My readers who have been following my Housewife Report posts will immediately
recognise two of the actors in the picture above. On the left is Rosl Mayr,
and on the right is Gernot Möhner, who appears in all the Housewife Report
films as the investigative reporter Bernd Mittler. I can't name the man in the
middle, because there are no credits, and I don't recognise him from other
films.
Whereas
the previous film
offered socially dubious messages about divorces in Germany, this film plays
it safe and has no messages at all. Instead of beginning in an office, like
most report films, it takes place in a railway carriage. Bernd Mittler catches
a train in Hamburg and is heading southwards, probably back home to Munich.
The businessman sitting next to him says he knows him; he's seen him in stupid
sex films. Bernd objects, replying that they're serious scientific studies.
The other two men in the carriage join in the conversation. There's a lawyer
sitting opposite who says, "The scientific value of your films is very
questionable". In the corner there's a Catholic priest, who adds "I've seen
the films, and they should be taken seriously. They show what comes from
living in a prudish society". I like the priest. He's a very open person who
talks good sense.
Bernd attempts to defend his reputation as a serious reporter by telling them
the results of his recent interviews in cities all around Germany. We don't
see Bernd himself in the vignettes, we just see what he's been told.
1. The first story takes place in Berlin. Gerda and Fritz have been married
for five years. Gerda loves her husband and wants to have more sex with him,
but he's bored and would rather watch television than have sex. What an
idiot!
She orders a company to take away her old, heavy furniture, and a muscular man called Paul comes to carry everything away. Gerda is excited and seduces him. That's not enough. The next day she arranges to meet him at home.
While they're making love, Paul's girlfriend comes home. She isn't jealous. She thanks Gerda for warming up her boyfriend and says that she'll take over. Gerda is miserable and rushes home in tears. When her husband sees her he doesn't know what's wrong, but he feels sorry for her, so they go to bed and make love.
She orders a company to take away her old, heavy furniture, and a muscular man called Paul comes to carry everything away. Gerda is excited and seduces him. That's not enough. The next day she arranges to meet him at home.
While they're making love, Paul's girlfriend comes home. She isn't jealous. She thanks Gerda for warming up her boyfriend and says that she'll take over. Gerda is miserable and rushes home in tears. When her husband sees her he doesn't know what's wrong, but he feels sorry for her, so they go to bed and make love.
So what's the message of this story? You tell me.
After this story, Rosl Mayr joins the men in the carriage. She says she's a
virgin, but there's no hint of innocence in her. She talks openly about sex
and women's right to do it as often as they like. She's seen the previous
Housewife Report films and joins in the conversation. The lawyer says that in
marriages there are two sides to every story, to which she replies, "There
aren't two sides. Women are always right".
Now you know why I love Rosl Mayr so much. She was phenomenal in every role
she played.
2. The second story takes places in Hamburg. Herbert is a wealthy businessman
who lives with his wife Elke, played by the famous German actress Elisabeth
Volkmann. She began her career in erotic films, but when she became a
serious actress she distanced herself from them. Elke is sexually
adventurous, but Herbert just wants to do the missionary position. We see her
pulling him from one impractical position to another.
The next day, Herbert interviews an applicant for a position as housekeeper.
The woman, played by the deliciously curvy Dorothea Rau, rips her clothes off
and tries to seduce him. Elke walks in and tells Herbert she'll handle the
other interviews.
The next applicant gets drunk during the interview, so Elke turns her down.
The third applicant is a beautiful lesbian who seduces Elke. Hired! Elke says
that she's too good to do housework, so she gives Herbert an apron and makes
him do the housework while the women enjoy their sex life.
The message? Men should be the slaves in lesbian households.
Another woman comes into the carriage. Now all six seats are occupied. She's a
medical student called Marianne. She defends women's right to have as much sex
as they want with whoever they want.
3. The third story takes place in Mainz. Doctor Fridobert Walzel is a
Professor at the University of Mainz, teaching Entomology. I had to look that
up as well; it's the study of insects. His young wife Dorothee is unhappy,
because he's more interested in the mating habits of insects than mating with
her. One Saturday morning he leaves home early, because he wants to watch the
mating act of two insects that only takes place once a year. The insect's name
is corpus facilitis, if I understood it correctly. During mating the female
shouts "Bee" while the male shouts "Tak Tak". Fascinating.
Two research students should be accompanying Doctor Walzel to the woods, but
only one arrives. After they leave the second student arrives, a handsome
young man, and he asks Dorothee to drive him to the woods. They go to the
woods, but they get distracted. They have wild sex, in which she yells "Bee"
and he yells "Tak Tak". It's so funny that I had to laugh out loud. Meanwhile,
the female research student accompanying Doctor Walzel takes off her clothes
and seduces the professor. While they're making love, he hears the
Bee-Tak-Tak-ing and thinks the insects are close. They're on the floor doing
it doggy style, so he pushes her towards the noises... and the two couples
discover one another in the act.
The message? When you're making love in the woods, don't do Bee-Tak-Tak.
4. The fourth story takes place in the small town of Neustadt in Hessen. Karin
and Heinz are a happily married couple, apart from the fact that Heinz is a
truck driver who is often on the road for days. While Heinz is gone one day,
Karin meets a hot young Spaniard called Juan, played by Rinaldo Talamonti. He
does his best to put on a Spanish accent, but he can't disguise the fact that
he's really Italian. Karin takes him back home for sex, and they have a long
session of foreplay in which Juan pretends to be a bull while Karin is the
matador. I should try it some time, it looks like fun.
Meanwhile, Heinz has stopped to help a woman with car troubles. It was a trap.
The woman, Hildegard, was only pretending to have car troubles so that she
could lure a man for sex. The story ends with a strange scene. Heinz is in bed
being ridden by Hildegard, and he feels the need to check up on his wife. He
calls her, and she answers despite being in the middle of sex with Juan. They
talk on the phone, both acting normally, but both are worried because their
partner sounds out of breath.
The message? I have absolutely no idea!
5. The fifth and final story takes place in Stuttgart. I know Stuttgart well,
so I tried to figure out where it was. Eventually I saw a street sign and
realised that it wasn't filmed in Stuttgart, it was Grünwald, a small town
just south of Munich. Sieglinde is married to an older man called Lambert. He
works two jobs so they'll be able to buy their own house, which is the dream
of every Stuttgarter. In the evening Sieglinde wants to go to the fitness
studio, but Ottokar, a young man from Dresden (DDR) arrives selling magazines.
She doesn't want to buy anything, but she's willing to have sex. After this he
leaves.
Meanwhile, Lambert is at his second job. He's seduced by his secretary,
Gudrun, who's played by Ulrike Butz. She was the most beautiful German actress
in the 1970's. Nobody else came close. After sex they both go home. When
Lambert arrives home he's surprised to find Sieglinde at home, and she's
surprised that he's come home so early. But the fickle fingers of fate are at
work. Ottokar sees Gudrun in the street and chats her up. They tell each other
they were just with someone, and when they say where they live they realise it
was the same couple. Ottokar and Gudrun walk together to Lambert and
Sieglinde's apartment. They wish the surprised couple all the best for their
married life and leave together. Lambert tells his wife he'll quit his second
job, because a happy marriage is more important than buying a house.
And that's the message of the fifth vignette, I guess.
It was my intention to only use the lobby cards for illustration, since I've
found a full set online, but I think the following screenshots will be a
welcome addition.
Rosl Mayr approves. All women should be treated as Goddesses.
It's difficult for me to rate this film. It's not quite as good as the
previous film in the series, but any film with Ulrike Butz and Rosl Mayr
deserves four stars.
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