Friday, 26 October 2018

Victoria & Abdul (5 Stars)


For me this was one of the biggest surprise hits of 2017. I expected it to be good, but I was bowled over by just how good it was.

One of the film's greatest strengths is the atmosphere. We're propelled into the atmosphere of Britain in the 19th Century which is outwardly glorious but inwardly dull. Queen Victoria is celebrating her golden jubilee in 1887, one of the greatest days in her career, but she's bored and wishes it would all go away. Her servants have to wake her in the morning so that she can go about her many appointments that have been planned meticulously by her personal secretary. She has no control over her own life. When Abdul tells her that the purpose of her life is service he's telling her something she should have known already. She's seemingly the ruler of the world's greatest empire, but in truth she's the empire's servant, and she can only become happy when she accepts her role.

When 24-year-old Abdul arrives from India the Queen's life lights up. Even though their relationship is platonic there's an atmosphere of romance between them. It's a romance that can never be. Apart from the age difference, they could never be together because they're from two different worlds. They're both servants, but they're very different kinds of servants. Added to this is the fact that Abdul is already married. In one of the film's most poignant scenes Judi Dench proves her brilliance as an actress. She always assumed he was single, but when he tells her he has a wife the disappointment flashes across her face before she composes herself and puts on the stoic face that is becoming for a monarch.

The film shows a very different Victoria to the one that is presented in photographs and history books. The Victoria that I know from growing up as an Englishman is a stern woman who never smiled. She was even more aloof than Queen Elisabeth, the current monarch. That's the Victoria that we see at the beginning of the film. After meeting Abdul we see a new Victoria, a woman who loves life. She develops a passion for new hobbies, such as learning Urdu. It was a pleasant surprise for me to find out that for the last ten years of her life she wrote her personal diary in Urdu. What a fascinating women she must have been!


The film has nothing good to say about Victoria's son Bertie, who went on to succeed her as King Edward VII. He's described as selfish, looking out for his own interests. He embodies none of the characteristics of servitude that are so important to his mother. Like the other members of the elite who spend most of their time idling in the palace, he's jealous of Abdul. He doesn't understand how someone from a common background can be so close to his mother. He's a racist, but more than that he looks down on the lower classes. I don't know which of the two is worse. A person's class and his race are both things he's born with and can't change. (An educated person can hide his class background by lying about it, but if he's found out he'll be despised even more).

This is a brilliant film. It's amazing that it could ever have been made. After Victoria's death Bertie and his cronies expelled Abdul from England and attempted to destroy all traces of him. They forgot to burn the Queen's diaries written in Urdu, and further evidence was the chest containing letters from the Queen that she wrote when Abdul was visiting India. Nobody's past deserves to be edited out of existence, and I appeal to all my readers to leave behind them some sort of proof of their own existence, however insignificant they might consider themselves.

Success Rate:  + 1.1

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Marvel Years 05.03 - March 1965


Amazing Spider-Man #22

Title: The Clown and his Masters of Menace

Writer: Stan Lee
Artist: Steve Ditko

Villain: Ringmaster, Masters of Menace (Clown, Princess Python, Cannonball, Great Gambonnos)

Regulars: Aunt May, J. Jonah Jameson, Betty Brant, Flash Thompson, Liz Allen


The Ringmaster and his circus artists are freed from prison. The Ringmaster wants to get back on the road, hosting circuses and stealing the visitors' money, but the others don't trust him as a leader any more. The Clown becomes the leader and he calls the group the Masters of Menace. They rob an art gallery instead.


Princess Python, the snake tamer, might seem like the weakest member of the group, but she's the only one against whom Spider-Man is powerless. When she grabs him he doesn't know what to do, apart from say "Let go, lady".


She releases him so that the others can continue the fight. That was the wrong move. He quickly defeats them all. She could have held him all day. It was much too hard for him to break free of her grip.


After the fight he turns his attention back to Princess Python. Can't he shoot his web at her? No, all he can do is talk tough.


She's too coquettish for Spider-Man to handle. When she turns her back and rubs herself against him it's not just his spider-sense that's tingling.


Look at that! She almost manages to rip off his mask while he's off guard. He's lucky it was only his mask.

The moral of this story is: if you're a horny 15-year-old boy stay away from sexy circus entertainers.


In the Crazy Credits Artie Simek is allowed to write his name in big letters.


Poor Artie. The page isn't even over and Stan Lee puts himself in the limelight again.




Fantastic Four #36

Title: The Frightful Four

Writer: Stan Lee
Artist: Jack Kirby

Villain: Frightful Four (Wizard, Paste-Pot Pete, Sandman, Medusa)

Regulars: Alicia Masters

Guests: Avengers (Captain America, Thor, Iron Man, Giant-Man, Wasp)
        X-Men (Professor X, Cyclops, Angel, Beast, Iceman, Marvel Girl)
        Spider-Man, Rick Jones


Finally there's an evil super-group to challenge the Fantastic Four. The Wizard forms the group with Paste-Pot Pete and Sandman, both of them villains who have previously fought with the Fantastic Four. To be an exact mirror of the Fantastic Four he needs a female member, so he finds a savage female in the Mediterranean that he gives the name Madam Medusa. In later comics her name is shortened to Medusa, and we find out her origins.

Paste-Pot Pete, the Sandman and the Wizard were all previously defeated by the Human Torch, with or without the Thing's assistance.

The Wizard was last seen in Strange Tales #118.

Paste-Pot Pete was last seen in Strange Tales #124.

Sandman was last seen in Strange Tales #115.

For all of my fashion-conscious readers: Susan Storm has a new hairdo.


Until last month she had long hair, parted on the right.


Now she has short hair with a fringe. Can anyone tell me what these hair styles are called?


Reed Richards and Susan Storm are now officially engaged. It's a change to see a romance succeeding in Stan Lee's comics. Look at all the guests! I wonder how they found the X-Men. They're not listed in the Yellow Pages.




The Avengers #14

Title: This Hostage Earth

Writer: Stan Lee, Larry Lieber
Artist: Don Heck

Avengers: Captain America, Thor, Iron Man, Giant-Man, Wasp

Villain: aliens from another planet

Regulars: Rick Jones

Guests: Watcher


In the last issue the Wasp was badly injured by a gunshot. There is only one surgeon in the world, Dr. Svenson, who can save her, but he's in Norway. When the Avengers find him they discover that he's been replaced by an alien from another planet. The real Dr. Svenson is living with the aliens below the North Pole while they are trying to find a way home.

The Watcher looks at everything that's happening but doesn't interfere.


There's an advertisement for the MMMS on the cover.




Tales to Astonish #65

Title: Presenting the new Giant-Man

Writer: Stan Lee
Artist: Bob Powell


The only thing new about Giant-Man this month is that he gets a new costume, designed by the Wasp, with more blue in it. Blue is fashionable, isn't it?

Apart from that, Giant-Man and the Wasp have to battle a spider that's accidentally enlarged by Giant-Man's size changing formula.




Title: On the Rampage against the Reds

Writer: Stan Lee
Artist: Steve Ditko

Villain: Leader

Regulars: Major Talbot

The Hulk falls into the sea, where he turns back into Bruce Banner. A Communist sub-marine pulls him out of the water and takes him back to Russia. (I don't say USSR for reasons I've stated elsewhere). While in captivity he turns back into the Hulk and escapes.

The Crazy Credits don't say that Sam Rosen is unreliable, they just don't say that he's reliable. Don't misquote Stan Lee!




Journey into Mystery #114

Title: The stronger I am, the sooner I die!

Writer: Stan Lee
Artist: Jack Kirby

Villain: Loki, Absorbing Man (Crusher Creel)

Regulars: Balder, Jane Foster


Loki attempts in vain to reduce Thor's powers. When he realises it's not possible he gives super-powers to Crusher Creel, an inmate in a high security prison. He can now absorb the nature and the properties of whatever he touches, whether it's metal, wood or stone.

Thor is unable to defeat the Absorbing Man. He has to abandon the fight when Balder tells him that Loki has kidnapped Jane Foster.

Note the advertisement for the MMMS on the cover.

According to the Crazy Credits Sam Rosen likes to drink heavily at the weekend. I wonder if that's truth or slander.




Title: The Golden Apples

Writer: Stan Lee
Artist: Jack Kirby

This is a retelling of the story of Little Red Riding Hood.

Iduna is on her way to Odin to deliver the Golden Apples of Immortality. She is ambushed and captured by Fenris, the Wolf God. She is rescued by Haakun the Hunter.




Tales of Suspense #63

Title: The Death of Tony Stark

Writer: Stan Lee
Artist: Don Heck

Villain: Phantom (Dr. Birch)

Regulars: Pepper Potts, Happy Hogan


Anthony Stark manages to design an improved transistor that allows him to remove his armour. He announces to the world that he's still alive. He tells Happy and Pepper that he's got engaged to a debutante from Boston in order to stop Pepper loving him.

Dr. Birch, a disgruntled employee at Stark's main factory, sabotages the plant. He's called a phantom, but this is a nickname rather than a pseudonym.

The Crazy Credits tell us that Sam Rosen's lettering has a great impact. Way to go, Sam!




Title: The Origin of Captain America

Writer: Stan Lee
Artist: Jack Kirby

Villain: Nazis

This story is overdue. I expect that many Marvel readers never read the original Captain America stories in the 1940's, so they needed to know where he came from.

Captain America is Steve Rogers, a young man who was too weak and sickly to be accepted when he applied to join the American army. He was given a potion that transformed him into a super-soldier.

The story is a retelling of Captain America Comics #1, written in December 1940 by Joe Simon and Jack Kirby.

This is the first in a series of stories about Captain America's adventures during the Second World War.




Strange Tales #130

Title: Meet the Beatles

Writer: Stan Lee
Artist: Bob Powell

Villain: petty crooks

Regulars: Alicia Masters, Doris Evans, Reed Richards, Susan Storm


The Thing and the Human Torch's girlfriends persuade them to go to a Beatles concert. The girls enjoy the concert, but the boys miss it because they have to chase crooks who have robbed the box office.

The Crazy Credits say that Sam Rosen is sizzling. Maybe he's Stan Lee's favourite letterer now.




Title: The Defeat of Doctor Strange

Writer: Stan Lee
Artist: Steve Ditko

Villain: Dormammu, Baron Mordo

Regulars: Ancient One, Hamir (unnamed)

This is the first part of what I consider to be the greatest comic story ever written. It runs for 12 issues from Strange Tales #130 to #141, and the following five issues can be considered an epilogue.

In Strange Tales #127 Dormammu promised never to attack the Earth again. That doesn't stop him using other methods. He gives Baron Mordo power which is far greater than that of Doctor Strange


The Crazy Credits are surprisingly kind to Artie Simek. Maybe Stan Lee has turned over a new leaf.




X-Men #10

Title: The Coming of Ka-Zar

Writer: Stan Lee
Artist: Jack Kirby

X-Men: Cyclops, Angel, Beast, Iceman, Marvel Girl

Villain: swamp men

Regulars: Professor X

Guests: Ka-Zar


In case there are any arguments about how to pronounce Ka-Zar's name, this splash page gives us the answer. Now don't ask me again!

The X-Men travel to Antarctica to investigate the appearance of a man in a loin cloth who looks remarkably like Tarzan. When they arrive they find a cavern leading to an underground kingdom that looks like something created by Jules Verne.


Poor Marvel Girl can't hide her feelings for Cyclops. When she's talking to Angel she calls him Scott, even though his name is Warren.

There's an advertisement for the MMMS on the cover.



Other comics published this month:

Millie the Model #127 (Stan Lee, Stan Goldberg)
Kid Colt Outlaw #121 (Stan Lee, Jack Keller)
Two Gun Kid #74 (Stan Lee, Dick Ayers)
Sgt. Fury and his Howling Commandos #16 (Stan Lee, Dick Ayers)

Thursday, 25 October 2018

Blood Countess (2015) (3 Stars)


This is the fifth film I've watched this month about the life of Countess Elizabeth Bathory. It's quite amazing. All five of the films claim to tell the true story, as it really happened, but every story is different. It's as if there were five different women who just happened to have the same name.

When the film was first released it was called "Lady of Csejte", but the name was changed to "Blood Countess" for the DVD release. I have mixed feelings about it. The original name was bad and needed to be changed, for the simple reason that nobody would know how to pronounce Csejte. The new name is a bad choice because it's been used before. The film title "Countess Bathory" still hasn't been used.

This film is very laid back, as far as the violence goes. None of the murders committed by Countess Bathory are shown on screen, even though she speaks about them and writes about them in her diary. When the film begins in 1610 we hear that 600 children have gone missing. Note the word "children". In the other films the victims are young women. In this film the victims are younger and not only female. One other significant difference to the other films is that Countess Bathory commits the murders herself, torturing them and letting them die slowly while their blood is drained. She's shown with a well equipped torture kit, even though she doesn't get a chance to use it in the film.

However, the biggest difference in the film is the emphasis of the story. It's not about the Countess herself, it's about the orphans Aletta and Mischa. Their ages aren't stated in the film, but the actress who played Aletta was 12, and Mischa looked a few years younger. They're arrested for stealing and sentenced to death, but they're given a royal pardon and taken to live in the Countess's orphanage. The so-called orphanage is just a place for child labour. Mischa has to do menial labour with the other boys, such as chopping wood and digging. Aletta is more fortunate and is made a personal servant in the household, responsible for pouring wine.

Mischa wants to escape, but Aletta wants to stay to look for their older sister Katja. Here's where the ages get mixed up. Aletta say that Katja is three years older than her, but the actress who plays her is 26. She's not even a young looking 26, she clearly looks like she's in her mid 20's. Katja too was in the orphanage. There are hints that she assisted Countess Bathory in killing children, but this isn't made clear.

Overall this is an interesting film, but not particularly exciting. It's not a horror film. It's a mystery film, as the two children try to find out what's happening in the castle. For us as viewers it's not very satisfying, because we know what's happening, even if we never see it. In fact, we knew what was happening in the castle years before the film was made.

There's one big problem with the film that I almost forgot to mention. Svetlana Khodchenkova, the actress who plays Countess Bathory, speaks very bad English. Her accent is so strong that I had to stop and rewind more than once to figure out what she was talking about. They could have found a better actress for the role.

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Wednesday, 24 October 2018

John Wick 2 (4½ Stars)


In the first film it seemed like John Wick had wiped out the whole of the Russian mafia in New York. They called him the Baba Yaga, to express their fear and respect for him. In this film we see that there are a few left. After killing the minor henchmen he spares the leader's life and offers him a truce.

And that's just before the opening credits.

The John Wick films take place in a bizarre world that's parallel to where normal people like you and me live. All around us there are trained assassins who look harmless until they pull out their guns. They might look like a road sweeper, a busker or a mother pushing a pram.

These assassins live by a code. When they're required to kill another assassin they treat their opponents with courtesy. The most successful assassins are allowed to visit the Continental Hotel, a safe house. No business can be done in the hotel. You can share a drink with your enemies before walking out of the door to kill them. It's all very gentlemanly.


Maybe there are a few other rules. Before checking in to the Continental Hotel in Rome John Wick is asked if he intends to kill the Pope. He's off limits. The manager of the Continental Hotel in Rome is played by Franco Nero. He was 73 at the time the film was made, but he doesn't look a day over 50.


There are delightful homages to other films. Laurence Fishburne offers Keanu Reeves a choice of weapons. Now where have we seen that before?


Keanu Reeves has a shootout in a hall of mirrors. That's a throwback to "Enter the Dragon". Unfortunately Keanu has forgotten Bruce Lee's advice: "Destroy the image and you will break the enemy".


Keanu Reeves has good taste in dogs. This is the dog that he took from the rescue shelter at the end of the first film. He doesn't have a name. Let's just call him Dog.

Surprisingly, the critics like the film. Most of them, anyway. There must be something about the stylised killing sprees that appeals to them. It's not often that the film critics and the cinema audiences agree on something.

I need to watch the two John Wick films back to back. Maybe I'll do it soon. Maybe I'll wait until the third part is released next year.

Success Rate:  + 2.3

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Tuesday, 23 October 2018

The Death of Stalin (5 Stars)


I was lucky to be able to buy this film for a cheap price on Blu-ray so soon after the cinema release. It was on special offer at Amazon, and it seems I placed my order at just the right time. The price is now back to its usual level, over twice as high as what I paid. If there's something you want you ought to check prices regularly.

The film is a comedy, but it's a very dark comedy. So much of it is too true to be funny, but we can't help laughing at it anyway. Stalin was a hero in his lifetime, to the Russian people at least, but as soon as he was dead he was vilified by his successors who exposed all the evil he had done. The same will happen with Vladimir Putin. At the moment he's popular in Russia. Almost everyone believes his lies. After his death the history books will be rewritten, and Putin will be remembered as the most evil ruler of the 21st Century.

I hope his death will be soon, before he gets a chance to start World War Three.

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Addendum on 24th October 2018

Would you believe it? Today somebody asked me what the picture has to do with the film. If he'd watched the film he would know, but okay, my blog is supposed to be for people who haven't watched the films I write about. It's a picture of Andrea Riseborough who plays the part of Stalin's daughter, Svetlana Stalina. Now you know. The photos I publish in my blog may be obscure at times, but they're always relevant. Almost always. It depends on my mood.

Marvel Years 05.02 - February 1965


Amazing Spider-Man #21

Title: Where flies the Beetle

Writer: Stan Lee
Artist: Steve Ditko

Villain: Beetle

Regulars: Aunt May, Flash Thompson, J. Jonah Jameson, Betty Brant

Guests: Johnny Storm, Doris Evans


In Strange Tales #123 we saw the Beetle defeated by the Human Torch. He's now been released from prison and he wants revenge.

Peter Parker meets Doris Evans in the street and visits her at home, not realising that she's Johnny Storm's girlfriend. When Johnny sees him leaving her house he gets jealous and decides to threaten him as the Human Torch. Peter Parker isn't scared, and he goes back to Doris' house as Spider-Man. This is the moment when the Beetle arrives, and Spider-Man has to fight him, first alone, then with the help of the Human Torch.


Note the poignancy of Spider-Man's inner monologue. The Human Torch is popular while he isn't. This is well written by Stan Lee, and it's also beautiful artwork by Steve Ditko.


The inner monologue continues up to the end of the comic. This is wonderful story-telling.

The Crazy Credits box is fair to everyone, but I especially like that Steve Ditko is said to be illustrating deliriously. That applies to him more than to any other artist at Marvel.




Fantastic Four #35

Title: Calamity on the Campus

Writer: Stan Lee
Artist: Jack Kirby

Villain: Diablo, Dragon Man

Guests: Professor X, Cyclops, Spider-Man


Reed Richards visits State University to hold a lecture. This is the university where he and Ben Grimm studied. He takes the rest of the Fantastic Four with him.

Peter Parker is also visiting the university since he considers enrolling after finishing high school. Johnny Storm recognises him after meeting him in this month's Spider-Man story and insults him.

By coincidence, Diablo (last seen in Fantastic Four #30) visits the university to animate a creature that a professor has been constructing. This creature is Dragon Man, a creature with great strength and the abilities to fly and breathe flame. He also has limited intelligence and a feeling of who to trust. Initially he obeys Diablo's commands, but he protects Susan Storm when she shows kindness towards him.


This is the closest that Reed Richards has ever got to a proposal. Will they really marry within a year? Let's wait and see.

In a remarkable novelty the Crazy Credits box belittles everyone, including Stan Lee. Maybe Artie Simek wrote it himself?




Tales to Astonish #64

Title: When Attuma Srikes

Writer: Leon Lazarus
Artist: Carl Burgos

Villains: Attuma


After a silly argument in the laboratory Janet Van Dyne (the Wasp) decides to give up her crime-fighting and run away to start a new life. This is easy for her, because previous stories hint that she comes from a wealthy family. By coincidence – and Marvel thrives on coincidences – Attuma, last seem in Fantastic Four #33, kidnaps the airplane she's leaving in. First he wants to study the flying machines of the surface world, but when he sees Janet Van Dyne he wants to examine her as an example of surface women. That's what I would have done as well. She sends a message to Giant-Man to come and rescue her.

This comic is remarkable for being the first story in the Silver Age of Marvel (that began in November 1961) that wasn't written by Stan Lee. There may have been some stories that were plotted by Stan Lee and scripted by his brother Larry Lieber, but for this story Stan Lee's only responsibility was as editor.

It's also remarkable for being the only story written by Leon Lazarus. For decades it was suspected that he didn't exist, that his name was a pseudonym for Larry Lieber. It wasn't until 2005 that he was tracked down and interviewed. He worked for Timely, the previous name of Marvel Comics, from 1947 to 1950. In those days it wasn't usual for comics to name the creators, so it was only possible to say what he had written based on his vague memories at the end of his life. As for this one comic, Leon Lazarus said in an interview with Alter Ego magazine:

"Martin Goodman started pressuring Stan Lee to have other writers do some of the stories. He became concerned that Stan would have too much leverage over him, and he worried about what would happen if Stan ever decided to leave the company. Goodman wanted other writers as a back-up in case he needed them, so he ordered Stan to use other writers. Goodman told Stan to have me write stories. Stan called me and asked if I was willing to come in and work there again. I only did this one story, because I wasn't comfortable with the way Stan wanted writers to work with the artists, though I see now how right he was".

The Crazy Credits box praises everyone this month.




Title: The Horde of Humanoids

Writer: Stan Lee
Artist: Steve Ditko

Villain: Leader, Chameleon

Regulars: General Ross, Major Talbot, Rick Jones

The text at the bottom right corner calls this the only super-hero soap opera in all of comicdom. It can be argued that many of Marvel's other comics took on soap opera characteristics in later years, but this was Stan Lee's first major soap opera and probably the most intense. I say "probably" because it's been many years since I read these comics and I need to remind myself of them.



In the last issue Bruce Banner was imprisoned as a traitor. Rick Jones gets a presidential pardon for him by revealing to President Lyndon B. Johnson that Bruce Banner is the Hulk. If you can't trust the president, who can you trust?


There's a horrible spelling mistake on page five. The second "you're" in Major Talbot's speech bubble should be a "your". Artie Simek should be ashamed of himself.


The Crazy Credits explain Artie Simek's mistake. He works with the television set on. Stan Lee should never have allowed distractions like that!




Journey into Mystery #113

Title: A world gone mad

Writer: Stan Lee
Artist: Jack Kirby

Villain: Loki, Grey Gargoyle

Regulars: Jane Foster, Odin, Heimdall, Balder, Honir


Don Blake finally confesses to Jane Foster that he's really Thor. Odin sees this and reacts by taking away his power. When Don tries to change into Thor to prove who he is, it doesn't work, so Jane doesn't believe him.

At this point the Grey Gargoyle, last seen in Journey Into Mystery #107, attacks Don Blake, because he's the only man who can contact Thor. First Balder attempts to go to Earth to defend Don Blake, but Loki hinders him. Then Honir the Hunter takes his place.

The Crazy Credits tell us that Artie Simek has lettered this comic with glee. He can enjoy his work much more when he turns the television off.


On page 12 of the story we see the Grey Gargoyle jumping over a sign which says "Join the M.M.M". What's that? Part of the sign isn't shown. The full text is "Join the M.M.M.S". That's the Merry Marvel Marching Society, the Marvel fan club that was launched this month. All the February 1965 comics included the following full page advertisement.


The membership kit cost one dollar in 1965, but if you want it now it will cost you a small fortune. At the time of writing this, three copies of the kit are being sold on Ebay for prices between $900 and $1300. For those who can't afford that much, click here to listen to the recording of the Marvel Bullpen Voices (mentioned in the bottom left).




Title: The Boyhood of Loki

Writer: Stan Lee
Artist: Jack Kirby

Gods: Thor, Loki

In this story Thor is ten years old and Loki is probably slightly younger. Loki interferes in a fight between two Asgardian warriors. The others want to punish Loki, but Thor nobly says he should share the blame, so no one is punished.




Tales of Suspense #62

Title: The Origin of the Mandarin

Writer: Stan Lee
Artist: Don Heck

Villain: Mandarin


This story continues from the previous issue. With the self-confident posturing of a Bond villain the Mandarin takes time to explain to Iron Man how he gained his powers. As a young man he spent all his money training to learn the secrets of science. Then he found a space ship that had crashed in China centuries ago. He found ten rings of immeasurable power.

(In the post-canon years the Mandarin's origin was changed).

According to the Crazy Credits everyone who worked on this story was brimming with self-confidence, except for bashful Sam Rosen. Stan Lee might think otherwise, but in my eyes that makes Sam a great man.




Title: Break-Out in Cell Block 10

Writer: Stan Lee
Artist: Jack Kirby

Villain: Unnamed convicts

Captain America is invited to a prison. When he arrives he finds that the convicts have taken over.

I feel that Stan Lee is having trouble warming up and finding the right way to continue with Captain America. He needs to find more powerful villains, not just unskilled tough guys.

The Crazy Credits box describes the creative teams with the help of the comics typical sound effect words. All that's left for Artie Simek is Ulp!.




Strange Tales #129

Title: The Terrible Trio

Writer: Stan Lee
Artist: Dick Ayers

Villain: Terrible Trio (Bull Brogin, Handsome Harry Philips, Yogi Dakor)

Regulars: Doris Evans


Some people are gluttons for punishment. After being easily defeated by the Human Torch in Strange Tales #122 Bull Brogin, Harry Philips and Yogi Dakor think they can defeat the Thing and the Human Torch together. What's changed since then? Not much. They've now adopted the name the Terrible Trio, and they've appointed Harry Philips as their leader. The Thing doesn't even have to yell his battle cry.


Here are the Crazy Credits. Stan Lee fakes false modesty, before telling the world that Artie Simek can only make things worse. He really should make an effort. He can't leave the television running all day.




Title: Beware Tiboro! The Tyrant of the Sixth Dimension!

Writer: Don Rico
Artist: Steve Ditko

Villain: Tiboro

Regulars: Ancient One

A television station has requested Doctor Strange to appear on a television show, "The Twelfth Hour", to speak about black magic. He refuses, which they interpret as a confession that he's a charlatan. That doesn't matter to him, he doesn't need to defend his reputation.

A pagan idol from Peru is presented on the show. The presenters are sucked into it. The television boss, Mr. James, swallows his pride and asks Doctor Strange to investigate. The Ancient One recognises the idol immediately. It's an effigy of Tiboro, a powerful being who used to rule in Peru. He's now considering to the Earth to rule again. Doctor Strange enters Tiboro's world through the effigy to defeat Tiboro and free his prisoners.

This is another story not written by Stan Lee, the second this month. It's also a one-off for Don Rico.


Last month the Crazy Credits told us Artie Simek was melancholy, this month it's Sam Rosen. Maybe that's an attribute all letterers have in common.




The Avengers #13

Title: Trapped in the Castle of Count Nefaria

Writer: Stan Lee
Artist: Don Heck

Avengers: Captain America, Thor, Iron Man, Giant-Man, Wasp

Villain: Count Nefaria

Regulars: Rick Jones


The Avengers have been breaking up thefts by a gang called the Maggia. Their leader, Count Nefaria, lives "halfway around the planet", probably in Italy or a nearby country. He says he will come to America to deal with the Avengers himself. He moves his castle to America, stone by stone, and rebuilds it on the New Jersey Palisades. He throws a big party to celebrate the castle's re-opening and invites the Avengers. He hypnotises them and sends them to sleep. He then creates holograms of the Avengers and sends them to the Pentagon to declare war on the United States.

When the Avengers are awakened they're under attack by the American military. They barely survive, but they are eventually able to invade Count Nefaria's castle to find out if he was responsible for what has happened.

The story ends on a cliffhanger. The Wasp is shot and is barely alive.

The Crazy Credits praise Stan Lee, Don Heck and Dick Ayers, but all they have to say is that Artie Simek's lettering is moderately clear. Moderately? That wouldn't be enough. After reading hundreds of the comics that he worked on I can vouch for the fact that his lettering was always crystal clear.




Daredevil #6

Title: Trapped by the Fellowship of Fear

Writer: Stan Lee
Artist: Wally Wood

Villain: Mr. Fear (Zoltan Drago), Ox, Eel

Regulars: Foggy Nelson, Karen Page


The owner of a wax museum, who also sculpts the exhibits himself, accidentally discovers a potion that fills people with fear. He turns it into gaseous form and fills pellets with them that he can fire from a normal gun. As henchmen he hires Ox (last seen in Amazing Spider-Man #19) and Eel (last seen in Strange Tales #117).

In the Crazy Credits Stan Lee only has good words for Sam Rosen.



Other comics published this month:

Modeling with Millie #37 (Stan Lee, Stan Goldberg)
Patsy Walker #119 (Stan Lee, Sol Brodsky)
Patsy and Hedy #98 (Stan Lee, Al Hartley)
Rawhide Kid #44 (Larry Lieber, Larry Lieber)
Sgt. Fury and his Howling Commandos #15 (Stan Lee, Dick Ayers)