I've mentioned before that my local cinema has a monthly
"Best of Cinema"
feature, in which a classic film is shown. There are actually three monthly
features in which old films are shown:
Best Of Cinema: The first Tuesday every month. These classic films are usually
at least 20 years old. They're films that are generally recognised as great
films.
Cine Futuro: The second Monday every month. They're films which are
supposedly an indicator of the future of cinema. They're usually relatively
recent films from the last 10 years, sometimes only two years old. They're
mostly films which are unknown.
Weird Wednesday: The third Wednesday every month. They're films which are
intended to shock the viewer. They're mostly low budget horror films.
I try my best to visit every "Best of Cinema" and "Weird Wednesday" film. I'm
picky with "Cine Futuro", but "Under the Skin" is a film I couldn't afford to
miss. It was a bold film for Scarlett Johansson. She made it just as she was
beginning to break through and become recognised as an A-List actress. It's
possible that she would have turned down the film five years later.
Despite being a relatively low budget film, it still lost money. Before the
film was shown today we were given some background information. The German
distributors bought the rights to the film on the basis of Scarlett
Johansson's popularity, but when they saw it they decided not to release it.
They thought the film was too cerebral and wouldn't be understood by cinema
audiences.
Do I understand it? Not really. The things that happen seem very random. There
are two aliens in Scotland, in and around Glasgow. The female picks up men
and kills them. The male cleans up after her. We can only speculate on the
reason for this. Is it for food? Is it to absorb their knowledge? Your guess
is as good as mine.
If you read the film reviews, you'll see that everyone has a different opinion about the film's meaning.
The director Jonathan Glazer seems to have remained out of the discussions.
The film is based on a book, but only loosely. The book can't be used to
explain the film. It's all about the atmosphere and the imagery.
After the film we were offered a glass of Sekt (German champagne) in the foyer
while we stood discussing the film. We didn't come to any conclusions, but we
were all impressed by what we'd seen. The future of cinema?
Not really. I doubt anything like it will be made again.
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