I admit, after I watched this film eight years ago, I didn't intend to watch
it again. I'm a big fan of Jim Wynorski, but I didn't consider it to be one of
his better films. Recently a friend of mine mentioned the film on Facebook and
praised the musical score by Chuck Cirino. I couldn't remember the music, so I
decided to pull it off my shelf and watch it again. I'm fortunate that my DVDs
are neatly stored in alphabetical order. As someone who owns more than 2000
films, it's essential. I started to use bookshelves exclusively for my DVDs
years ago, probably in 2008, when I only had a hundred films. I bought more
bookshelves over the years as needed. I now have five large bookcases, all
above head height, but the films on the top shelf are still within reaching
distance. My top shelf is reserved for my favourite films, and the alphabetic
ordering starts on the second shelf. Importantly, when I want a particular
film, however long it is since I last watched it, I only need a few seconds to
find it.
The film takes place in Hawaii on the island Kauai. An industrialist, Jason
Drake, played by David Carradine, has been carrying out illegal experiments in
his factory. He's been genetically modifying a crocodile and an alligator.
They both increase in size rapidly. For unknown reasons the crocodile looks
like it's been grafted onto a Tyrannosaurus Rex's body. Both creatures break
out of the factory on the same day and head in different directions, looking
for food... the two-legged kind of food.
Drake sends in mercenaries to capture the creatures and bring them back. The
US government sends in specialists to kill them. The two groups briefly meet,
when Drake's personal assistant is sent to kill anyone from the factory who's
giving away secrets to the government agents. That's probably the weakest part
of the plot: the rival groups don't challenge one another. In the first half
we see mainly Drake's men, in the second half we only see the government
agents. It's a loose end that Drake's men – the ones who haven't been
killed – simply disappear.
Another problem is that the computer graphics are such poor quality. Nobody
expects a low budget film to look like
"Jurassic Park", but the monsters still look too bad to be taken seriously. The monster
films made by Christopher Ray look better, and I'm sure he probably has an
even smaller budget.
The film's title is misleading. The two monsters wreak havoc separately
throughout the film. They only come together for a fight in the final five
minutes.
As for the music, my usual opinion about film music is that it should produce
emotional feelings without being consciously heard. It should be in the
background while the viewer concentrates on the story itself. Nevertheless, I
made an effort to listen to the music, and I have to agree with my friend.
Chuck Cirino's score is excellent, especially in the film's opening scenes.
Sometimes music is worth listening to in its own right.
The film has an assortment of pretty girls, as you would expect from any film
directed by Jim Wynorski, but they don't last long. Most of them are unnamed
characters who strut across the screen, showing off their bikinis, only to be
bitten in half a few minutes later. What a waste!
The only girl who makes it to the end is the beautiful park ranger Cassidy
Swanson, played by Amy Holt.
It must be a rule in Jim Wynorski's monster films that any girl wearing a
bikini is going to die. I wonder what his therapist has to say about that. We
can just be happy that Cassidy was professional and left her bikini at home.
Overall, the film isn't very satisfying. It's not an awful film, but it's not
good enough to be thrilling. At the very least, Jim could have added some
gratuitous nudity. Maybe a girl or two lying nude on the beach who didn't get
killed. Take off your bikinis and survive!
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