Klaus Schulze - Deus Arrakis
KS Album 60
Track Listing:
1. | Osiris | 18:18 |
2. | Seth | 31:47 |
3. | Der Hauch des Lebens | 27:08 |
Notes:
(1) Wolfgang Tiepold plays cello on "Seth".
(2) Eva-Maria Kagermann makes vocal sounds on "Der Hauch des Lebens".
Rating: 4½ Stars
This is the 60th solo album recorded by Klaus Schulze. It was announced on 4th April 2022, but sadly he passed away three weeks later on 26th April, making it a posthumous release. I was in hospital at the time, clicking away the boredom on my mobile phone, when I read the news. I can't begin tell you how much it hurt me. I already knew that he'd been ill for years, but it was still an unexpected shock.
The album is based on the "Dune" novels by Frank Herbert. I admit that I've
never read the books, so I'm unable to piece together the connection. I know
that Arrakis is the name of the primary planet in the books, but I don't know
the significance of Osiris and Seth.
Today is only the second time I've listened to the album. I listened to it as
soon as I received it when it was released in June. After this I put it on one
side while I was reviewing his other albums in order.
"Osiris" is probably the closest music Klaus has ever made to
space music. I don't want to say space rock, because it's far
from rock music. Its majestic building synthesizer chords build in intensity,
until they're finally joined by a subtle sequencer rhythm.
Some music takes its time to grow on me. I remember that I didn't like "Seth"
when I first heard it. It starts off with space music once more, but
the sequencer kicks in early, more prominently than in the first track, and
Wolfgang Tiepold's cello lifts the music to a different plane. Is it spiritual
or just hypnotic? I can't say. What I can say is that it's a piece of music
best listened to in complete darkness.
"Der Hauch des Lebens" (engl. "The Breath of Life") returns to the realm of
space music. That's an appellation I would never have given to Klaus
Schulze's music at any time during the last 50 years, but it fits now. Are we
drifting through space or wandering on a barren planet? It's more of the
latter. The sequencer begins after eight minutes, but rather than dominating
the music it gives emphasis to the synthesizer sounds. It drifts out as
effortlessly as it began.
Among Klaus Schulze's fans, the praise for this album has been ecstatic. Some
have even called it his best album. I think they're saying that for emotional
reasons. Looking at it objectively (as objectively as I can) it's a very good
album, but not up to the quality of his classic albums made in the 1970's. Or
maybe it will grow on me even more when I listen to it again.
Is this his final album? That depends on Klaus Schulze's friend and publisher
KDM. Does he have more tapes that would be suitable for release? Maybe, maybe not,
because I assume that he's already released the rest. What I do know is that
over the years he's given many pieces of music free on CD-Roms to subscribers
of his monthly magazine, "The KS Circle". I'm hoping that all of these will be
released in a future box set.
I noticed there's one album you haven't covered on this blog yet. It's the soundtrack to "Next of Kin", which was released in 2019. It was released on LP, but also as a digital download on the label's Bandcamp page (The Roundtable). It looks like it's not available on CD.
ReplyDeleteI omitted "Next of Kin" deliberately, because the music is excerpts from the track "Gem" which appears as a bonus track on "Audentity".
DeleteAh, I see. The album itself sounds more like a compilation album actually, with several short excerpts from earlier Schulze albums, though about two or three tracks seem unique. There's even a Strauss waltz in there.
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