Who stalks the Vampire?

Writer: Archie Goodwin
Artist: Gene Colan

Regulars: John Drake, Clifton Graves, Rachel Van Helsing, Taj, Ilsa Strangway

Kills: One woman (total 4)

Embraces: One man (total 2)


John Drake can't deal with having killed his girlfriend Jean. He attempts suicide, but he's rescued by a woman and her mute servant. The woman is Rachel Van Helsing, the man is called Taj.

Dracula hypnotises Clifton Graves and sends him to find his coffin. This isn't because it's essential for him, as he has other coffins. It's because Dracula's gold is hidden in it.

Dracula kills a woman in the street, and he makes a night porter a vampire.

The police arrest John, Rachel and Taj on suspicion of killing the porter. Inspector Chelm finds the stories of vampires implausible, until he witnesses the porter rising again and being staked by Taj.

Castle Dracula was bought by a woman called Ilsa Strangway. She was once a beautiful model, but after 20 years her beauty has faded. She wants to regain her former appearance with the help of Dracula.


Ilsa uses Bram Stoker's "Dracula" as her source of knowledge, because she knows the story is based on truth.

Let's continue with the rules for Marvel's Dracula:

Vampires can only enter a house if they're invited in.



Non-canon comics published this month:

Marvel Team-Up #3 (Gerry Conway, Ross Andru)

Conan the Barbarian #16 (Roy Thomas, Barry Smith)
Kull the Conqueror #3 (Roy Thomas, Marie Severin)
My Love #18 (Stan Lee, Sal Buscema)
Sgt. Fury and his Howling Commandos #100 (Gary Friedrich, Dick Ayers)
Red Wolf #2 (Roy Thomas, Syd Shores)
Rawhide Kid #101 (Gary Friedrich, Dick Ayers)
Creatures on the Loose #18 (Gerry Conway, Ross Andru)



There's an interesting letter from a Philosophy professor challenging Stan Lee's statement on the April Bullpen page that there are no right or wrong opinions.


Michael Levin is a renowned philosopher, and it's interesting to see that he's a reader of Marvel comics. He has often been criticised for his opinions, but in my opinions the criticisms come from people who don't understand him. Other people talk about what they think is fair, but Professor Levin talks about what he considers to be philosophically logical.

Friday, 13 March 2020

Ip Man (5 Stars)


After watching "Ip Man 4" in the cinema earlier this week I decided to rewatch the first three Ip Man films. I have them all on Blu-ray – of course! – so I can watch them as often as I like in the comfort of my own home. I pity the people who lived in times when they had to go to the cinema to see films. It was only slightly better when television was invented and people could watch films, because the selection was random and limited. Maybe not completely random. I lived in those dark days, and I knew that I could watch horror films on Friday evening and "Ben Hur" at Easter. Hallelujah!

Then it became possible to buy films on videotapes. The first VCRs (Video Cassette Recorders) were made available to the public in 1971, but the prices were so high that they didn't become commonplace until the late 1970's. Prices were still high. I remember that in the mid 1980's video rental stores in Germany also offered overnight rental of VCRs for their customers who couldn't afford to buy one. I didn't own a VCR until 1997. Crazy! It took me that long to catch up.

Then came DVDs... and Blu-rays... and the state of the art is now the 4K UHD disc, which hasn't become popular for various reasons. It's getting ever easier to watch films of your choice in high definition at home.

But lately there's been a backwards step in the film industry. It's something a lot of lazy viewers use, people who aren't real film fans. This is the advent of streaming services. Netflix was the first large company to offer films online via the Internet. This makes things more convenient, because no physical storage space is needed for your films. For instance, I have five large bookcases to store my film collection in the cellar. Not everyone has that much space.

In theory, watching films online is a good idea. In practise, Netflix is an abysmal failure. Ideally, a streaming service should offer a full catalogue of every film ever made, specialising in older films that were previously unavailable to buy. Unfortunately, Netflix sticks to newer films that are already available to buy on disc. What makes things worse is that other companies have been formed as competition to Netflix: Amazon Video, Hulu, Disney Plus and many smaller companies. The problem is that the companies compete with one another by gaining the exclusive rights to films, forcing people to subscribe to them. Every new streaming service that's founded makes the market worse. Every new streaming service makes it less likely that Blu-rays will become obsolete.

The best film experience is still the oldest: watching a film in the cinema. Unfortunately, it's no longer possible, at least not where I live. Today all the cinemas in Stuttgart were ordered to close indefinitely to combat the Coronavirus.


Message on the website of the Innenstadtkinos (Metropol, EM, Gloria, Cinema).


Message on the website of the Arthaus-Kinos (Delphi, Atelier am Bollwerk).


Message on the website of UFA-Palast Stuttgart.


Message on the website of Cinemaxx Stuttgart.

The order to close Stuttgart's cinemas was made in the early evening. Films were already running at the time. I hope that the people sitting in the cinemas were at least allowed to watch the rest of their films. The decision to close cinemas (and all other places where events are held) was made by the city council of Stuttgart, so it's still possible to watch films in other surrounding towns, but probably not for much longer.

There are tough days ahead of us. The Coronavirus (more correctly named Covid-19) can't be contained, as the British government has correctly announced. It can only be delayed. Some people will die, but most will survive. So far it's not believed that anyone has a natural immunity, so we can expect the whole world to be infected. Optimists place the death rate at 1%, pessimists say 10%, but the true value is probably in the middle. I'm assuming 5%. That's not too bad. It means everyone has a 19 out of 20 chance of surviving the virus, which is good gambling odds. That's not much consolation for the 385 million people who will die this year, but those who survive will be stronger. That's the lesson we've learnt from evolution.

What we can expect from the future is exciting new films. There will even be films about the Coronavirus. I hope that my readers will be there to watch them. If I'm still alive, I'll be writing about them. Until then, don't panic. Follow the instructions of your government and keep reading my blog. Your survival chances are good. In fact, they're very good if you live in a country with a good healthcare system.

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Thursday, 12 March 2020

Marvel Years 12.06 - June 1972


And Marvel's expansion is unstoppable. Over the last three months there have been four new comics (Marvel Team-Up in March, Tomb of Dracula and Marvel Premiere in April, Red Wolf in May). This month there are two new comics, maybe three, depending on your definition.

The first new comic this month is Luke Cage, Hero For Hire. I'll shorten the title to Hero For Hire, because I don't like titles with commas in them. The series starts with a good, old-fashioned origin story, like Stan Lee used to write them. I've never paid much attention to Archie Goodwin as a writer. He's not Marvel's best writer, but certainly not Marvel's worst, he's somewhere in the middle. However, the first issue – which I read for the first time today – is an outstanding masterpiece. It's a pearl in his career.

Hero For Hire #1

Title: Out of Hell, a Hero!

Writer: Archie Goodwin
Artist: George Tuska

Villain: Diamondback (Willis Stryker)

Regulars: Noah Burstein


It isn't just the story that's outstanding. The artwork is memorable as well, especially the splash page, drawn by George Tuska.

A man called Lucas (no last name mentioned) grew up in Harlem. He was a tough kid who lived on the wrong side of the law. He did what he had to do to make ends meet. He committed minor robberies with his best friend, Willis Stryker. Lucas was good with his fists, Stryker was an expert with knives. As he grew older, Lucas kept his illegal activities to a minimum, while Stryker became a big gangster.

The two friends fell out when Stryker's girlfriend Reya fell in love with Lukas. Stryker framed Lucas by placing a large amount of drugs in his apartment. He was sent to the high security Seagate prison. He protests his innocence, but everyone in prison says he's innocent.

Lucas volunteers to take part in a scientific experiment. The experiment is interrupted when a prison guard tries to kill him. Lucas' body becomes rock hard and bulletproof. He escapes from the prison.

After stopping a robbery and receiving a reward he has the idea of becoming a mercenary, a hero for hire. He adopts the new name Luke Cage.




The second new comic this month is Combat Kelly and the Deadly Dozen. The original Combat Kelly comic ran from 1951 to 1957. The character was reintroduced in Sgt. Fury and his Howling Kommandos #98. The Deadly Dozen are a group of 12 ex-convicts who have been released to fight in the war. This comic was the inspiration for DC's Suicide Squad.




The third new comic this month, if it can be called that, is Outlaw Kid. The first nine issues of this comic were reprints from the original Outlaw Kid series (1954 to 1957), but from this issue onwards it contains new stories. The cover compares the Outlaw Kid with Spider-Man. I've read it, and the only similarity I can see is that the hero is a teenager. It's just an advertising blurb that can't be taken seriously.




Fantastic Four #123

Title: This World Enslaved!

Writer: Stan Lee
Artist: John Buscema

Fantastic Four: Reed Richards, Susan Richards, Ben Grimm, Johnny Storm

Villain: Galactus

Regulars: Agatha Harkness, Franklin Richards

Guests: Silver Surfer


Galactus refuses to give in to Reed Richards' threat to destroy his ship, stranding him on Earth. He calls his bluff, saying that if the ship is not returned intact he will destroy the Earth. The Silver Surfer says that he'll become Galactus' herald again, but the Fantastic Four recommend against it.


Richard Nixon and Spiro Agnew appear yet again. I wonder if Stan Lee had to pay for using his likeness.


And was Nixon really so sexist? "Women!" he says.

I had to do some research to find out who Mitchell's wife was. President Nixon is referring to Martha Mitchell, the wife of the American Attorney General. She was supposedly the best known woman in America in 1972. She had the habit of drinking in the evening, then giving interviews to the press about what she'd read in her husband's notes. Did Nixon think all women were like her?

Reed Richards gives Galactus back his ship, then prevents the Silver Surfer from returning to him. While on Galactus' ship, Reed changed the controls to make the ship fly into the Negative Zone. This frees the Silver Surfer from his promise, because he promised to follow Galactus everywhere in the universe; the Negative Zone is a different universe.




Amazing Spider-Man #109

Title: Enter Dr. Strange!

Writer: Stan Lee
Artist: John Romita

Regulars: Aunt May, Gwen Stacy, Harry Osborn, Flash Thompson


Peter Parker needs a way to change into his Spider-Man costume and follow Flash Thompson without Gwen Stacy thinking he's a coward. Ah ha! Let Spider-Man be the bad guy again. He can pretend he was kidnapped by Spider-Man.


Gwen says that it isn't the first time Spider-Man has kidnapped Peter Parker. She's probably referring to Amazing Spider-Man #57, when it was assumed that Spider-Man had kidnapped Peter Parker, but then the editorial message from Sly Stan doesn't make sense. That wasn't a stunt he pulled. He had amnesia, which is why he didn't go back home.

Doctor Strange stops Spider-Man when he's swinging through the city. They go to his sanctum in Greenwich Village.


Oh come on, Stan! How could you possibly forget when Spider-Man and Doctor Strange met? It was in Amazing Spider-Man Annual #2, one of the best stories that Stan ever wrote. And guess what? I've just won my second No-Prize in two months. I hope I have enough place to put them!

Doctor Strange knows about Flash Thompson's predicament, and he wants to help save his life. Together with Spider-Man he interrupts Flash's execution. They also find the priest's lifeless body. Doctor Strange casts a spell, and he comes back to life. He was never dead. He saved himself from the upcoming napalm attack by putting himself in suspended animation, and only another magician could wake him.




Avengers #100

Title: Whatever Gods there be!

Writer: Roy Thomas
Artist: Barry Smith

Avengers: Ant-Man, Wasp, Thor, Iron Man, Captain America, Hawkeye, Quicksilver, Scarlet Witch, Vision, Black Panther, Black Knight

Ex-Avengers: Hulk, Swordsman

Villain: Ares, Enchantress, Krotos, Bia

Guests: Rick Jones, Zeus


Rick Jones sends out a message for all the Avengers, whether active or inactive, to gather in England at the Black Knight's castle. The Black Knight is joined by Ant-Man, Wasp, Thor, Iron Man, Captain America, Hawkeye, Quicksilver, Scarlet Witch, Vision and the Black Panther. Phew! Did I forget anyone? The Hulk also arrives after hearing voices in his head. He was one of the original Avengers, but he left the group at the end of Avengers #2. The Avengers are surprised that the Swordsman joins them. He's a villain, who was last seen in Captain America #105, but he intercepted the message and thought he should join the others as an ex-Avenger. That was just for a few days, back in Avengers #20.

So what does all this have to do with Ares kidnapping Hercules last issue? The Black Knight recounts a message he's received from his ancestor, the original Black Knight. In Avengers #84 Dane Whitman, today's Black Knight, destroyed his sword in the Well at the Centre of Time. Or so he thought. The sword was found in a tree in Olympus, waiting for a new owner. Ares, the Greek God of War, took the sword. With it he extinguished the Promethean Flame, which gives the Greek Gods their powers. When the flame stopped burning, all the Gods turned into glass. Hercules wasn't changed, because he's only a demi-God.

Hercules was cast from Olympus to Earth. The fall lasted six days, and the shock caused him to lose his memory. Now Ares wants to use the power of the sword to conquer the Earth and Asgard. It's impossible to enter Asgard because of an invisible barrier that we saw in Avengers #98. Ares thinks he can break through the barrier by using nuclear power, which is why he tried to provoke a war last issue.

(Incidentally, there's no explanation why there's a barrier).

The Black Knight, Thor, Iron Man, Vision and the Hulk fly to Olympus to face Ares. The others wait on Earth, in case there's an attack. In Olympus we find that the Enchantress has allied herself with Ares. She's one of the Avengers' oldest enemies, and we last saw her acting behind the scenes in Incredible Hulk #142.

The battle continues until Ares loses his sword. The Black Knight takes it back for himself. It's a curse, but it's safer with him than with anyone else. Everyone except Hercules returns to Earth.

This is a crazy story, written artificially to reunite all the Avengers for the 100th issue, but it's not all that bad.


There's one small detail that readers might miss if they aren't as extreme as me. Look at this picture on page 10. Hercules has a nipple! It's the first male nipple shown in any Marvel comics since 1961. Even Sub-Mariner, who's always bare-chested, is never drawn with nipples. Didn't Barry Smith know that nipples are forbidden by the Comics Code Authority? I suppose he can be forgiven because he's English and doesn't know better.




Iron Man #47

Title: Why must there be an Iron Man?

Writer: Roy Thomas
Artist: Barry Smith

Villain: Wong-Chu (flashback)

Regulars: Marianne Rodgers


Tony Stark attends the funeral of Kevin O'Brian, who died last issue. Completely tactlessly, he attends the funeral as Iron Man. That's wrong on so many different levels. The police interrupt the funeral and ask Iron Man to go to the station to give a statement about Kevin O'Brian's death. He flies away and broods about the purpose of his life as Iron Man. In flashback, we have a retelling of his origin story from Tales Of Suspense #39.

Excellent! Some stories deserve to be told more than once!




Sub-Mariner #50

Title: Who am I?

Writer: Bill Everett
Artist: Bill Everett

Villain: Byrrah, Llyra

Regulars: Cindy Jones, Namorita


This is a big surprise and an incredible 50th issue. Bill Everett returns as the writer and artist! He's the man who wrote the first Sub-Mariner comic in 1941, and he wrote almost all of his stories until 1955. When Stan Lee revived Sub-Mariner in the 1960's, Bill Everett occasionally drew the artwork, but now he's finally returned as the writer. This is a masterpiece.

I admit that I didn't read these stories in the 1970's. I grew tired of the Sub-Mariner after Stan Lee stopped writing his stories. Not even Roy Thomas could retain the old magic, and with Gerry Conway as writer the series slipped into the abyss. But Bill Everett! Now the series has reached a new peak.

Namor, still amnesiac, swims to the bottom of the sea. A talking crab tells him that he has to repopulate the ocean kingdom. His intended bride was his cousin Namora, who is now lying preserved as a corpse. She was a regular character in Bill Everett's silver age stories. The replacement is Namora's daughter, Namorita.

Namor's memories gradually return, though not completely. He realises that the crab is just a ruse. It can't talk at all, there's a voice box inside its mouth. It's being operated by Lord Byrrah, who was exiled from Atlantis in Sub-Mariner #33. He's being assisted by Llyra, who we last saw in Sub-Mariner #46.

Namorita says that she thinks Llyra was responsible for her mother's death.




The Incredible Hulk #152

Title(s): But who will judge the Hulk?
Defender of the Doomed!

Writer: Archie Goodwin
Artist: Dick Ayers

Regulars: General Ross, Major Talbot, Betty Ross

Guests: J. Jonah Jameson, Peter Parker, Nick Fury, Captain America, Daredevil (Matt Murdock), Reed Richards, Susan Richards, Ben Grimm, Johnny Storm,


This is a single story split into two parts that have been given individual titles.

The Hulk is captured and taken to stand trial in New York for the murder of Senator Morton Clegstead. We know from last issue that it's not a clear cut case. When he turns back into Bruce Banner he asks for Matt Murdock to defend him.


Look at the beautiful artwork by Dick Ayers, taking the splash page of the second part as an example. He was born to draw the Hulk.


Here's Richard Nixon yet again. He's interrupted in the middle of important discussions, probably concerning his reelection campaign.

Bruce Banner turns into the Hulk during the flight from Las Vegas to New York. He remains calm on the plane, but when the plane lands he sees soldiers waiting for him and goes wild.

This is another comic that Steve Englehart claims to have written without being credited.




Captain America and the Falcon #150

Title: Mirror, Mirror!

Writer: Gerry Conway
Artist: Sal Buscema

Villain: Batroc, Jakar (Stranger), Scorpion, Mr. Hyde

Regulars: Sharon Carter, Countess Valentina, Nick Fury


If last month's story was messy, this issue is messier still.

The being who calls himself the Stranger is actually someone else. He's Jakar, the last survivor of a dead world. He saw the Stranger through an interdimensional rift and decided to imitate him, because he looked similar anyway. Why would he want to impersonate someone that almost nobody on Earth has never seen? Why was he already wearing clothes similar to the Stranger's? And how did he get such great power? None of it makes sense.

Jakar says that he wants the children to repopulate his own world. Batroc feels disgusted and turns against him. Not that I understand why. After getting over the loss of their parents, the children would have a much better life on their new world. If it's a choice between the slums of Harlem and a sparsely populated high technology world, I know where I'd want to go.

After a valiant fight by Captain America, the Falcon and Batroc, Jakar realises that he's done wrong. He releases the children and flies off into space to live as a God.

Not a good story. No way.

In an epilogue, Sharon Carter visits Captain America against Nick Fury's wishes. The Scorpion and Mister Hyde are waiting outside. Funny, I thought that Cobra is Mister Hyde's partner.

We last saw Mister Hyde in Daredevil #61.

We last saw the Scorpion in Captain America #122.

Those two comics were released in the same month, February 1970. Is that why Gerry Conway was confused?




Thor #200

Title: Beware! If this be Ragnarok!

Writer: Stan Lee
Artist: John Buscema

Villain: Pluto, Loki, Surtur

Regulars: Odin, Balder, Heimdall, Fandral, Hogun, Volstagg


This is a very strange comic. I'm sure there's a story behind it. It's a 19-page story written by Stan Lee about Ragnarok, an extended retelling of the Tales Of Asgard stories in Thor #127 and Thor #128. There's a one-page prologue and a one-page epilogue, both written by Gerry Conway.

In the prologue the three fates watch Thor, who's about to be slain by Pluto. They look into the future and see that it's Thor's fate to be killed on the day of Ragnarok. Odin is also alive and well before Ragnarok comes. In the epilogue they say that the future can't be changed, so they destroy Pluto's axe before he can slay Thor.

Very strange. Now here's my theory. Gerry Conway was overworked and couldn't write a story on time for the important 200th issue. Stan Lee and John Buscema brainstormed a way out of the crisis.

"If we use one of my old stories, can you draw it by tomorrow, John?" – "Sure thing, Stan".

If anyone has a better explanation, I'd like to hear it.




Daredevil #88

Title: Call him Killgrave!

Writer: Gerry Conway
Artist: Gene Colan

Villain: Killgrave

Regulars: Black Widow, Ivan, Ironguts O'Hara, Paul Carson, Danny French


Natasha Romanoff is trying to catch Danny French, but he drives too fast and escapes her.

Matt Murdock asks Ivan about Natasha's connection to Danny.


Ivan knows nothing about Danny French, but he tells Matt how he met Natasha. He adopted her when she was an orphan in the siege of Stalingrad. Yes, the spelling is "siege", not the way Jon Costa aka John Costanza spells it. He deserves to be locked up in Artie Simek's cage. Natasha lived with him until she went to America as a spy, and he didn't join her until she defected three years later.

Killgrave, formerly known as the Purple Man, has also relocated to San Francisco. It seems like a haven for Daredevil's old enemies. He was put in a special prison after he was arrested in Daredevil #4, but now he's escaped and he's planning even bigger crimes.

Killgrave's gas weakens Daredevil's senses at a robbery. Ivan has to come and rescue him.

Natasha finds Danny French in a bar. They discuss an old mission they shared, Project Four.




Marvel Spotlight #4

Title: Island of the Damned!

Writer: Gerry Conway
Artist: Michael Ploog

Villain: Miles Blackgar, Marlene Blackgar

Regulars: Lissa Russell, Philipp Russell, Buck Cowan


Jack Russell is visited by an author called Buck Cowan. He's doing research on Jack's family. Jack's father owned a castle in Europe (possibly Romania). After his death, his mother inherited it. Jack's step-father sold the castle to a man called Miles Blackgar, who transferred it, stone by stone, to a private island off the coast of Monterey. In that castle there's an old book of spells, the Darkhold, which was already mentioned last issue.

Jack travels to the island. He's stopped by a thug who works for Miles Blackgar, and he's taken to the castle at gunpoint. In the castle he discovers that people are being turned into monsters for experiments.

Jack turns into the Werewolf; the first night of his transformation. He smashes up the laboratory and gets into a fight with Miles. Afterwards he talks to Miles' daughter Marlene, who isn't afraid of him. When she takes off her glasses and he looks into her eyes, he turns into stone. She's a gorgon, or at least a mutant version of a gorgon.




Astonishing Tales #12

Title(s): Terror stals the Everglades!
Man-Thing!

Writer: Roy Thomas
Artist: John Buscema

Villain: AIM

Regulars: Barbara Morse, Paul Allen

Guests: Man-Thing (Ted Sallis)


This comic contains two stories, in which the second story is embedded in the first.

Savage Tales was intended to be a regular magazine, but after Savage Tales #1 sold badly the next issue was never published. A seven-page Man-Thing story was written for the second issue, but it's been sitting on the shelf for the last year. Now it can finally be used.

Ka-Zar travels with Paul and Barbara to Miami. They reveal that they need his specific jungle skills to help them with a problem. A scientist working on a top secret super-soldier project in the Everglades has gone missing. We know what's happened to him. Dr. Ted Sallis has become the Man-Thing.


The embedded story, written by Len Wein and drawn by Neal Adams, is included as a flashback to the events that took place after Savage Tales #1.

The AIM agents, still looking for Ted Sallis, attack the Man-Thing. When he touches them they burn. They lure him into a pit. Ka-Zar falls into the pit with the Man-Thing.




Marvel Feature #3

Title: A Titan walks among us!

Writer: Roy Thomas
Artist: Ross Andru

Defenders: Doctor Strange, Sub-Mariner, Hulk

Villain: Xemnu

Guests: General Ross, Jim Wilson


General Ross is on a boat waiting for a capsule to fall from a space mission. It falls into a whirlpool, and Sub-Mariner rescues it. The two astronauts say they want to quit, because they were forced to go into space against their will. They become television comedians. One of them dresses as a hairy white monster called Xemnu.

Jim Wilson, the Hulk's young friend, notices that the television shows are having a hypnotic effect on young viewers, so he approaches Doctor Strange for help. Doctor Strange disguises himself as the Hulk and asks if he can be a guest star on the show.

Bruce Banner sees the show on television and gets angry at someone impersonating him. And when Bruce Banner gets angry he turns into the Hulk.

Xemnu calls on the viewers to join him on a space mission. Children all across America begin to walk towards Cape Canaveral. Xemnu is an alien from space who wants to gather children to repopulate his planet. Doctor Strange defeats Xemnu with help from Sub-Mariner. The Hulk turns up uninvited and does what he does best: he smashes everything in sight.

How can this story be synced with other Marvel comics? It has to take place before Incredible Hulk #148 (February 1972) and Sub-Mariner #45 (January 1972). That's one of the problems of publishing team comics less than once a month. They can't keep up with the events in the solo comics.



Non-Canon comics published this month:

Our Love Story #17 (Stan Lee, George Tuska)
Combat Kelly and the Deadly Dozen #1 (Gary Friedrich, Dick Ayers)
Rawhide Kid #100 (Larry Lieber, Larry Lieber)
Outlaw Kid #10 (Mike Friedrich, Dick Ayers)

Wednesday, 11 March 2020

The Seventh Seal (5 Stars)


The disillusioned knight Antonius Block, played by Max Von Sydow, is asking a lot of God. This privilege wasn't even given to Moses. When Moses asked to see God's face, he was told that no man can look upon God's face and live, so he was only allowed to see God from behind.

I can relate to Antonius. He was young and idealistic when he went to fight in the Crusades, probably still a teenager. He was newly married, but he was convinced that it was God's will to leave his wife behind and go to liberate Jerusalem. It should have been a short fight, but he was gone for 10 years. He witnessed a lot of pain and suffering, and he personally was responsible for a lot of it. The doubts came. First he asked himself if all the killing was God's will. Then he asked himself if God even existed.

Antonius returns to Sweden, accompanied by his faithful squire Jöns. The squire has no doubts. He never believed in God anyway. Life is easy for atheists. "Eat, drink and be merry". Jöns takes his pleasures wherever he finds them. He sees through the church's lies before Antonius. Jöns is the first to recognise the priest who told Antonius to join the Crusades. He's now a scavenger who steals the jewellery from dead bodies.

And there are a lot of dead bodies. Sweden has been hit by the Plague. Wherever Antonius and Jöns go, they find bodies lying unburied. The Plague was bad, very bad, but the panic caused by the Plague was worse. The church claims that it's God's punishment, and there are processions of men and women whipping themselves to win God's favour for the next life. Women considered to be witches are being burnt at the stake. Antonius staggers through the suffering, searching for answers, but not the church's answers. He wants to meet God Himself and talk to Him.


Antonius doesn't meet God, but he meets Death, in the form of a man dressed in black. Not even Death will give him answers about God's purpose; all he says is that it's Antonius' time to die. Antonius challenges Death to a game of chess. If he wins he will be allowed to live. They play a few moves every day, while Antonius goes about his business, seeking for the mysteries of life. Death doesn't give him a chance to escape. Wherever Antonius goes, Death follows him, disguised as one of the people around him.

I wouldn't play chess with Death. I'm sure he's a brilliant player, more than a match for the current world champion. (How many of you can name him without googling?) I might offer to play Backgammon with Death, because the roll of the dice might give me a small chance of victory. But what's the point? Longevity was never one of my goals. I used to want to die before I was 30; then before I was 40; then before I was 50. Now my life is dragging on aimlessly. I'm not foolish enough to want to kill myself, but when Death comes for me I'll laugh in his face.

"Take me now, if you must. Or let's play one last game of Backgammon".

Max Von Sydow
10 April 1929 – 8 March 2020
"The Seventh Seal" was made in 1957. Now, 63 years later, Death has come for Max Von Sydow. Was the film just a job, or did it inspire him to search for the meaning of life? Were his remaining 63 years long enough? I fear that no man ever lives enough to find the answers he seeks.

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