Showing posts with label Christian Berkel. Show all posts
Showing posts with label Christian Berkel. Show all posts

Wednesday, 8 March 2023

Elle (3 Stars)


I remember liking this film a lot when I saw it in the cinema six years ago. Today I was less impressed. Maybe it's because I was concentrating on the plot more the second time round? Or maybe I'm just in a different mood.

The basic story is that Michèle, a wealthy 49-year-old woman in Paris, is raped in her house. Despite being traumatised, she doesn't show it outwardly. She doesn't go to the police. She turns up at work the next day as if nothing has happened. When her son asks about her bruises she says that she fell off her bike. Maybe a reason for her complacency is that she's the owner of a video game company that makes violent computer games, including rape scenes.

The trouble with the film is that there are too many sub-plots. She's a woman with a turbulent past. When she was 10 her father killed 27 people in one evening. I believe that's called a spree killer. He'd never killed anyone before this day, he just went crazy. The trouble is that the media portrayed Michèle as his accomplice, but she was too young to stand trial. Was she guilty? It's difficult to say. She didn't prevent her father killing anyone, but that doesn't mean she was an active participant.

Everyone in Michèle's family is messed up. Her ex-husband is dating a young woman. Her mother is having an affair with a man young enough to be her grandson. Her son is dating a woman who's prone to violent outbursts. Added to all this, Michèle is having an affair with her best friend's husband.

That all makes the film complex. Too complex for me. I'd prefer a film that sticks to the main story without too many diversions.

Success Rate:  - 0.6

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Saturday, 12 November 2022

Inglourious Basterds (5 Stars)



I warned you that I'd be watching Netflix more often while I'm on holiday. That includes films like "Inglourious Basterds", which I have on Blu-ray at home.

In a recent interview Quentin Tarantino named six films which he considers to be perfect. The films, in the order he named them, are:


That's an interesting list. I've seen all the films except for "Annie Hall", but I've only reviewed "Jaws" and "Young Frankenstein" in my blog. I ought to watch all of the films in a row to see what he means. He claims the films are technically perfect, regardless of a person's personal tastes. That's difficult for me. My reviews are subjective, and I don't think I'm able to make an objective decision whether a film is perfect. I'll do my best.

Quentin should have added one more film to the list: "Inglourious Basterds". Maybe he was too modest to name one of his own films. The film's chapters are a series of vignettes, each of which can be judged on its own merits. Each vignette is perfect. If anything is imperfect, I'd like to hear Quentin himself tell me what's wrong with it.

Success Rate:  + 2.6

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Wednesday, 30 June 2021

Inglourious Basterds (5 Stars)



This film should be called "How the War should have been won". It's the first film in which Quentin Tarantino rewrote history. It's a fictional film, but it features authentic historical characters, such as Adolf Hitler. The film shows Hitler dying in France in 1944, a year before his real world death. Tarantino's most recent film, "Once upon a time in Hollywood", also rewrites history by showing Sharon Tate survive the attack by the Manson Family.

So who kills Hitler? It's a joint effort. There are two plots running in parallel. One is the fighting group called the Bastards, eight Jewish soldiers led by Aldo the Apache (Brad Pitt). It's Aldo's right hand man Donny Donowitz (Eli Roth) who fires the bullets that kill Hitler. When you look at his face it seems like he isn't just acting, he's really enjoying killing Hitler. But Hitler wouldn't have survived anyway. He's locked in a cinema that's being burnt down by Emmanuelle Mimieux, the cinema's owner who's secretly Jewish. Aldo's Bastards and Emmanuelle don't meet, and they aren't even aware of one another's existence.


As I've mentioned many times before, I consider the opening scene in a French farmhouse to be the best scene ever filmed. It's perfect. It's slow and intense with seemingly harmless conversation between the French dairy farmer and the SS officer Hans Landa. In fact, the whole film moves slowly, and there are only occasional short bursts of action.

This is a film I can watch again and again and never get bored. The same is true of all of Quentin Tarantino's films. If you haven't watched it yet, what are you waiting for? Please don't shy away from it with excuses like "I don't like war films". This isn't a normal war film, which should be obvious as soon as the background music begins. The music sounds like it comes directly from a spaghetti western.

Success Rate:  + 2.6

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Sunday, 20 June 2021

Downfall (5 Stars)



There have been many men who have played Adolf Hitler over the years, some better than others. Has anyone ever attempted to make a full list? I found a list of 27 actors in IMDB, but it's incomplete. Rolf Kanies is missing, who played Hitler in "Joe and Max". However, I think all the performances pale into insignificance in comparison to Bruno Ganz. It's difficult to say what makes him so good. His physical appearance matches Hitler, but his mannerisms really make the difference. Before filming he spent four months watching videos of Hitler and listening to recordings of his speeches. That's dedication! But there's still more to it. The excellent script and directing add to the complete picture of the man Adolf Hitler.

When "Downfall" (German "Der Untergang") was released in 2004 it hit the cinemas like a bomb. After the many films about World War Two, here was something different. It's not a war film. It's a ruthlessly accurate portrayal of Hitler's last 10 days in his Berlin bunker, showing the despair and debauchery of those closest to him.

Initial response to the film was positive. In more recent years the film has been criticised because it's too positive in its portrayal of Hitler. I think that the recent critics don't get it. Adolf Hitler is known as the most evil person who's ever lived. This leads to him being portrayed as a caricature. When I lived in England it was common for people to make fun of him as stupid, as a "failed painter". Believe me, no man who's stupid could have become the leader of Europe's largest country. Maybe he didn't go to university, but he had great intelligence when it came to influencing people. Arguably, his greatest fault was that he relied on his own intelligence too much. He was incapable of delegating decisions to those below him. In particular, he was unskilled as a military strategist. He could possibly have won the war if he'd listened to the advice of his generals.

This is shown at the beginning of "Downfall". Hitler is surrounded by his generals. They're giving him advice, good advice, but he refuses to listen. Anyone who contradicts him is accused of treason.

The main reason for people criticising the film in recent years is that they claim it's pro-Hitler. What they really mean is that it's not anti-Hitler. The film carefully avoids the propaganda that has become the norm in films about Hitler. The film is based on the biography of Traudl Junge, who was Hitler's personal secretary from 1942 to 1945. The story is told as she saw it. The film shows Hitler not as a monster, but as a man, with all the strengths and weaknesses of any man.

Historians have frequently mentioned that Hitler had a charm that attracted women to him, but this has rarely been shown in films. We can see that Traudl Junge was drawn in by Hitler's charm. When Hitler offered to let her leave Berlin, she insisted on staying with him until the end. 


The real Traudl Junge in 2002, shortly before her death.


Alexandra Maria Lara as Traudl Junge in the film.

Alexandra Maria Lara was an excellent choice to play Traudl Junge. She expresses a naive innocence in the middle of the chaos of Hitler's last days. She was one of three women who remained close to Hitler's side. The others were Gerda Christian, also a secretary, and Eva Braun. They were friends, but Traudl's facial expressions in the film show her amazement and disapproval as Eva continued to party until the last moments.


The three women take Hitler's dog for a walk in one of the rare quiet moments. Apart from these few moments, the scenes look like they come from an absurd horror film. Senior officers are committing suicide, other officers are sitting getting drunk, and Eva Braun is dancing on the tables.


Most of the film takes place in almost staccato fashion, hurrying from one chaotic scene to the next. An exception is the scene in which Magda Goebbels murders her six beautiful children. Everything else stops, and this scene is shown slowly and deliberately, as each child is forced to swallow a cyanide capsule one by one. Hitler is portrayed neutrally, but Magda Goebbels is shown as a woman of pure evil. How could any mother act like this? It's horrific beyond description.

If you haven't yet seen this film, what are you waiting for? It's not a war film. It's a study of the breakdown of society in a confined space. It's not an easy film to watch. Try to see the film through Traudl Junge's eyes. She was an innocent woman watching her whole world collapse around her.

Success Rate:  + 3.5

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Tuesday, 10 September 2019

Inglourious Basterds (5 Stars)


The world according to Quentin Tarantino is better than the real world. In Tarantino's world the last thing Hitler saw was the face of a laughing Jewish woman. In the real world he died in or just outside a cold bunker. Tarantino gave him a sexier death. I'd like the last thing I see to be a laughing woman, Jewish or not.

It's a fairy tale, not meant to represent the truth. It opens with the words "Once upon a time in Nazi-occupied France". Fairy tales have happy endings. The big bad monster dies, and they don't come bigger or badder than Adolf Hitler.

The film shows two unconnected plots to kill Hitler. The one is a big operation ordered by Winston Churchill, carried out by the Jewish American squadron called the Basterds. The other is a solo effort by a Jewess who wants revenge for the death of her family. I know that Hitler killed six million Jews, but that's just a number. A number on a piece of paper is abstract, it means nothing. What makes it personal is if Hitler and his followers kill just one person that you know, a family member or a friend. That's what spurs revenge. That's what makes Shosanna Dreyfus aka Emanuelle Mimieux laugh.


Hitler's death takes place in a cinema. This is no coincidence. For Quentin Tarantino films are important, and cinemas are important as the place where films are shown. He loves films, and he openly displays his nostalgia for old films.


This was the film that helped Daniel Brühl make his breakthrough into Hollywood. He'd already been a successful German actor for ten years, but this is the film that made him well known internationally.


Martin Wuttke was primarily a stage actor in Germany, but since appearing as Adolf Hitler in "Inglourious Basterds" he's been cast in a string of American films.


Brad Pitt is the film's anti-hero. He's one of the good guys, but he's so mean in carrying out justice that he makes the audience shudder. His aim isn't primarily to win the war, it's to kill Nazis. For him, anybody wearing a German uniform isn't a human being, he's a Nazi, and he has to die. Obviously, this attitude is completely wrong. The vast majority of the German soldiers didn't put on uniforms because they were Nazis, they put on uniforms because they were conscripted. But it's just a film. The characters aren't meant to be perfect.


Christoph Waltz won an Academy Award as Best Supporting Actor, but anyone who's seen the film knows that he was really the Leading Actor. Despite having less screen time, Brad Pitt was named as the Leading Actor for two reasons:

1. He's more famous than Christoph Waltz.

2. Bad guys aren't usually the Leading Actor.

But look... isn't that a foot rising up Christoph Waltz's jacket towards his medals?


Yes, it's Diane Kruger's foot. I promised you that I would point out the bare feet in Quentin Tarantino's films.


Christoph Waltz gets to put a shoe on Diane Kruger's foot. Most actors work for 50 years and never get a chance like that.


Here are both of her feet, one of them in a plaster cast.


Before anyone accuses me of having a foot fetish, no, it isn't true. All I'm doing is acknowledging Quentin Tarantino's foot fetish. I have many fetishes, too many to list, but a foot fetish isn't one of them. I would rather look at Diane Kruger's face than her feet. She's beautiful, isn't she?


I definitely have a Sitting-In-The-Cinema-Watching-A-Laughing-Woman-Telling-Me-I'm-Going-To-Die fetish. That's a good idea for my blog. I should have a Fetish Of The Day feature. All year long!

This is probably Quentin Tarantino's best film. It's difficult to say. Every time I watch it I'm stunned, like I'm watching it for the first time. My definition of a good film is that I want to watch it at least three times. Today I watched "Inglourious Basterds" for the seventh time, and I still want to watch it again. That makes it better than good.

Success Rate:  + 2.6

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Wednesday, 20 February 2019

Downfall (5 Stars)


I've written a little about this film in the past. Others have written more about it. We've all written too much. "Downfall" isn't a film that needs to be described, it's a film that should be felt.

This is the film that Bruno Ganz will always be remembered for. His portrayal of Adolf Hitler is nothing less than a work of genius. When we see him we feel that we're watching the real Hitler in the ten days before his death.


In the film Bruno Ganz doesn't just play the part of Hitler, he becomes Hitler. Many people have criticised the film because it didn't show what they want to see. "Downfall" doesn't criticise Hitler. It doesn't point a finger at Hitler and tell us how bad he is. We should know that already. The film is more like a photo album with a series of snapshots. It gives us pictures of how he was, and it's up to us to make our own minds up how we interpret them.

Success Rate:  + 3.5

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Wednesday, 25 July 2018

Anti-Social (2 Stars)


This is a film that highlights the underground criminal culture of London. Marcus is a member of a gang that robs jewellery stories. His younger brother Dee is a graffiti artist who spreads his pictures all over London. Both of them are doing illegal things, but Dee does it as a protest against the establishment while Marcus just wants to line his own pockets.

Dee doesn't get involved in gang activity, but Marcus gives him money to support him. When Marcus gets shot and is badly wounded Dee is faced with a challenge: should he take part in a robbery to help his brother?

English films are a hit or miss affair. "Anti-Social" is a miss. The action scenes are realistic, but the acting is so poor that it's embarrassing. The young cast of newcomers say their lines with blank faces as if they're reading them from an off-screen cue. The only actor with any talent is Christian Berkel, who plays a German art dealer.


Dee's girlfriend is played by Meghan Markle, the current wife of Prince Harry. She displays no more talent than any of the other actors. She's lucky to have married a rich man, because she could never have made much money acting.

Tuesday, 9 January 2018

Traumfrauen (2 Stars)


What's this film about? Four women and one man? Not quite. There are other men in the film. You can't believe everything that film posters tell you.

"Dream Women" (the literal translation of the title) is about a family of three women in Berlin who are having relationship problems. The mother Margaux (Iris Berben) has recently been left by her husband for a younger woman. Her daughter Leni (Hannah Herzsprung), who runs a cafe, was planning to move in with her boyfriend until she found out that his previous girlfriend is still living with him. Her other daughter Hannah (Karoline Herfurth) is a busy lawyer with awkward social skills that prevent her finding a man.

So far it sounds like a typical American soap opera, doesn't it? Let's carry on setting the scene. Hannah shares an apartment with Vivienne (Palina Rojinski), who claims to have no problems with men because she has too much sex to worry about love. Vivienne tries to help Hannah by dressing her and giving her advice when she goes on dates, but it doesn't work. Hannah messes up, and there's never a second date with a man. Leni had already given notice for her apartment before breaking up with her boyfriend, so she has nowhere to live and has to move in with Hannah. That's what sisters are for.

So here's the solution. Vivienne says that Leni can get over being love sick by having sex with three different men in three days. If that doesn't work, she can find a fourth man. And a fifth, etc. Vivienne takes the two sisters out clubbing to help them find men. Hannah is usually shy, but after having a few drinks she feels bold enough to flirt with one of her colleagues that she spots in the club. It might have worked out, except that she's sick and manages to vomit all over his face. Yuck! That would turn me off as well.

Leni is more successful. She meets Joseph (Elyas M'Barek), an actor who's well known as a child star in a TV series. It's love at first sight. She has to go outside to put Hannah in a taxi, and he promises to wait. While she's outside Joseph gets into a fight with two fans of his TV series, so he's thrown out. She goes back in the club and thinks he's deserted her. She's approached by the singer who performed in the club that evening, Guy (Doron Amit), an Israeli superstar who lives in New York, but is considering moving to Berlin. He's gentle and sensitive, which leads Leni to fall for him. Love at first sight twice in one night? Women!

That's not the end of it. Joseph still wants to be with Leni and comes to her cafe. Leni's ex-boyfriend is also repentent and wants to be with her. Within two days she goes from having no man to three men. Can't she share with her poor little sister Hannah?

Margaux meets a man in her computer course, which is complicated when her husband wants to return to her. That seems to be a trend in her family.

Vivienne, who had sworn never to fall in love, meets a man who has an apartment with 21 dogs. He only wanted to pick one dog from an animal rescue centre, but it broke his heart to see the dogs suffering, so he kept taking new dogs. Heartless Vivienne falls for a man who has too much heart.


One thing I like to do when I watch films is search for the filming locations in Google Maps. In this film it was easy, because street signs were often visible. Margaux lives in Pücklerstraße 22, Berlin, on the corner of Amselstraße.


This is the same scene in a snapshot from Google Streetview. Why do the silly Germans insist on censoring views of their houses? In the film we can see everything. Don't forget that you can click on all the pictures for an enlarged view.


Leni finds an advertising column with a picture of the coat she's wearing. The text says "I am sooo cheap". Oops.


The advertising column is on the corner of Elisabethkirchstraße and Strelitzer Straße in Berlin.


Leni runs across the road to greet Joseph.


This is where it was filmed.


Leni talks to Joseph.


This is the same street corner from a third angle. The Germans love their censorship.


I didn't enjoy the film very much. It's supposed to be a comedy, but I didn't find it funny. It's supposed to be about romance, but I didn't find it romantic. I regret that I have to say that, because it features two of my favourite actresses, Iris Berben and Karoline Herfurth. Despite my dislike for the film overall, I have to say that this is Karoline's best performance. I've seen her in a lot of films and I've watched her interviews on YouTube, so that I feel like I know her. I have the impression that in this film she was playing herself, i.e. Hannah is the real Karoline Herfurth: intelligent but socially awkward, a winner in her career but a loser in love. Am I right? Only Karoline herself can answer the question.

Friday, 5 January 2018

Inglourious Basterds (5 Stars)


Yesterday I went to see "Loving Vincent" in the cinema with the Stuttgart Cinema Meetup. I asked one of the other members what his favourite film was, and he answered "Inglourious Basterds" without hesitation. I'm always glad when someone has an answer ready for that question. It shows that they've sat down and seriously thought about films. I know it's not an easy question to answer. I've changed my mind a few times in the last 20 years, but however often I might change my mind I can always tell you with certainty what my favourite film is today.

This was the reason why I decided to watch "Inglourious Basterds" again this evening. I sat watching it while asking myself "Is this the world's best film?" After the film came to an end I didn't think it was quite good enough to knock my current favourite off the number one spot, but I do have to say that it's technically one of the best films ever made. I already consider the film's first scene, the farmhouse scene, to be the best scene ever filmed. These 20 minutes are perfection. I can't think of any other scene that comes close. However, several other scenes in the film are also of incredibly high merit. They're all scenes in which Christoph Waltz appears. That's probably not a coincidence.


Today I watched the film with my son Benjamin. It was his first time seeing the film. He was shocked to see that Adolf Hitler was killed. That was also my reaction the first time I saw the film in the cinema in 2009. It's something I didn't expect to happen. What I mean is, there have been dozens, maybe even hundreds of films about Hitler, and he never dies, unless it's in his bunker in 1945. After the initial shock I laughed about it and said "Why not?" If a film is a piece of fiction there's no need for it to agree with historical facts. Quentin Tarantino, who both wrote and directed the film, decided to rewrite history. For that I thank him. Tarantino's version of history is better than what really happened.

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Tuesday, 15 August 2017

Mogadishu (5 Stars)


This is a German film telling the true story of the hijacking of the German Landshut plane on a commercial flight from Mallorca to Frankfurt in October 1977. The plane was hijacked by four members of the Palestine Liberation Organisation who demanded the release of nine German terrorists, including Andreas Baader.

After four days the hostages were freed by the GSG-9 (Grenzschutzgruppe 9), a newly formed German anti-terrorism unit. Because of the poor performance of the police in handling the terrorist attack on the 1972 Olympic Games it was decided that a dedicated group should be created to fight terrorism. This was GSG-9's first mission, and it was widely praised as a success. When they stormed the plane the only casualties were three terrorists. One GSG-9 member and one flight attendant were lightly wounded, but none of the passengers were harmed.

The mastermind behind the plane's hijacking was Wadi Haddad, a Jordanian who lived in East Berlin. He was employed by Russia's KGB. Russia denied involvement in the operation, despite information given by double agents stating the contrary.

The day after the storming of the plane Andreas Baader and two of the other terrorists were executed in their prison cells. The official inquest claimed they had committed suicide, but who seriously believes that prisoners in solitary confinement would shoot themselves?


The film accurately portrays the claustrophobia and panic of the hostage situation. One of the female terrorists was hysterical, screaming for no apparent reason. The other woman remained calm. The two men were agitated at the thought they might have to die if their hostage demands weren't met.

The film was intended to be released on the 30th anniversary of the hijacking, but it was delayed because of production problems. This year is the 40th anniversary. The film has a lasting appeal that makes it gripping viewing today.

Thursday, 10 August 2017

Trumbo (4½ Stars)


This is a true story that took place during one of the darkest periods in American history. Although the expression isn't used in the film, I call it the "Communist witch hunt". After the euphoria of winning World War Two the American government began to realise that Russia, their wartime ally, was an evil country intent on world domination. Russia was a Communist country, so the assumption was that Communism was evil as a system. There was a Communist Party in America, so it was assumed that its members were also evil and intended to overthrow the American government to subjugate the country to Russia.

That is very simplistic reasoning. On the other end of the scale we find Dalton Trumbo, Hollywood's highest paid screenwriter, who had equally simplistic reasons for being a Communist, as revealed in a conversation with his 9-year-old daughter Nicky:

"At school you're eating your favourite food. You see that another girl has nothing to eat. What do you do?

1. You tell her to get a job so she can buy food.
2. You lend her the money to buy food and charge her 6% interest.
3. You ignore her completely.
4. You share your food with her.

If you choose the fourth option you're a Communist".


That shows Trumbo's reasoning behind becoming a member of the Communist Party. He wanted to help people. That's all. On the other hand, he was criticised by his fellow Communists. His friend Arlen said to him, "You talk like a radical, but you live like a rich man". We see that in the photo. He lived on a ranch. He owned a large field which contained a lake. His daughter had a pony.

Let's look at the fourth option in Trumbo's Communist Test again. Let's assume there are 30 children in school. Nicky has food and the other 29 have nothing. If she shares her food with everyone else nobody will have enough to eat and everyone will be hungry. It's more sensible to share with just one or two people, so that they at least have enough to eat. Being selective in your help is more sensible.

How do you select? If nobody has food Nicky would share with her best friend. If her brother and sister were in the room she would give them priority. That's the sort of Communism that Dalton Trumbo practised. He was relatively wealthy, but not a millionaire. He didn't spend much on himself, but he wanted his family to live in comfort. He paid the legal costs of his critical friend Arlen. That's the same attitude that I have. I invest in very little luxury for myself, but I want my children to have enough. Maybe I don't give my friends money, but that might just be because I don't have enough money to give. I've never been in a position where I could afford to be generous.


Dalton Trumbo wasn't a traitor. He didn't want to overthrow the American government. He loved America, and he loved democracy. His only crime was that he thought America should be fairer. More money for the poor and less money for the rich. He wanted to persuade the government to spread the wealth, but the self-centred establishment that didn't want to give up any of its privileges misinterpreted what he said. They claimed that he wanted to force them to spread their wealth.

There were many Communists who were persecuted by the American government, but the main targets were those who worked in Hollywood, especially directors and screenwriters. In a way, it's understandable that they had to endure the brunt of the guilt. They were in a position to influence the American public with either direct or implied messages in their films.

All those who were members of the Communist Party or merely suspected of having Communist sympathies were blacklisted and forbidden to work in Hollywood. Dalton Trumbo was one of ten men arrested and imprisoned for his political beliefs, or more accurately for his political affiliations. America was in the grip of anti-Communist hysteria. The good people of America had forgotten the foundation on which America had been built: the freedom of speech. I would add to that the freedom of opinion. As Trumbo aptly puts it in the film, "Everybody has the right to be wrong". Nobody should be arrested or disadvantaged because of his membership of a political or religious group; he should only be judged on the basis of what he says and does.


A subplot in the film is Trumbo's troubled relationship with his daughter Nicky. He loved her, but the government pressure on his life harmed the family. Nevertheless, she followed her father in wanting to do good. When she was older she joined the Civil Rights Movement to fight for the equality of black people in America.


Before watching "Trumbo" I already knew about the Hollywood blacklist, but some details were new to me. For instance, after his release from prison Trumbo was still forbidden to work, so he wrote screenplays under false names. This led to absurd situations. In 1956 he wrote the screenplay for "The Brave One", using the pseudonym Robert Rich. At the Academy Awards Robert Rich won the Oscar for the Best Screenplay, and nobody knew who this person was. It wasn't until he wrote "Spartacus" in 1960 that the political climate was calm enough for him to write under his own name.

I was also quite shocked by the attitudes of actors at the time. John Wayne, of all people, considered Dalton Trumbo to be un-American and a traitor. There was no solidarity between the professionals in the film industry. They took opposite sides in the war on Communism.


Bryan Cranston's acting in the main role is nothing short of magnificent. He was nominated for an Oscar as Best Actor, but didn't win. The award was given to Leonardo DiCaprio for "The Revenant". Once more I'm utterly amazed. The Film Academy chose wrong.

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